Friday, September 24, 2010

'50s musical icon Eddie Fisher dies at age of 82 (AP)

LOS ANGELES � Long before the era of Brangelina, TMZ and around-the-clock celebrity obsession, Eddie Fisher had a leading role in arguably the most explosive sex scandal of Hollywood's golden age.

He was a music superstar and household name to millions of teenage girls who adored his crooning long songs. He was married to Debbie Reynolds � a megawatt movie star in her own right and the star of "Singin' in the Rain." They had a daughter Carrie who would one day go on to fame of her own.

Then Fisher left Reynolds for Elizabeth Taylor, and what resulted was a scandal that left no doubt about America's love of a good-old-fashioned Hollywood romance story. The affair became a national obsession � and an early forerunner of the scandals that are now so common in the current celebrity-crazed world.

Fisher died Wednesday night at the age of 82 of complications from hip surgery, and he was remembered as much for his musical triumphs as his romances with Reynolds and Taylor.

Fisher sold millions of records in the early 1950s with 32 hit songs including "Any Time," "Oh, My Pa-pa," "Wish You Were Here," "Lady of Spain" and "Count Your Blessings." His romantic messages resonated with young girls in the pre-Elvis period.

Fisher's fame was enhanced by his 1955 marriage to Reynolds, and they quickly became known as "America's favorite couple." Four years later, Fisher divorced Reynolds and married Taylor amid one sensational headline after another.

He was Taylor's fourth husband, and the marriage lasted only five years. She fell in love with co-star Richard Burton during the Rome filming of "Cleopatra," divorced Fisher and married Burton in one of the great entertainment world scandals of the 20th century.

An example of the obsession over the affair came in 1964 when Taylor and Burton arrived at the Los Angeles airport to what AP movie writer Bob Thomas described as a "seething, shouting, throng of newsmen." Taylor was trying to divorce Fisher at the time, and the two camps were exchanging a war of words in the media in what Thomas called "filmdom's most famous � and lengthiest � love epic."

Fisher's career never recovered from the notoriety. He married actress Connie Stevens, and they had two daughters. Another divorce followed. He married twice more.

"The world lost a true America icon," Fisher's family said in a statement. "One of the greatest voices of the century passed away. He was an extraordinary talent and a true mensch."

"He was loved & will be missed by his four children as well as his six grandchildren," Carrie Fisher said on her Twitter account.

Carrie Fisher became a film star herself in the first three "Star Wars" films as Princess Leia, and later as a best-selling author of "Postcards From the Edge" and other books.

Edwin Jack Fisher was born Aug. 10, 1928, in Philadelphia, one of seven children of a Jewish grocer. At 15 he was singing on Philadelphia radio.

After moving to New York, Fisher was adopted as a protege by comedian Eddie Cantor, who helped the young singer become a star in radio, television and records.

Fisher had legions of teenage fans. Publicist-manager Milton Blackstone helped the publicity by hiring girls to scream and swoon at Fisher's appearances.

After getting out of the Army in 1953 following a two-year hitch, hit records, his own TV show and the headlined marriage to Reynolds made Fisher a top star. The couple costarred in a 1956 romantic comedy, "Bundle of Joy," that capitalized on their own parenthood.

In 1960 he played a role in "Butterfield 8," for which Taylor won an Academy Award. But that film marked the end of his movie career.

After being discarded by Taylor, Fisher became the butt of comedians' jokes. He began relying on drugs to get through performances, and his bookings dwindled. He later said he had made and spent $20 million during his heyday, and much of it went to gambling and drugs.

In 1983, Fisher attempted a full-scale comeback. But his old fans had been turned off by the scandals, and the tour was unsuccessful.

He had added to his notoriety that year with an autobiography, "Eddie: My Life, My Loves." Of his first three marriages, he wrote he had been bullied into marriage with Reynolds, whom he didn't know well; became nursemaid as well as husband to Taylor; and was reluctant to marry Connie Stevens but she was pregnant and he "did the proper thing."

Another autobiography, "Been There, Done That," published in 1999, was even more searing. He called Reynolds "self-centered, totally driven, insecure, untruthful, phony." He claimed he abandoned his career during the Taylor marriage because he was too busy taking her to emergency rooms and cleaning up after her pets, children and servants. Both ex-wives were furious, and Carrie Fisher threatened to change her name to Reynolds.

At 47, Fisher married a 21-year-old beauty queen, Terry Richard. The marriage ended after 10 months. His fifth marriage, to Betty Lin, a Chinese-born businesswoman, lasted longer than any of the others. Fisher had two children with Reynolds: Carrie and Todd; and two girls with Stevens: Joely and Tricia.

___

Associated Press Writer Bob Thomas in Los Angeles contributed to this report.



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Judge says Lindsay Lohan should receive bail (AP)

LOS ANGELES � A judge cleared the way for Lindsay Lohan's release from jail on $300,000 bail after the actress challenged a ruling earlier in the day that would have kept her in jail for nearly a month.

Los Angeles Superior Court Judge Patricia Schnegg set the amount Friday evening. Schnegg imposed several restrictions on Lohan's release, including that she must wear an alcohol-monitoring bracelet.

The monitor must be in place within 24 hours of her release.

It is unclear when Lohan could be released.

As conditions of bail, Lohan is also prohibited from possessing any controlled substances, must refrain from drinking and must stay out of places where alcohol is primarily sold.

Schnegg's ruling came after Lohan's attorney, Shawn Chapman Holley, filed a late-afternoon appeal seeking bail for the "Mean Girls" star. Holley had been prohibited from arguing for bail during the Friday morning hearing when Judge Elden Fox ordered the starlet held until an Oct. 22 hearing.

Schnegg's ruling states that defendants are entitled to bail in misdemeanor cases, which applies to Lohan.

District Attorney's spokeswoman Sandi Gibbons said prosecutors did not oppose Lohan's motion to seek bail.

Lohan was whisked from a Beverly Hills court Friday morning and was at the facility for about eight hours when the order clearing her release was issued.

Fox's decision to jail Lohan came after the "Mean Girls" star failed a court-ordered drug test after being released from rehab last month.

Lohan remains in an isolation unit of a women's jail in suburban Los Angeles, where she spent 14 days after a previous judge determined she violated the terms of her probation.



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Lauren Conrad heads back to MTV for reality show

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Lohan goes directly to jail after failed drug test (AP)

BEVERLY HILLS, Calif. � There were no tears, no last-minute pleading and no lecture from a judge warning Lindsay Lohan she was facing serious consequences for her latest misstep in a 3-year-old drug and drunken driving case.

