Thursday, November 17, 2011

Demi Moore, Ashton Kutcher call it quits

LOS ANGELES | Thu Nov 17, 2011 5:21pm EST

LOS ANGELES (Reuters) - Film and television stars Demi Moore and Ashton Kutcher said on Thursday they are ending their marriage after six years, breaking up one of the most widely followed May-December romances Hollywood has seen.

The marriage between Moore, 49, and Kutcher 33, has been in trouble since late September when a San Diego woman went public about an brief affair she had with Kutcher, a star on CBS television comedy "Two and a Half Men," during a weekend of partying in the southern California city.

"It is with great sadness and a heavy heart that I have decided to end my six-year marriage to Ashton. As a woman, a mother and a wife there are certain values and vows that I hold sacred, and it is in this spirit that I have chosen to move forward with my life," Moore said in a statement.

"This is a trying time for me and my family, and so I would ask for the same compassion and privacy that you would give to anyone going through a similar situation," said Moore, star of films such as "Ghost," "G.I. Jane" and "Indecent Proposal."

Moore released her statement first and Kutcher quickly followed on Twitter, where he has a large and active fan base.

"I will forever cherish the time I spent with Demi. Marriage is one of the most difficult things in the world and unfortunately sometimes they fail. Love and Light, AK," Kutcher tweeted.

Moore was married twice previously, the first time to singer Freddy Moore and the second to film star Bruce Willis, with whom she has three children. They divorced in 2000.

She began dating Kutcher a few years after breaking up with Willis when Kutcher was rising to stardom on the TV sitcom "That '70s Show." Their affair immediately became fodder for the tabloid press because of their 16-year age difference.

(Editing by Jill Serjeant)



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"Breaking Dawn" to suck major blood from box offices

LOS ANGELES | Thu Nov 17, 2011 3:55pm EST

LOS ANGELES (Reuters) - The latest movie in the "Twilight" vampire romance series could take in about $140 million on its opening weekend in North America, box office watchers said, despite some blood-curdlingly bad reviews.

"Twilight: Breaking Dawn - Part 1" was widely criticized for bland, wooden acting and an implausible plot, scoring just 23 percent favorable reviews on aggregator website Rotten Tomatoes. Todd McCarthy of The Hollywood Reporter said the film was "bloated and anemic."

Yet movies like the "Twilight" series with their legions of diehard fans are somewhat critic-proof, and the film already has sold out more than 3,500 shows in Canada and the United States on the Fandango.com ticketing website ahead of the movie's opening at midnight on Friday

"Much like Bella's baby in 'Breaking Dawn', the demand for tickets is strong and fast-growing," said Fandango editor-in-chief Chuck Walton.

"We expect the movie to continually sell out tonight, while theater owners post additional late-night showtimes to meet the fans' demand to watch Bella and Edward's highly anticipated union," Walton said.

Box office analysts say the fourth film in the franchise will likely become only the second movie this year to bring in more than $100 million on its opening weekend.

Paul Dergarabedian of Hollywood.com expects "Breaking Dawn" to debut at about $140 million in its first three days, similar to "New Moon" two years ago.

"Harry Potter and the Deathly Hallows - Part 2" -- the final movie in the boy wizard franchise -- pulled in some $169 million in July on its opening weekend -- the biggest debut haul of 2011.

Independent movie studio Summit Entertainment, which produces and distributes the "Twilight" movies, however sought to play down any comparisons with the "Harry Potter" finale, noting that "Twilight" has a predominantly young female audience whereas "Harry Potter" fans are more evenly spread across all viewing groups.

"Breaking Dawn" sees young lovers Bella Swan (Kristen Stewart) and Edward Cullen (Robert Pattinson) finally wed before a vampire pregnancy threatens to destroy their bliss.

The New York Times gave one of the few positive reviews. Manohla Dargis called it "the latest and best of the movies about a girl, her vampire and their impossible, ridiculously appealing -- yes, I surrendered -- love story".

Dargis added that Bella is "played with increasing confidence by Kristen Stewart".

