Sunday, December 19, 2010

Oscar contenders jockey for position

Mon Dec 20, 2010 1:25am EST

LOS ANGELES (Hollywood Reporter) - And they're off. And it's The King's Speech in the lead. No, wait, it's The Social Network by a nose. Hold on, The Fighter is coming up fast on the inside track.

As the 2010 awards race turns into the backstretch -- the fall film festivals have come and gone, Golden Globe, Critics' Choice and SAG nominations have been unveiled, critics groups have begun to weigh in -- none of the contenders has broken from the pack. At the moment, there's some genuine suspense.

That could change by mid-January, with the Critics' Choice awards slotted for January 14 and the Globes two days later. Oscar nominations will be unveiled on January 25, and the winners announced February 27.

"You could make the case right now that there is a split developing between King's Speech and Social Network," awards consultant Tony Angelotti says. "King's Speech is more the actors' piece, while Social Network has been sold on the basis of its writer, Aaron Sorkin, and director, David Fincher."

From the moment the very British "Speech" debuted at the Telluride (Colo.) Film Festival to a standing ovation in early September, the drama has been a crowd-pleaser. The Weinstein Co. took it a few days later to the Toronto International Film Festival, where the reaction was equally rapturous -- the premiere audience even sang "Happy Birthday" to 50-year-old star Colin Firth. The film ended up with the festival's People's Choice Award.

At the same time, Sony -- with a series of strategic screenings designed to excite awards bloggers -- was readying "Social Network," which made its own auspicious debut as the tony opening-night film at the New York Film Festival. Even before the curtain went up, Film Comment critic Scott Foundas, a member of the festival's selection committee, proclaimed the movie "a splendid entertainment from a master storyteller."

Ever since, most critics have been falling all over themselves to find the right superlatives to praise the movie. While "Speech" eked out one more Globe nomination than did Fincher's movie, critics groups from New York to Los Angeles rushed to endorse "Social Network" as best picture.

Meanwhile, David O. Russell's "The Fighter" was marking time. Paramount did not enter it into the fall festival sweepstakes while awaiting a December launch. But even though the movie was one of the last contestants to enter the ring, it scored six Globe noms, tying "Social Network," and then built momentum when it tied "King's Speech" for SAG Award noms -- both pictures got four.

But though the trio of movies now appear bunched tightly near the top of the leader board, there's plenty of other action this awards season.

Natalie Portman has proved another critical darling for her turn -- on pointe, no less -- as a neurotic ballerina in Fox Searchlight's "Black Swan," which is thrillingly baroque. The film leads the Critics' Choice pack with 12 nominations, one ahead of "The King's Speech" and "True Grit."

At the opposite end of the spectrum, the backwoods drama "Winter's Bone," which first made an appearance at the Sundance Film Festival in January, is bracingly austere, and its lead actress, Jennifer Lawrence, also has been showered with praise. With seven nominations, "Bone" will be the film to beat at Film Independent's Spirit Awards on Oscar eve.

There also are the wild cards: "Toy Story 3" and the thriller "Inception" not only won over critics but dominated the summer box office. "Blue Valentine" got Globes love but no SAG attention. "True Grit," ignored by the Globes, rallied back with the help of the SAG voters.

With so many factors in play, it's far too early to call the race.



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"Tron" leads weak pack of newcomers at box office

LOS ANGELES | Sun Dec 19, 2010 11:51am EST

LOS ANGELES (Reuters) - "Tron: Legacy," a costly 3D sci-fi movie that Walt Disney Co has promoted for more than three years, took the top spot at the North American box office, but with a disappointing weekend haul of $43.6 million, according to estimates issued by the company on Sunday.

Industry observers had been expecting a three-day start in the $50 million range. As openings go this year, the massively hyped sequel to an obscure 1982 movie failed to crack the top-10, and observers have said it will need to rely on strong overseas business to break even.

According to reports, the effects-laden update cost $170 million to make, and more than $100 million to market worldwide. Disney, despite being a public company, is the only studio that refuses to divulge budgets. A studio executive was not immediately available for comment.

Critics trashed the film, which has occupied the attention of two Disney studio regimes in recent years. Jeff Bridges returns to the film as a videogame developer trapped in a virtual environment called the Grid. It marks the feature directing debut of commercials veteran Joseph Kosinski.

The studio, whose live-action pictures are overshadowed by the hit cartoons from its Pixar division, is looking to launch a franchise to take over from its popular "Pirates of the Caribbean" series. Just as the buccaneer theme-park attraction seemed an unlikely basis for a film series, so does "Tron," which appealed only to boys. This time, the studio aimed the film at men and women of all ages.

Disney has been offering tantalizing glimpses to movie fans at the annual Comic-Con convention since 2008, and has raised the heat in recent months with cross-marketing efforts across its theme parks, consumer-products and television wings.

Also new was "Yogi Bear," a live-action/animated update of the old television cartoon. It came in at No. 2 with $16.7 million, a few million dollars short of the expectations of its studio, Warner Bros. But the Time Warner Inc unit said it hoped the Christmas holiday would boost business among the film's core family audience.

Meanwhile, the weekend's other big new release, "How Do You Know," a comedy featuring a high-priced lineup headed by Jack Nicholson and Reese Witherspoon, was a major flop. It earned $7.6 million, falling short of modest expectations. The ranking was not immediately available. The film was released by Columbia Pictures, a unit of Sony Corp.

(Reporting by Dean Goodman; Editing by Vicki Allen)



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