Instead, Los Angeles Superior Court Judge Elden S. Fox on Friday sent a simple and stern message to the troubled actress � she was going to jail for nearly a month as promised for failing a drug test.

When Lohan's attorney, Shawn Chapman Holley asked to argue that bail should be set, Fox's reply was simple: "Nope."

Bailiffs closed in and Lohan stood up. Her estranged father, Michael, said "Oh God," as she was handcuffed and solemnly led from the courtroom.

Within moments Lohan was stripped of her designer high-heel shoes and jewelry and on her way to the county women's jail, where she will be held in an isolation unit. Her mother, Dina, carried the items in a clear plastic bag from the courtroom after the hearing.

Lohan is due back in court on Oct. 22, when Fox will formally determine whether she violated her probation and will spell out her sentence.

Holley appealed the ruling later Friday, filing a writ of habeas corpus that challenged the court's authority to hold the actress without bail.

Los Angeles Superior Court Judge Patricia Schnegg ruled Friday evening that Lohan could be released on $300,000 bail. The actress remained in an isolation unit of a women's jail in suburban Los Angeles.

Going into Friday's hearing, the "Mean Girls" star's fate was unclear after she failed a drug test roughly two weeks after her early release from rehab. A quick release seemed possible, and two bail bondsmen sat in the courtroom prepared to post bail as they have done twice already when the starlet violated terms of her probation.

But Fox, who in August paved a 67-day path to redemption involving rehab, counseling sessions and random drug tests, made good on his promise to send Lohan to jail if she erred.

He didn't say during the hearing what drug caused Lohan, 24, to fail the drug screen, saying only that she tested positive for a "controlled substance."

Also unclear are Lohan's career prospects after her latest straying from terms of her probation. She has been slated to star as Linda Lovelace in a biopic about the porn star, but the production schedule already was altered when Lohan was sent to jail in July.

Matthew Wilder, the writer-director of the film titled "Inferno," said in an e-mail that the film's producers "want her to do well." He did not address whether Lohan's role would be recast or the film further delayed.

Lohan's case has been a fixture at the Beverly Hills courthouse since May, when she missed a hearing to attend the Cannes Film Festival. She was jailed for 14 days after being found in violation of her probation for missing alcohol education classes and then spent 23 days in rehab.

"When you put the judge in a tight spot, he has no alternative," said Barry Gerald Sands, a defense attorney who has represented celebrity clients in drug cases and was present in court Friday. "She will not get out now."

Michael Nasatir, another defense attorney not handling Lohan's case, said judges only send people to jail on misdemeanors without bail if they feel the person is likely to violate the terms of their probation.

"The judge must think there is no other answer," Nasatir said.

Rehab remains a possibility for the actress, who seemed to acknowledge an addiction problem after news of her positive drug test broke last week.

"Substance abuse is a disease, which unfortunately doesn't go away over night," Lohan posted on her Twitter feed last Friday. "This is certainly a setback for me but I am taking responsibility for my actions and I'm prepared to face the consequences."

And her treatment won't end just because she's in jail.

Fox signed orders allowing a psychiatrist and professional addiction specialist to visit the actress throughout her incarceration.

Nasatir said Lohan could still make a comeback � he's seen it with many of his clients. "Nobody's a lost cause," he said. "You can never tell when the light will come on."

___

AP Entertainment Writer Sandy Cohen contributed to this report.



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Lindsay Lohan challenges ruling that jailed her

LOS ANGELES | Fri Sep 24, 2010 8:51pm EDT

LOS ANGELES (Reuters) - Lindsay Lohan's attorney filed legal papers on Friday seeking to spring the troubled actress from jail after she was taken into custody on a charge she violated probation by failing a random drug test.

Earlier Friday, Superior Court Judge Elden Fox denied bail for Lohan, 24, who was convicted in 2007 of drunken driving and cocaine possession. The ruling put Lohan behind bars until an October 22 hearing on whether she had consumed drugs or alcohol against court orders.

In a day of fast-changing events, Lohan's attorney, Shawn Chapman Holley, filed a writ of appeal seeking to set aside Judge Fox's ruling. It was unclear whether or when a supervising judge might decide the matter.

Spokesmen for the Los Angeles courts and its jails said Lohan would remain behind bars for the foreseeable future and would not be released due to overcrowding, as she has been in the past.

In August, the "Mean Girls" actress served two weeks of a 90-day jail sentence and 22 more days in a residential drug treatment program when a judge ruled she violated probation for the same charge.

After being released from rehab, Lohan was subject to court-ordered drug tests. Last week, Lohan sent out a series of messages on Twitter admitting she failed a test and saying she was working to overcome her substance abuse.

"Regrettably, I did in fact fail my most recent drug test, and if I am asked, I am prepared to appear before Judge Fox," Lohan tweeted last week.

On Monday, an arrest warrant was issued and Fox ordered her to appear on Friday in his court, where he sent her back to jail in handcuffs after a brief hearing.

Websites around the world posted a photo of Lohan in an orange, prison-issued jumpsuit, a stark contrast to the sleek black designer jacket and white skirt she wore to court Friday morning.

Independent attorneys said judges often deny bail in cases where a defendant violated probation.

"I don't see any way that is going to get changed," said Los Angeles defense attorney Steve Cron, who is not affiliated with any of the parties.

"She (Lohan) seemed from the beginning to have taken a very cavalier attitude that the rules don't apply to her, but when you violate probation, there are consequences," Cron said.

After making her mark in Disney movies like "The Parent Trap," "Freaky Friday" and "Herbie Fully Loaded," Lohan became a sought-after teenage star. She earned praise for her small part in director Robert Altman's "A Prairie Home Companion."

But soon after, Lohan began frequenting Los Angeles nightclubs and developed a reputation for partying. Her moves were documented nearly daily by the Hollywood paparazzi.

In May 2007, she crashed a Mercedes-Benz on the famed Sunset Boulevard. Police found cocaine in her car and arrested her on suspicion of drunken driving. Two months later, she was arrested again on similar charges.



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Eddie Fisher dies at age of 82 (AP)

LOS ANGELES � Long before the era of Brangelina, TMZ and around-the-clock celebrity obsession, Eddie Fisher had a leading role in arguably the most explosive sex scandal of Hollywood's golden age.

He was a music superstar and household name to millions of teenage girls who adored his crooning long songs. He was married to Debbie Reynolds � a megawatt movie star in her own right and the star of "Singin' in the Rain." They had a daughter Carrie who would one day go on to fame of her own.