But Entertainment Weekly's Lisa Schwarzbaum said Twilight fans "deserve something better to love", while James Verniere at the Boston Herald said "Breaking Dawn" was a "slight improvement on the previous films" but "not remotely scary".

The Hollywood Reporter's McCarthy said the movie "feels as bloated and anemic as Bella becomes during her pregnancy.

"The film is like a crab cake with three or four bits of crab surrounded by loads of bland stuffing, but many can't tell the difference or don't care, which will largely be true for its captive audience," he added.

(Reporting by Jill Serjeant; Editing by Bob Tourtellotte)



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Stan Lee dreams up new heroes for the Web

LOS ANGELES | Thu Nov 17, 2011 2:13pm EST

LOS ANGELES (Reuters) - Stan Lee is aiming his powers at the Web, where the legendary creator of Marvel comic characters such as Spider-Man plans to take on the superhuman task of making profitable shows for an online audience.

The former Marvel Comics editor-in-chief told Reuters this week that he has high hopes for a new YouTube project called "Stan Lee's World of Heroes" that he is tackling with his current company, POW! Entertainment.

Starting in 2012, he plans to fill his YouTube channel with short, live-action videos and animation, and Lee said his company has over a dozen of those Web projects in the works.

His new move onto the Web comes as Hollywood has struggled to make a profit creating original productions online.

The Walt Disney Co, for instance, saw little success creating such shows through its online venture, Stage 9, but in a sign the entertainment industry is still looking to experiment on the Web, Sony Pictures Entertainment continues to promote original "webisodes" on its site, Crackle.

One the most successful models has been independent comedy site Funny Or Die, which mixes short parody videos starring celebrities with amateur content.

Now, the 88-year-old Lee said the Internet is ready for more of his brand of content, namely superheroes of all stripes.

"The Internet is so much bigger, and it's so all encompassing and everybody is involved in it," Lee told Reuters in a phone interview. "Years ago, it was just getting started. This is the perfect time for us to dive in with both feet."

Lee founded POW!, which stands for Purveyors of Wonder, in 2001 after he left Marvel. He was given the largely honorific title of chairman emeritus at Marvel in 1998.

STAN AT PLAY

So far, none of the characters Lee has dreamed up at POW! have come close to achieving the worldwide fame of the heroes he helped create in over five decades at Marvel Comics, which included Spider-Man, The Fantastic Four and Thor.

Lee said he could reveal few details about the characters he is planning to unleash on his YouTube channel. "There will be some with super power, and there will be some that are just good stories of people doing good things," he said.

But fans can look to his more recent efforts for clues. Lee's company produced a movie called "Lightspeed" about a government agent who gains the ability to move fast. It came out on DVD in 2007. His reality television show "Who Wants to Be A Superhero?" aired for two seasons on cable network the Sci Fi Channel.

"I don't feel I'm working, I feel as though I'm playing," said Lee, who holds the title of chief creative officer at POW! "There are guys 100-years-old who can't wait to get to the golf course. I can't wait to get to the office."

Gill Champion, president of POW!, said the cost of producing a show for the Web ranges from $500,000 to $2 million, which is much less than the tens of millions it can cost to produce a feature film with superhero characters and special effects.

If one of the series of short videos each lasting a few minutes online -- where viewers have short attention spans -- proves popular, it could be pieced together to create a full-length show that would air on TV, Champion said. Revenue could also come from paid sponsorships of Web shows, he said.

This is not the first time Lee has focused on the Web. His "Time Jumper," which he created in 2009 as a digital hybrid between animation and comics, has been sold on iTunes through a distribution deal with Disney.

His latest venture sees him partnering with digital studio Vuguru, which is overseen by former Disney CEO Michael Eisner.

"I am hoping everything we're doing at POW! will be as good or even better than what I did at Marvel, because I'm more experienced now," he said. "I know more now than I knew then."

