Saturday, September 4, 2010

Comedian Robert Schimmel dies after car accident AP

PHOENIX Standup comic Robert Schimmel, a frequent guest on Howard Sterns radio show, has died after suffering serious injuries in a car accident. He was 60.

Schimmels spokesman, Howard Bragman, says Schimmel died Friday evening in a Phoenix hospital.

Schimmel was a passenger Aug. 26 in a car driven by his 19-year-old daughter Aliyah. Bragman says Aliyah Schimmel swerved to avoid another car and the vehicle she was driving rolled to the side of the freeway. Bragman says she is hospitalized in stable condition.

Robert Schimmel lived in Scottsdale. The 60-year-old comedian has been a frequent guest on "Late Night with Conan OBrien" and on Howard Sterns radio show. His 2008 memoir, "Cancer on $5 a Day," chronicles his battle with non-Hodgkins lymphoma.



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Kanye West: I bled hard over Swift debacle AP

NEW YORK Hip-hop star Kanye West is still feeling the pain over his trophy grab from Taylor Swift last year � and hes expressing his pain all over Twitter.

West unleashed a torrent of emotions on his official Twitter account Saturday, acknowledging once again that he was wrong for jumping on stage, taking the trophy that Swift won at the MTV Video Music Awards and saying that it should have gone to Beyonce.

But the rapper-producer said that he has experienced enormous pain, been the subject of death wishes and suffered tremendous setback to his career.

"How deep is the scar ... I bled hard ... cancelled tour with the number one pop star in the world ... closed the doors of my clothing office," he tweeted.

The multiplatinum, Grammy-winning superstar had been one of the decades most successful and critically acclaimed stars, despite sometimes boorish behavior and meltdowns at other awards shows when things did not go his way.

However, when he upstaged Swift � the then-teenage darling of pop and country music worlds _the public had had enough. There was tremendous backlash against West � even President Barack Obama was caught calling him a "jackass."

At the time, he went on Jay Lenos prime-time show to apologize and said he still had not recovered from his mothers death two years prior. He said he would be taking time off from the public eye.

That time off came sooner than expected. He canceled a joint tour with Lady Gaga that fall, apparently due to low ticket sales. On Twitter, West talked about the backlash.

"Im the guy who at one point could perform the Justin Timberlake on stage and everyone would be sooo happy that I was there," he wrote.

After the incident, he said, "People tweeted that they wish I was dead ... No listen. They wanted me to die people. I carry that. I smile and take pictures through that."

West said hes now "ready to get out of my own way. The ego is overdone."

He also apologized to Swift again, and said he has written a song for her that he hopes she will perform.

"If she wont take it then I will perform it for her," he said.

West is working on a new album that is supposed to come out sometime this fall. A recent member of Twitter, West has been an active user, posting not only his feelings, but new songs and other updates. He has over 900,000 followers since he joined earlier this summer.

"Man I love Twitter ... Ive always been at the mercy of the press but no more ... The media tried to demonize me," he tweeted Saturday.



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U.S. comedian Robert Schimmel dies after car accident

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Kanye West : I bled hard over Swift debacle AP

NEW YORK Hip-hop star Kanye West is still feeling the pain over his trophy grab from Taylor Swift last year � and hes expressing his pain all over Twitter.

West has unleashed a torrent of emotions on his official Twitter on Saturday, acknowledging he was wrong for taking an award from the country music sweetheart at the MTV Video Music Awards. But he says he "bled hard." He says he had to cancel his tour with Lady Gaga and even lost employees.

He once again apologized to Swift and says he has written a song for Swift that he hopes she will perform.

West experienced tremendous backlash over the stunt � even President Barack Obama called him a jackass.

West is working on a new album and due to appear at the VMAs again this year.



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Irreverent Cuban movie promises zombie revolution AP

HAVANA What would you do if your entire city was taken over by flesh-eating zombies and communist leaders insisted it was nothing but a plot by U.S-backed dissidents to destabilize the government?

If you were the protagonist of Juan de los Muertos � "Juan of the Dead" � the first zombie flick ever shot in post-revolutionary Cuba, youd figure out how to make some cash out of the carnage.

Part horror show, part social satire, the soon-to-be-shot movie has the backing of a Spanish production company, a green light from Cuban authorities and a budget that dwarfs most big-screen offerings from the island.

And its irreverent humor � one blurb for the film proclaims: "Fifty years later, a new Revolution has begun" � could make Juan of the Dead the next big thing in Cuban cinema, and give it a real chance at global success.

It is the second film by 34-year-old writer-director Alejandro Brugues, who says his idea was to tell a story that was authentically Cuban � but within the logic of a camp zombie flick. Closest to his heart, he said, is a quintessential island knack for making ends meet, whether by keeping a rusty 57 Chevy on the road for half a century, or finding a way to feed a family on a salary of $20 a month.

Locals even have a saying for how they will overcome the constant hurdles that are part of daily life on this cash-strapped, crumbling island: "Ill invent something."

"We Cubans have had to deal with a whole series of problems in the last 50 years," Brugues told The Associated Press, an allusion to the decades of economic hardship and isolation that have followed Fidel Castros 1959 revolution, particularly since the collapse of the Soviet Union.