Then Fisher left Reynolds for Elizabeth Taylor, and what resulted was a scandal that left no doubt about America's love of a good-old-fashioned Hollywood romance story. The affair became a national obsession � and an early forerunner of the scandals that are now so common in the current celebrity-crazed world.

Fisher died Wednesday night at the age of 82 of complications from hip surgery, and he was remembered as much for his musical triumphs as his romances with Reynolds and Taylor.

Fisher sold millions of records in the early 1950s with 32 hit songs including "Any Time," "Oh, My Pa-pa," "Wish You Were Here," "Lady of Spain" and "Count Your Blessings." His romantic messages resonated with young girls in the pre-Elvis period.

Fisher's fame was enhanced by his 1955 marriage to Reynolds, and they quickly became known as "America's favorite couple." Four years later, Fisher divorced Reynolds and married Taylor amid one sensational headline after another.

He was Taylor's fourth husband, and the marriage lasted only five years. She fell in love with co-star Richard Burton during the Rome filming of "Cleopatra," divorced Fisher and married Burton in one of the great entertainment world scandals of the 20th century.

An example of the obsession over the affair came in 1964 when Taylor and Burton arrived at the Los Angeles airport to what AP movie writer Bob Thomas described as a "seething, shouting, throng of newsmen." Taylor was trying to divorce Fisher at the time, and the two camps were exchanging a war of words in the media in what Thomas called "filmdom's most famous � and lengthiest � love epic."

Fisher's career never recovered from the notoriety. He married actress Connie Stevens, and they had two daughters. Another divorce followed. He married twice more.

"The world lost a true America icon," Fisher's family said in a statement. "One of the greatest voices of the century passed away. He was an extraordinary talent and a true mensch."

"He was loved & will be missed by his four children as well as his six grandchildren," Carrie Fisher said on her Twitter account.

Carrie Fisher became a film star herself in the first three "Star Wars" films as Princess Leia, and later as a best-selling author of "Postcards From the Edge" and other books.

Edwin Jack Fisher was born Aug. 10, 1928, in Philadelphia, one of seven children of a Jewish grocer. At 15 he was singing on Philadelphia radio.

After moving to New York, Fisher was adopted as a protege by comedian Eddie Cantor, who helped the young singer become a star in radio, television and records.

Fisher had legions of teenage fans. Publicist-manager Milton Blackstone helped the publicity by hiring girls to scream and swoon at Fisher's appearances.

After getting out of the Army in 1953 following a two-year hitch, hit records, his own TV show and the headlined marriage to Reynolds made Fisher a top star. The couple costarred in a 1956 romantic comedy, "Bundle of Joy," that capitalized on their own parenthood.

In 1960 he played a role in "Butterfield 8," for which Taylor won an Academy Award. But that film marked the end of his movie career.

After being discarded by Taylor, Fisher became the butt of comedians' jokes. He began relying on drugs to get through performances, and his bookings dwindled. He later said he had made and spent $20 million during his heyday, and much of it went to gambling and drugs.

In 1983, Fisher attempted a full-scale comeback. But his old fans had been turned off by the scandals, and the tour was unsuccessful.

He had added to his notoriety that year with an autobiography, "Eddie: My Life, My Loves." Of his first three marriages, he wrote he had been bullied into marriage with Reynolds, whom he didn't know well; became nursemaid as well as husband to Taylor; and was reluctant to marry Connie Stevens but she was pregnant and he "did the proper thing."

Another autobiography, "Been There, Done That," published in 1999, was even more searing. He called Reynolds "self-centered, totally driven, insecure, untruthful, phony." He claimed he abandoned his career during the Taylor marriage because he was too busy taking her to emergency rooms and cleaning up after her pets, children and servants. Both ex-wives were furious, and Carrie Fisher threatened to change her name to Reynolds.

At 47, Fisher married a 21-year-old beauty queen, Terry Richard. The marriage ended after 10 months. His fifth marriage, to Betty Lin, a Chinese-born businesswoman, lasted longer than any of the others. Fisher had two children with Reynolds: Carrie and Todd; and two girls with Stevens: Joely and Tricia.

___

Associated Press Writer Bob Thomas in Los Angeles contributed to this report.



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`Judge Judy' topples `Oprah' from top daytime spot (AP)

LOS ANGELES � "Judge Judy" won a ratings verdict over "Oprah" last season to rank No. 1 among daytime series.

According to Nielsen figures, Judy Sheindlin's courtroom show averaged 6.3 million daily viewers, compared with 5.7 million for Oprah Winfrey's talk show. "Judge Judy" became the first show to knock "Oprah" out of the top spot in a decade � and it was "Judge Judy" that did it the last time, too.

Winfrey relied on more reruns than usual last season, which affected her ratings.

Sheindlin is in her 15th year with the legal show. Winfrey, who's in the 25th and final season of her syndicated show, will launch a new cable network in January.

"Judge Judy" has been renewed through 2013.



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"The Social Network" opens in NY to buzz, controversy

NEW YORK | Fri Sep 24, 2010 4:27pm EDT

NEW YORK (Reuters) - Billed as an exhilarating, visceral tale about the founding of Facebook, "The Social Network" gave the opening of the New York Film Festival on Friday an aura of anticipation and a touch of controversy.

The film has attracted widespread attention with its assertion that it tells the true story of the birth of the website -- which now boasts more than 500 million members and is worth tens of billions. Yet, it is based on a book criticized for its reporting methods.

One of the most talked about films of the year, "The Social Network" was transformed into a movie by Hollywood heavyweight director David Fincher and writer Aaron Sorkin. It has brought an unusual pizzazz to the 17-day film festival, which typically emphasizes the art of cinema over Hollywood-style premieres.

"This movie is absolutely a true story, but with the catch that people disagree about what the truth was and the movie takes no position on what the truth is. It presents everybody's story," Sorkin, best known for his TV hit "The West Wing," told Reuters.

The movie opens across the United States October 1, telling the rags-to-riches tale of how Facebook co-founder Mark Zuckerberg was transformed from an intelligent, socially awkward Harvard University student to the hottest property in Silicon Valley for creating the online community.

It intersperses scenes of depositions taken for lawsuits by Zuckerberg's former best friend and Facebook co-founder Eduardo Saverin, as well as by Olympic rowing twin brothers and former Harvard students Tyler and Cameron Winklevoss.

Both lawsuits resulted in undisclosed large settlements.

Zuckerberg, now 26, is not expected at Friday's premiere. He refused to cooperate with the film and told Oprah Winfrey on her chat show on Friday, "It's a movie, it's fun" but his life was not so dramatic.

Now worth $6.9 billion according to Forbes, Zuckerberg announced a $100 million donation to Newark, New Jersey schools on Friday, deflecting some media attention from the film's premiere.