(Editing by Bob Tourtellotte)



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Actor Chad Michael Murray turns to graphic novels

NEW YORK | Thu Nov 17, 2011 11:42am EST

NEW YORK (Reuters) - When actor Chad Michael Murray is not playing a teen heartthrob on TV and in the movies, he moonlights as a comic book writer staying up late at night to polish off a dark, end of days story he has created.

Murray's rookie graphic novel "Everlast" is being published this month by Archaia Entertainment after eight years of nurturing the tale about a man looking to save chosen people before mankind faces annihilation on Earth.

The 30-year-old actor told Reuters in a recent interview that the idea for the End of Days-themed story came to him while he was filming the show "One Tree Hill," in which he portrayed the character Lucas Scott. He left the show in 2009 but will return in 2012 for an episode.

Murray said he was inspired to write the book after a man knocked on his door to evangelize in North Carolina.

"The man said 144,000 people would be left to survive the end of days and it spurred a lot of ideas. What if that was true? How would you choose these people?" Murray said.

This notion of how survivors would be chosen gave Murray the idea for the hero of his novel "Everlast," Derek Everlast, whose calling in life is to find and protect the people who are going to survive the apocalypse.

"I've been writing for years but this was the first thing I ever followed through with," Murray said, adding he does most of his writing late at night.

Murray took his idea straight to Stephen Christy, the editor-in-chief of comic book publisher Archaia.

Christy, whose company often works with first-time writers, said he was struck by the tragedy at the heart of the protagonist's life. Everlast knows the end of the world is coming and knows most people in his life won't survive.

But it was ultimately Murray's exuberance for the project that sold Christy.

"This wasn't a vanity project, and this was something that really spoke to Chad on a deep level, which made it a lot easier to greenlight the book," Christy said.

INSPIRED BY FILM

Murray said the book's style is inspired by films such as 2005's "Constantine," about a supernatural investigator, and "The Crow," the 1994 tale of a murdered man who comes back to life to avenge his own death.

Perhaps surprisingly, Murray said he did not draw from comic books, mostly because he said he did not grow up a comic fanboy.

Murray wrote the story and worked with a team of five artists who created a unique style for each section of the book, which is told from different perspectives.

The villain's section, for instance, has a dark style, while the section written in the perspective of a young girl has a more innocent, anime-type artwork. Murray said the technique should help the book stand out from the pack.

Even though his largely female fan base may not be the first ones to line up buy a graphic novel, the reception to his new line of work has so far been positive, Murray said.

"The fans seem to enjoy the character," he said, adding he had released a short story on his website centered on Derek even before the graphic novel was published.

While the actor will soon appear in the upcoming movies "The Haunting in Georgia" and "Renee," he said he is devoted to furthering "Everlast," which could one day become a lucrative franchise.

"The world is kind of limitless, there is no end for it. There's a lot of stories we didn't tell," he said of the book. "If an audience really embraces it and takes it in, maybe they would want to watch it on the screen. As a film, as a TV series, these are all options."

(reporting by Liana B. Baker; Editing by Bob Tourtellotte)



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Spielberg, Fincher put big bang into Holiday films

LOS ANGELES | Thu Nov 17, 2011 8:18am EST

LOS ANGELES (Reuters) - Toss out the turkey and send Santa back up the chimney. The holiday movie season is upon Hollywood, ushered in by the vampires and werewolves of "The Twilight Saga: Breaking Dawn - Part 1."

When the new "Twilight" romance debuts in theaters on Friday, it sets the tone for a blockbuster-filled season dominated by big name movie directors such as Steven Spielberg and David Fincher and high-profile film franchises like "Mission Impossible: Ghost Protocol" (December 21) and "Sherlock Holmes: A Game of Shadows" (December 16).

"The last six weeks of of the year play out almost like a mini-summer," said Entertainment Weekly movie writer Dave Karger. "Kids are out of school for holidays, and movies are on the brain a lot more than they were in September or October."

The period encompassing the Thanksgiving and Christmas holidays make for the second-biggest moviegoing season of the year after summer. Things officially start November 18 with "Breaking Dawn" -- the first half of the fourth and final chapter of the mega-successful "Twilight" film series based on Stephenie Myers' novels. "Part 2" hits theaters in 2012.