"We have become accustomed to resolving problems on our own and finding a way to survive. So I was thinking, How would a Cuban survive a zombie epidemic."

As Brugues spoke, makeup artists in another room were transforming actors into blood-soaked zombies, a process that can take up to five hours. A gruesome zombie head lay on a table alongside multiple cups of coffee and cigarette butts, and a producer was testing out the believability of a detached, latex hand by sneaking up on unsuspecting production assistants and tapping them on the shoulder with it.

Preproduction got under way this week, with shooting slated to start in late October. the filmmakers hope to release the movie in the spring or summer of next year, and plan to role it out at several film festivals before showing it to a wider audience.

The movies plot is simple: A 40-year old layabout named Juan finds a zombie floating in the water while fishing off the coast of Havana. The zombie attacks but Juan makes a narrow escape, only to find that the undead are all over the city. State-run media blames the whole thing on government opponents backed by Cubas archenemies in Washington, but Juan knows better � and comes up with a plan.

Together with his sidekick, Lazaro � described by the filmmakers as "just as lazy, but twice as stupid" � Juan puts out the word that he is open for business.

Has your grandmother been turned into a zombie? Is your uncle stumbling about with blood coming out of his mouth?

Juan and Lazaro promise to get rid of your undead loved ones for just 15 Cuban convertible pesos $16 a pop, and to clean up the mess for an extra 20 $21.

The duo are making good money until they find themselves the only non-zombies left in the city, with the rest of the population having either fled or been infected.

The movie is backed by Spains La Zanfona Producciones, two Spanish television channels, the government of Spains Andalucia region and the state-run Cuban Institute of Art and Cinematography. It has a budget of $2.1 million, most of which is going to special effects that have to be added in Spain because the technology is not available in Cuba.

"Clearly, it is a very small budget for an international zombie movie," said Claudia Calvino, the films 27-year-old Cuban co-producer. "But thats a lot of money for a Cuban movie."

Another co-producer, 34-year-old Inti Herrera, said most Cuban films are made for less than $300,000. He said that the makers of Juan of the Dead are hoping to produce something that has a professional feel to it which can be enjoyed by audiences everywhere � even the United States.

"We really hope it comes out and is shown widely in theaters there," said Brugues. "That is definitely our idea."

Brugues says part of the movies message deals with whether one should stay and face problems or get out of town when the going gets tough � a politically sensitive topic in a country divided between those who have lived through the revolution for better or worse, and those who have left for exile in South Florida and elsewhere.

But he insists the film is not political.

"I want people to have a good time at the theater," Brugues says. "And I promise liters and liters of blood."

___

On the Web:

http://www.la5taavenida.com/?cat4

http://www.youtube.com/watch?vXjM4fRQNH6o&featurerelated

http://www.youtube.com/watch?vI_2GPzhAo6U



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Scorsese film defends anti-communist informer Kazan

VENICE | Sat Sep 4, 2010 8:28am EDT

VENICE Reuters - Martin Scorseses latest film pays a personal tribute to Elia Kazan, one of Hollywoods and Broadways most influential directors but also a controversial figure who turned anti-communist informant in the McCarthy era.

In "A Letter to Elia," an hour-long documentary screening at the Venice film festival, Scorsese credits Kazan and his emotionally-charged, raw and realistic style as the inspiration for his becoming a filmmaker.

He recalls in particular the huge impact that two of Kazans best-known films, "On the Waterfront" with Marlon Brando 1954 and "East of Eden" with James Dean 1955, had on him as a teenager.

"Its almost impossible to say how deeply I was affected by Kazans films," Scorsese wrote shortly after Kazans death in 2003 at 94.

Scorsese discovered Kazan as a young boy going to the movies on his own in New York and was at his side with Robert De Niro when Kazan, whose films won 20 Academy Awards, received a lifetime achievement Oscar in 1999.

That special award was hotly disputed because in 1952 Kazan had handed over to the House Un-American Activities Committee the names of eight members of the Communist Party who had worked at the Group Theater where he had started as an actor.

Naming names cost Kazan, himself a member of the party between 1934 and 1936 before resigning in protest, many friends in Hollywood and among U.S. intellectuals.

His reasons for doing so after previously refusing to testify is still debated.

In his memoir, Kazan wrote: "Id hated the Communists for many years, and didnt feel right about giving up my career to defend them. Was I sacrificing for something I believed in?

"Ive repeatedly astonished people by what seem to be total reversals of positions and attitudes."

In the documentary, which features a long interview with Kazan, he says that what he did was "only the more tolerable of two alternatives that were either way painful and wrong."

Kazan, the immigrant son of a Greek merchant, says his best films came after that experience, although by then he had already made his name on Broadway with "Death of a Salesman" and "A Streetcar Named Desire" and co-founded the Actors Studios.

On the Waterfront and East of Eden, among others, broke the mold of sugar-coated characters that were Hollywoods main fare until then, bringing to the screen unconfessable passions, troubled family ties and the criminal underworld, Scorsese says.

"They extended the limits of what was emotionally and psychologically possible," he says.

"These were the people I saw every day, the people I knew. It was as if the world I lived in mattered."

Editing by Andrew Roche



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