ZUCKERBERG, PRICKLY & SMART

Zuckerberg also refused to cooperate with the book upon which the film is based, Ben Mezrich's "The Accidental Billionaires -- The Founding of Facebook, A Tale of Sex, Money, Genius and Betrayal." Some critics blasted it as frivolous for featuring too much narrative and not enough fact.

The movie stars 26-year-old Jesse Eisenberg as Zuckerberg, Andrew Garfield as Facebook CFO Saverin, and Justin Timberlake as Napster creator and Internet wunderkind Sean Parker. None of the characters are portrayed in an altogether positive light.

Fincher, know for such hit movies as "Fight Club," Se7en" and "The Curious Case of Benjamin Button," said he knew the film would be controversial when he took it on, but he refused to do a "cuddly" portrayal of Zuckerberg.

"I knew it was controversial," said Fincher. "I like the fact that he is prickly and smarter than everybody and makes no apologies for it."

Fincher declined to say if he views the movie as a true story or a work of fiction, saying only that fact-based movies have to take the perspective of certain characters.



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2 media companies, 2 bosses exiting (AP)

NEW YORK � Black Friday in TV Land! A double whammy! High-level upset in the corporate suite of not one, but two, media giants!

It was hard not to gasp at the thunder of tectonic plates shifting almost in tandem at CNN (which announced the exit of Jonathan Klein as head of its U.S. network) and at NBC Universal (whose chief executive, Jeff Zucker, declared he would soon be leaving the company after nearly a quarter-century).

Neither man's departure could come as much of a surprise to anyone (unless you were shocked this week when Steven Tyler and J-Lo were unveiled as "American Idol" judges).

But confirmation of the inevitable came in what felt like harmonic convergence Friday morning from the citadels of CNN (a division of Time Warner) and NBC Universal. Here was a sense of closure multiplied by two. And instantly the media landscape looked different � or, anyway, had the potential to.

Granted, despite the synchronicity of news of these two personnel changes, they are less similar than different.

Klein, while a veteran news executive, has been at CNN for just six years.

By contrast, the 45-year-old Zucker has spent his entire working life at NBC, rising steadily and spectacularly from an entry position as researcher for the network's coverage of the 1988 Olympics.

Klein was fired in the wake of CNN's ratings struggle, and stubborn third-place standing against MSNBC and top-ranked Fox News Channel.

On the other hand, Zucker said he plans to leave in the next few months in anticipation of new leadership to be installed by cable provider Comcast Corp., which, pending regulatory approval, will buy a 51 percent stake in NBCU from its corporate owner, General Electric.

Klein has taken his licks for CNN's also-ran status in viewership. But he seemed to defy his prophets of doom as he hatched big plans for new prime-time programming. These include a show starring former New York Gov. Eliot Spitzer (which debuts Oct. 4) and Piers Morgan in a show to replace "Larry King Live."

Zucker, operating on a much larger stage than Klein, was a much larger target as he climbed his company's corporate ladder.

In 2000, he had left his post as executive producer of "Today" to take over NBC's entertainment division. Then he was crowned president of the NBC Universal Television Group, in charge of its entertainment, news and cable channels. Three years ago, he moved up again, as his portfolio expanded beyond television to include such assets as theme parks and movie studios.

While he could point to clear successes (in cable, for example), he was slammed for the ratings woes of the NBC network, which has long clung to fourth place.

And it was Zucker's late-night strategy that led to NBC losing Conan O'Brien. In 2004, he had signed O'Brien to take over "The Tonight Show" from Jay Leno five years hence. Last fall, Leno was moved into a weeknight prime-time hour (which quickly flopped), then restored as the host of "The Tonight Show" when the network swiftly lost faith in O'Brien. As this fiasco unfolded, O'Brien was the odd man out.

It was all very messy, and left many observers marveling � not for the first time � that Zucker had managed not only to survive but ascend at his company, year after year.

By Friday's end, a new boss had been named to take over from Klein at CNN: Ken Jautz, head of HLN.

At NBCU, Zucker's legendary reign was in the home stretch.

No more wondering when these changes will occur. The operative question now: What difference will they make?

___

CNN is owned by Time Warner. NBC Universal is owned by General Electric.

___

Online:

http://www.cnn.com

http://www.nbc.com



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TLC tackles polygamy with 'Sister Wives' (AP)

LOS ANGELES � The Duggars have 19 and counting. Kate Gosselin has eight. Kody Brown has four. Wives, that is.

TLC, the network responsible for behemoth family exposes like "Kate Plus 8" and "19 Kids and Counting," is turning its reality TV attention to another kind of domestic abundance: polygamy. "Sister Wives," premiering Sunday at 10 p.m. EDT, follows a fundamentalist Mormon family composed of one daddy, three mommies and 13 children living under one roof.

"It just felt like our story needed to be told," said Kody, the affable patriarch who works in advertising and lives with his family in Lehi, Utah. "There's a lot of stereotypes out there that are actually perpetuated by the press. I wanted to make sure the world understood that we're polygamists, but we're not the polygamists that you think you know."

The series follows Kody, 41, as he brings fourth "sister wife" Robyn, 31, and her three children from a previous marriage into the brood. (He is only legally married to first wife Meri, 39.) Kody and the wives, who said they are not members of the Fundamentalist Church of Jesus Christ of Latter Day Saints, wanted to give a public face to polygamy.

"We come from a closed society," said third wife Christine, 37. "That was one of the reasons we wanted to do the show, to open up our society, just so people can see what it's like. Because of that, I think that there is a lot of fear that comes from doing things like this. We just want to show our family. We don't even want to go into our church life."

Instead of examining the religion that inspires the Browns' lifestyle, "Sister Wives" focuses on their mostly mundane household as Robyn enters the mix. There's no "Big Love"-style salaciousness here. The Browns are far less chaotic than the fictional Henricksons from HBO's polygamy drama, and parts of their lives are off limits to reality TV.

"There's boundaries that we've established," said Kody. "Some of those would be what's not family oriented. I try to avoid talking about politics or about religion. I talk about my faith because it's mine, but my religion belongs to an entire society of people. I don't really want to talk about religion or politics or the bedroom."

Bigamy is illegal in both Utah and Arizona, where most known Intermountain West polygamous sects live. Utah County attorney Jeff Buhman declined to comment on if his office was looking into the Brown family. Buhman said his office usually only investigates crimes "related to public corruption, police involved shootings or deaths, or white collar crime."