"This one picks up at a place where you think, 'Where could this story go now?'" the film's star Kristen Stewart told Reuters. "I think lots of milestones are crammed in to it, and there's a very accelerated bit of life lived in this movie."

DIRECTORS TAKE SPOTLIGHT

"Breaking Dawn" is directed by Oscar winner Bill Condon, who is in high-profile company with several top filmmakers taking over the season: Steven Spielberg is a double threat, directing the performance-capture 3D film "The Adventures of Tin Tin" (December 21) and the period drama "War Horse" (December 25).

Joining them is Martin Scorsese with his first 3D effort, the children's period piece "Hugo" (November 23), and Cameron Crowe stages a comeback with the feel-good family film "We Bought a Zoo," starring Matt Damon (Dec 23).

And lest we forget, a year after David Fincher's "The Social Network" dominated the 2010 holiday season, the acclaimed director is back on December 21 with the highly-anticipated "The Girl With the Dragon Tattoo."

The film is an English language adaptation of Swedish author Stieg Larsson's first installment of his popular Millennium book series, which have already launched a franchise of Swedish films with a worldwide cult following.

"It's an awkward thing to make a movie from a book that has another movie that already exists," Fincher told Reuters. "But if I didn't feel that we could do something different, or that we could bring something to it, I wouldn't have done it."

Typical of the holidays, theaters are filled with plenty of family-friendly films aimed at satisfying multiple generations. There's animated fare such as "Happy Feet Two" (November 18) and "Arthur Christmas" (November 23), as well as the live-action CGI film "Alvin and the Chipmunks: Chip-Wrecked" (December 16).

Meanwhile, funnyman Jason Segel aims to revive a dormant franchise with the live-action musical comedy, "The Muppets," (November 23), that will see actual puppets in place animation or computer graphics.

"There's something very visceral about the idea that these puppets exists in the same world that we exist in," said Segel, who wrote, executive produced and stars in the film. "Nothing against those beautiful animated films, but you'll never meet Shrek. He lives in a computer. But you could meet Kermit and you could hug him and shake his hand."

OSCAR WATCH 2011

As the Academy Awards telecast draws closer to its February 26 curtain, the holidays also mark the time studios trot out their contenders. George Clooney is touted as among those to beat for best actor, playing a widowed father of two girls in filmmaker Alexander Payne's "The Descendants" (November 16).

Black-and-white silent film "The Artist" (November 23) has seemingly come out of left field to capture the eyes of Academy voters, but the pest picture race appears wide open for now.

Meanwhile, a big group of women find themselves competing for the best actress slot. On December 9, Charlize Theron stars as writer who tries to reclaim her married high school sweetheart in Jason Reitman's "Young Adult," and Tilda Swinton is turning heads as a distraught mother in "We Need to Talk About Kevin."

Glenn Close plays a woman passing herself off as man in order to work in the 19th century Ireland film "Albert Nobbs" (December 21), and Meryl Streep is the former UK Prime Minister Margaret Thatcher in "The Iron Lady" (December 30).

On November 23, Michelle Williams stars in "My Week with Marilyn" where she transforms in to the legendary Hollywood icon, yet tragic screen star, Marilyn Monroe.

"If I knew then what I know now about how many people have opinions about her, I don't know if I would have been brave enough to say yes to the role," Williams said.

"I'm certainly not going to please everyone. So I only felt bound by a responsibility to her, to my relationship with her, to my imagination of her. Not anybody else," she told Reuters.

And there is one key, possible contender on Academy Award watchers must-see list this season: the 911-themed family drama "Extremely Loud and Incredibly Close" (December 25) starring Oscar winners Tom Hanks and Sandra Bullock, written by Eric Roth and directed by filmmaker Stephen Daldry.

"The trailer looks promising so it could potentially join the list," said Karger. "But no one has seen it yet."

(Editing by Bob Tourtellotte)



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