Polygamy is a legacy of the early Church of Jesus Christ of Latter-day Saints, whose members brought the practice to Utah in 1847. The mainstream Mormon church abandoned polygamy more than a century ago in 1890 in preparation for Utah's statehood and now excommunicates members found engaged in the practice, though other communities still practice polygamy.

A survey conducted by the polygamy advocacy group Principle Voices last year identified that roughly 38,000 people believe in or practice polygamy across the Intermountain West. Most are not members of any organized church, but all consider themselves fundamentalist Mormons and believe the practice will bring exaltation in the next life.

___

TLC is owned by Discovery Communications, LLC.

___

Online:

http://tlc.discovery.com/

(This version CORRECTS spelling of Robyn)



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Lindsay Lohan sent back to jail in handcuffs

LOS ANGELES | Fri Sep 24, 2010 1:56pm EDT

LOS ANGELES (Reuters) - Actress Lindsay Lohan was led away from a Beverly Hills courtroom in handcuffs on Friday and taken back to jail where she is expected to spend nearly a month awaiting a hearing for violating her probation.

Superior Court Judge Elden Fox denied Lohan bail, which would have kept her out of confinement. He set an October 22 hearing to decide if the 24-year-old actress violated terms of her probation on a 2007 conviction for drunken driving and cocaine possession after she failed a random drug test.

The "Mean Girls" actress spent two weeks in jail in August and 22 more days in a residential drug program when a different judge ruled she violated probation for the same charge.

After being released from rehab, the actress was subject to court-ordered drug tests. Late last week, Lohan sent out a series of messages on Twitter admitting she failed a test and saying she was working to overcome her substance abuse.

"Regrettably, I did in fact fail my most recent drug test, and if I am asked, I am prepared to appear before Judge Fox," Lohan tweeted last week.

On Monday, an arrest warrant was issued and Fox ordered she appear in his court on Friday.

Lohan's attorney, Shawn Chapman Holley, did not appear outside the Beverly Hills courthouse after her client was taken into custody, but the actress's estranged father, Michael Lohan, talked to a throng of reporters and said he was angry with Judge Fox's decision.

"My daughter's in Jail. I'd rather be in jail rather than my daughter today," he said.

After bursting onto Hollywood's map in Disney movies like "Freak Friday" and "Herbie Fully Loaded," Lohan became a highly sought-after teenage star. She earned wide praise for her small part in director Robert Altman's "A Prairie Home Companion."

But soon after, Lohan began frequenting Los Angeles nightclubs and partying all night. Her moves were documented nearly daily by the Hollywood paparazzi.

In May 2007, she crashed a Mercedes-Benz on the famed Sunset Boulevard. Police found cocaine in her car and arrested her on suspicion of drunken driving. Two months later, she was arrested again on similar charges.

Lohan pleaded no contest to two counts each of drunken driving and being under the influence of cocaine, and one count of reckless driving. She spent 84 minutes in jail, was released due to overcrowding and placed on three years probation.

Her probation was extended for a year after she missed some alcohol-education classes, and earlier this year, a judge found her guilty of violating probation by again missing such classes, leading to jail and rehab.

(Reporting by Bob Tourtellotte; Editing by Bill Trott and Jerry Norton)



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Judge sends Lohan to jail after failed drug test (AP)

BEVERLY HILLS, Calif. � A judge sent Lindsay Lohan back to jail Friday after she failed a drug test, and the troubled starlet could stay there for nearly month.

Los Angeles Superior Court Judge Elden S. Fox did not set bail and Lohan was taken into custody immediately after the hearing at the Beverly Hills courthouse.

Fox set Lohan's next court appearance for Oct. 22. It will be Lohan's third jail stint for a three-year-old drug and drunken driving case filed after a pair of high-profile arrests in 2007.

Her previous stays at a women's jail in a Los Angeles suburb lasted 84 minutes and 14 days.

Lohan acknowledged failing a court-ordered drug screening last week in a series of Twitter postings.

Lohan arrived at the Beverly Hills courthouse Friday about 10 minutes before the hearing was set to start, wearing sunglasses and accompanied by her mother, Dina. Her father, Michael Lohan, arrived earlier.

It was the "Mean Girls" star's first appearance before Fox, who had said at a previous hearing he would sentence her to a month in jail for each drug test she skipped or failed.

The actress wasn't present for that hearing, which was held hours after her release from rehab.

Lohan has twice been released early to overcrowding, with her longest jail stay a 14-day stint on a 90-day sentence earlier this summer.

Lohan seemed to acknowledge an addiction problem after news of her positive drug test broke last week.

"Substance abuse is a disease, which unfortunately doesn't go away over night," Lohan posted on her Twitter feed last Friday. "I am working hard to overcome it and am taking positive steps.

"This is certainly a setback for me but I am taking responsibility for my actions and I'm prepared to face the consequences," her posts said.

The actress remains on probation for a reckless driving and two driving under the influence charges, all misdemeanors. Fox dropped two drug cases at a hearing in August during which he announced Lohan's release from rehab and set out a strict outpatient treatment schedule that included random drug screenings.

Fox has sealed Lohan's court file, but a source familiar with the case has told The Associated Press that the actress' failed test came roughly two weeks after her release from rehab.



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NBC Universal CEO to leave when Comcast takes over (AP)

NEW YORK � NBC boss Jeff Zucker will step down after cable provider Comcast takes control of the television programmer late this year.

Zucker, CEO of NBC Universal, informed employees of his planned departure in a Friday e-mail, and Comcast executives said they wished him well.

A possible change-in-command has been looming since last December when Comcast Corp. agreed to buy a 51 percent stake in NBC Universal from General Electric Co.

Zucker said in an e-mail to NBC Universal staff that leaving was a tough decision. He made his name at NBC as a youthful executive producer of the "Today" show, then became its entertainment chief. He has been moving up the corporate ladder even as NBC's entertainment unit has faded.



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Facebook CEO announces $100M gift to NJ school (AP)

CHICAGO � Facebook founder Mark Zuckerberg on Friday announced a $100 million donation to Newark public schools in a move that could enhance his reputation just before the opening on an unflattering movie about him, "The Social Network."

Zuckerberg told Oprah Winfrey that he picked Newark for the gift "because I believe in these guys."

"These guys" are Republican New Jersey Gov. Chris Christie and Newark Mayor Cory Booker, a Democrat. All three appeared with Zuckerberg on a live episode Friday of Winfrey's TV show.

The Newark district has been plagued for years by low test scores, poor graduation rates and crumbling buildings. It was taken over by the state in 1995 after instances of waste and mismanagement.

Zuckerberg, wearing a gray T-shirt, black jacket and tennis shoes, explained to Winfrey why he chose to make his philanthropic debut in education.

"Why education? Because every child deserves a good education and right now that's not happening," Zuckerberg said, adding he wants other children to have the same opportunities he had.

Zuckerberg said his gift is a challenge grant. Booker said he is lining up money from other foundations, too.

Last year, the Bill & Melinda Gates Foundation announced $290 million in education grants, including $100 million for the school system in Tampa, Fla., and $90 million for the Memphis, Tenn., district. The Gates Foundation also has given than $150 million to New York City schools over the past eight years.

The Newark district, which has about 40,000 students and a $940 million annual budget, has been plagued for years by low test scores, poor graduation rates and crumbling buildings, and was taken over by the state in 1995 after instances of waste and mismanagement, including the spending of taxpayer money by school board members on cars and restaurant meals.

Zuckerberg grew up in Dobbs Ferry, N.Y., graduated from Phillips Exeter Academy in New Hampshire in 2002 and attended Harvard before dropping out to work full time on Facebook. He has no connection to Newark other than knowing Booker, a charismatic 41-year-old politician who has the ear of President Barack Obama and has helped the city get major donations from Winfrey and New Jersey's Jon Bon Jovi.

The announcement comes a week before "The Social Network" opens widely. The movie, whose tagline is "You don't get to 500 million friends without making a few enemies," portrays Zuckerberg as taking the idea for Facebook from other Harvard students.

For Christie, the deal may be a way to recover from the biggest misstep of his administration so far: Last month, the state missed out on a $400 million federal education grant because of a simple error on its application. Christie fired the state's education commissioner in the aftermath.

The donation also sets the stage for Christie's plans to announce statewide education reforms next week.

___

Mulvihill reported from Newark, N.J.



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Colbert tells lawmakers farm work 'really hard' (AP)

WASHINGTON � Taking his blowhard act to Congress, comedian Stephen Colbert has told lawmakers he doesn't want Mexicans picking his tomatoes. And he expressed befuddlement that more Americans aren't clamoring to "begin an exciting career" in farm work.

A straight-faced Colbert testified in character Friday at a House hearing on illegal farm workers. He offered what he called his "vast" knowledge of the subject after spending a day on a vegetable farm in New York.

Colbert described his ordeal of stooping to pick beans as "really, really hard." As he put it: "It turns out, and I did not know this, most soil is at ground level."

He pleaded with Congress to do something about illegal workers because "I am not going back out there."

After his day on a farm, Colbert says, "I don't even want to watch Green Acres again."



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CNN fires it's US chief (AP)

NEW YORK � Struggling CNN has fired Jon Klein, the head of its U.S. network.

CNN Worldwide President Jim Walton said Friday that Klein is being replaced by Ken Jautz, who currently runs HLN. The former Headline News Network has been a success in recent years with a switch to an opinionated prime-time lineup.

Klein, a former CBS executive, has never been able to solve the puzzle of building a prime-time lineup competitive in the ratings. CNN badly trails top-ranked Fox News Channel, and MSNBC's switch to a left-focused talk lineup at night has also left CNN behind.

The timing, however, is odd. Klein just remade CNN's prime-time lineup with an 8 p.m. show starring former New York Gov. Eliot Spitzer, which debuts next week, and announced Piers Morgan as the replacement to Larry King.



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A generation seen through `The Social Network' (AP)

NEW YORK � "The Social Network" is a stylish, hyper-speed portrait of a Web-connected generation made by two men with scant love for the Internet who wouldn't be caught dead "friending" anybody.

Director David Fincher and screenwriter Aaron Sorkin's film is about Mark Zuckerberg and the contentious creation of the social networking behemoth Facebook. Born in Zuckerberg's Harvard dorm room, the site has in six years grown to more than 500 million users worldwide and a dollar worth in the billions.

The film, which premieres at the New York Film Festival on Friday and opens in theaters Oct. 1, is pulsating with prestige, of-the-moment hipness and glowing early reviews. Much of the excitement is over the sheer filmmaking prowess of the movie, the classical storytelling and the whip-smart script � all 162 pages of it, distilled into a dialogue-rich two-hour film.

But it's also a fascinating, pugnacious rendering of a younger generation by two filmmakers not of it.

"The movie is sort of built to pick a fight," says Sorkin. "Not with Facebook, I mean it's built not to have unanimous consensus about what just happened."

"The Social Network" has already found controversy for its portrayal of Zuckerberg as an arrogant, back-stabbing hacker with, of all things, social awkwardness. The film details the fallout of Zuckerberg's friend and original Facebook CFO Eduardo Saverin (Andrew Garfield, the "Spider-Man" heir apparent) and the claims of college classmates Cameron and Tyler Winklevoss (twins played with digital help by Armie Hammer and Josh Pence) and Divya Narendra (Max Minghella). Both Saverin and the Winklevoss clan have sued Zuckerberg and Facebook, claiming a hand in its invention, winning undisclosed settlements.

Sorkin's screenplay was adapted from Ben Mezrich's book "The Accidental Billionaires." After reading Mezrich's early treatment, Sorkin ("The West Wing," "A Few Good Men") began his script while Mezrich was writing his book, and even finished his screenplay before the book was released.

Approached by producer Scott Rudin, Fincher ("Se7en," "Fight Club") came aboard but with the insistence that the film not be cycled through development and numerous revisions, but rather expedited to keep its timeliness.

"It felt like it was talking about something that was immediate," says Fincher. "It used to be that to make an invention that touched as many lives as Facebook has, you had to have a wind tunnel, you had to have an assembly line, you had to have a work force. And now all you need is two cases of Red Bull and a DSL."

Sorkin makes no bones about it: He's not a fan of the Internet. He says that in innocuous wall posts like "Had a girls night tonight. Split five deserts. Better hit the gym tomorrow!" he hears someone aping Ally McBeal or Carrie Bradshaw � projecting themselves as a fictional type. Social networking, he says, has done the opposite of its intention and "pushed us further apart."

"When I signed up for this, I had heard of Facebook, but that's it," says the 49-year-old Sorkin. "Frankly, I had heard of Facebook the way I've heard of a carburetor. I can't pop the hood of my car, point to it and tell you what it does. My attraction to this were the themes that are as old as storytelling itself: of loyalty and betrayal, friends and enemies, power, class, jealousy."

Particularly in scenes set at Harvard, "The Social Network" is filled with intelligent teenagers who believe steadfastly in their perspectives. Their young lives � driven, sexual, messy � spill out on the Internet.

"Probably kids today waste as much time on Twittering and instant-messaging as I did on `Gilligan's Island,'" says Fincher, 48. "At least people are going to have very dexterous thumbs when they ask the age-old question: `What are you doin'?'"

Fincher, with tongue in cheek, calls the film "the 'Citizen Kane' of John Hughes movies" � a kind of 21st century morality tale. Where his previous two films � "The Curious Case of Benjamin Button," "Zodiac" � dealt with the passage of time, "The Social Network" hums to an accelerated modern pace, set to Trent Reznor's synthesizer-heavy score. Zuckerberg is depicted as a time-condensed Charles Foster Kane, successful but regretful by his mid-20s.

The 26-year-old Eisenberg ("The Squid and the Whale," "Adventureland") has perhaps a less cynical view of the Internet. Not long after Zuckerberg was inventing Facebook, Eisenberg launched a much smaller and much less ambitious wordplay site called OneUpMe.com. His cousin and Facebook employee Eric Fisher now runs it; ironically, users need a Facebook account to play.

In preparation to play Zuckerberg � a relative blank slate considering the little known about him � Eisenberg watched everything he could watch of the young CEO. After reading that Zuckerberg had been a fencer, he took fencing lessons. He listened to speeches by Zuckerberg on an iPod on his way to the set, and grew to have a "great affection" for him.

"I had the unique position on set of having to defend my character for six months," says Eisenberg. "Even though the character occasionally acts in ways that are hurtful to the other characters, I was in the unique position of never seeing him in any light but a completely justified one. It's impossible to play a role any other way."

The portrayal is both harsh and empathetic, treating Zuckerberg as a visionary with little patience for condescending adults. Facebook, which didn't cooperate with the film, said in a statement that "The movie might be a sign that Facebook has become meaningful to people, even if the movie is fiction."

"You have to answer to its factuality," says Sorkin. "I understand Facebook pushing back against the movie. That's both predictable and understandable. They're not doing anything wrong; it's what I'd do, too. First of all, Facebook's beef isn't with the movie, it's with the people who sued them and the testimony they gave. If I were Mark Zuckerberg, if I were Facebook, I would want this story only told from my point of view, which is what they wanted. But we're telling it from their point of view and the point of view of Eduardo Saverin and the point of view of Cameron and Tyler Winklevoss."

The Oscar drumbeat has already started for "The Social Network," with many prognosticators expecting considerable awards attention for the film. Fincher, Sorkin and Eisenberg are all doing their best to ignore such talk for now; they know how fast and fickle online conversation can be.

"It's scaring the heck out of me, I won't lie to you," says Sorkin of the swelling interest. "The rollout is enormous, the reaction has been extremely positive � which can only mean one thing: The backlash will begin any moment now."



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Wall Street insider looks into "Money Never Sleeps"

NEW YORK | Fri Sep 24, 2010 8:59am EDT

NEW YORK (Reuters) - More than 20 years after the release of hit film "Wall Street," director Oliver Stone again looks at the world of high finance with "Wall Street: Money Never Sleeps," opening in theaters on Friday.

The sequel to 1987's original film, which earned Michael Douglas an Oscar in the role of corporate raider Gordon Gekko, tells of a brash young trader (Shia LaBeouf) looking to cash in on Wall Street even as financial markets collapse around him.

Thomas Belesis, chief executive officer at New York-based brokerage firm John Thomas Financial, was a technical advisor on "Money Never Sleeps," and he portrayed a Wall Street chief in the film. He talked to Reuters about working on the movie, the way it portrays his industry, and how true it is to the real Wall Street. One hint: Belesis is bullish.

Q: How did you become involved with the film?

A: "When Oliver was first researching it, he was introduced to me by the building manager at 40 Wall Street, the Trump Building where John Thomas Financial is located. He was looking for a trading floor to use in the film and we hit it off. He ended up filming at a different floor...but he offered me a role, which I gladly accepted."

Q: Did you have any previous acting experience?

A: "No, but I wasn't intimidated. I play Shia's boss, an executive at a Bear Stearns-like firm that collapses because of the subprime issue. My scenes have me in conferences or talking to traders, and those are things I live everyday. I'm used to being commanding in those situations. Plus, as a director, Oliver is a master at his trade. He knows how to get the best out of everyone."

Q: Were you familiar with the original "Wall Street"?

A: "Very. I've probably watched it a few dozen times. It was very surreal to go from watching it to seeing Oliver Stone and being involved."

Q: What did your job as technical advisor entail?

A: "Several of the actors -- Shia, Josh Brolin -- came to John Thomas for about a week to do research. They wanted to get a feel for what a trader does and what's appropriate in terms of attire and the way they talk and present themselves --the whole attitude and persona. What's the way you go about presenting an opportunity to an investor? Things of that nature. So they talked to me, talked to some of my traders.

"Beyond that, I tried to ensure that everything looked right and felt right. We did conference scene where a character is giving a presentation, and they had the conference table clear. That was incorrect, since people usually have their BlackBerrys on the table, cans of Red Bull or cups of coffee or espresso. So I told them and they added that."

Q: How do you think the culture of Wall Street has changed since the first film came out in 1987? And do you think that film's complaints against greed and excess are still valid?

A: "The mantra of the first film was "greed is good," and that had to do with the money being made in the Reagan era. This film is different. We've moved from greed is good to the greed of leverage. The biggest financial market in the world almost collapsed because the greediest wanted more than to just create jobs."

Q: Gordon Gekko was the villain of the first film, but the character has since been embraced by Wall Street. Given the events of the past few years, are you troubled that a character who ends up going to jail for financial crimes is so admired?



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Lohan due back in court after failed drug test (AP)

BEVERLY HILLS, Calif. � Lindsay Lohan is due back in a Beverly Hills courtroom to face a judge for the first time since admitting she failed a drug test.

The "Mean Girls" star admitted on Twitter last week that she failed a drug screen, which could result in her returning to jail.

It will be Lohan's first appearance before Judge Elden S. Fox, who last month agreed to release the actress early from rehab after reviewing doctors' recommendations and medical records but laid out a strict treatment and monitoring program.

He said he would send her to jail for 30 days if she failed or missed a test, but the judge has discretion on her actual punishment.



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Rick Bass takes on history with 'Nashville Chrome' (AP)

NASHVILLE, Tenn. � Maxine Brown had an immediate and intense reaction when she read "Nashville Chrome," Rick Bass' fictionalized account of country music pioneers The Browns.

"When I first got that damn book I screamed and cried and threw it across the room, threw it in the trash, wrote him a hot note," Brown said. "And then I retrieved it and said, 'I've got to read this with an open mind because it's got to be something here, he's such a great writer.' So I read it again and again and again and I realize that it is absolutely great. He painted a beautiful picture."

What is more important, she said, is that Bass is illuminating a piece of country music that's been forgotten.

The Browns helped lay the path for many of today's most popular stars � Taylor Swift, Lady Antebellum, Carrie Underwood. The Browns were among the first huge crossover stars, country music acts that are so popular they break out of their own genre and invade the pop charts and popular culture.

Maxine, her brother Jim Ed and sister Bonnie sold millions of records with hits such as "The Three Bells" and "The Old Lamplighter." Their popularity rivaled good friend Elvis Presley's for a time.

Yet, they were caught between two worlds and two times, and the mark they made faded from America's cultural memory.

"Nobody knew where to put us," Brown said. "We were too country for pop and too pop for country. And I feel like The Browns built that bridge, that we had to cross that bridge from country over to the pop field. And I think we blazed the way for all these country artists today who have no clue of what it was like back in those days."

Bass had never heard of The Browns when he began a whimsical journey that eventually landed him in Maxine Brown's living room in North Little Rock, Ark.

The 52-year-old author, who splits his time between Missoula and the Yaak Valley in Montana, was raised on classic rock and only became interested in country music recently because of his daughters' love for Keith Urban.

Bass, a finalist for the National Critics Circle Award for his last book, 2008's "Why I Came West," is primarily known as a writer of deeply thoughtful pieces on the environment and literary works of fiction. "Chrome," with a print run of 25,000 copies, is his third novel, following 2005's "The Diezmo." He has also authored several short story collections.

He's won the O. Henry Award and Pushcart Prize and been a National Endowment for the Arts and Guggenheim Foundation fellow.

Bass also works as a freelance journalist to support his writing habit. He came up with the Urban idea as a way to impress his girls and started on a quixotic chase of the country music star that netted nothing. He got some good advice from a friend who suggested he start writing other stories for country music magazines to build a bridge that might eventually lead to Urban.

Along the way he met Norma Morris, a publicist who told him about The Browns and showed him Maxine's book, "Looking Back to See." He immediately fell in love with the story of The Browns, thinking, "This is amazing. This is radical."

Then he visited with Brown. What she really wanted, she told him, was for someone to write a screenplay based on her book. She just knew a film would reinvigorate interest in The Browns.

"No, I can't write a movie," he told her. "I'm a literary novelist."

What he could do, though, was tackle her story as a novel in a vivid, dramatic way and perhaps someone could base a movie on that.

It sounded easy to Bass. The story of The Browns and the way fame touched each of the siblings in different ways was fascinating. Each was blessed with the gift of familial harmony so sweet and pure it awed even The Beatles. But that gift touched each in very different ways.

The group stopped working together regularly in the late 1960s when circumstances pulled them apart. Jim Ed moved to Nashville, released dozens of albums over the decades and remains a Grand Ole Opry member. Bonnie left music life, content to live quietly with the doctor she ended her relationship with Presley to marry.

Maxine's departure from the spotlight wasn't as welcome. After a divorce, she had three children to raise and was never able to rekindle her career, despite the passion she still has.

Bass saw that all the great elements in that story could shape a powerful piece of fiction.

"That is the true core of great tragedies," Bass said in a recent interview. "Somebody is consumed in pursuit of their gift. We read in the paper so and so was killed in a tragedy. No, for it to be a classic tragedy you have to be consumed in pursuit of your gift. She was and has been and is being. I mean it's beautiful."

There were some surprising challenges along the way for a story that seemed so clear cut. Bass said he had trouble divining exactly what the story was. What defined it, made it more than a string of events tied together like a history?

And then there was the prickly problem of writing a historical novel about figures who are still alive. Early drafts shown to Brown were met with resistance.

"He kept sending me these things that he was working on," Brown said, "and I kept saying, 'Rick that's not true. Read my book. Page so and so and so and so.'"

Bass admits to the voice in the back of his head telling him more than once to watch it. But he also had a duty to the reader.

"I knew what I was writing was a novel and I could do anything and say anything," Bass said. "But not only that, I would need to be vigilant and called upon to look for openings to enhance, make hyperbolic, downplay, tweak, manipulate, alter in the way vocalists and musicians send sound out."

Brown didn't like that sound at first, but eventually found the harmony in the tune. The 79-year-old says Jim Ed remains puzzled by the whole thing, while Bonnie loves it.

"We have laughed about this," Maxine said. "Me and my sister have just absolutely laughed our heads off."

___

Online:

http://www.hmhbooks.com/nashvillechrome

http://www.themaxinebrown.com



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Education in U.S. gets big screen close up (AP)

The troubles of the U.S. education system are getting a big screen close-up.

There are no fewer than four education documentaries slated for release by the end of this year, including "Waiting for 'Superman,'" a poignant look at the lives of five children hoping to escape the dismal outcome of students at neighborhood public schools by winning entrance to a successful charter.

The film by Davis Guggenheim, the Oscar-winning director of "An Inconvenient Truth," has already created a stir in education circles and opens in New York and Los Angeles Friday.

Those in the education community hope the films will do for education what "An Inconvenient Truth" did for the environmental movement by putting a much-needed spotlight on the failures of schools in America.

"In the education reform world, for the last 15 years, people have been saying, 'We need a movie, like a big movie, to come along and tell people what is really going on," said Joe Williams, the president of Democrats for Education Reform. "Now in one year we've got more than we can handle."

Also on the list for red carpet treatment: "Race to Nowhere," created by a mother-turned activist upset at a high-stakes test culture in public education; "The Lottery," which profiles four Harlem children hoping to win a slot at a charter school; and "Lunch Line," a look at the history of school lunch.

Critics say the films, in particular "Waiting for 'Superman'" and "The Lottery," provide an overly simplified viewpoint that hold charter schools up as a universal solution and paint teachers and unions as enemies to change.

"I'm afraid our members will think they're demonizing us," said John Wilson, executive director of the 3.2 million member National Education Association. "They're judging us by the worst of us, instead of the best of us. For our members, it's not going to be that uplifting."

But education reformers � and filmmakers like Guggenheim and Vicki Abeles from "Race to Nowhere" � say the unions have had years to improve education with little success as test scores lag nationally and high school dropout rates dominate.

"Educators know this isn't working for the kids and they don't feel empowered to make a difference. The film is doing a tremendous job of empowering people," said Abeles, who lives in Lafayette, Calif.

Her documentary focuses on the health problems school children have because of stress at school � from stomach aches to depression to drug abuse. Abeles decided to make the film after she saw her own three children suffer physically as they plowed through four or five hours of homework each night after coming home from soccer practice or play rehearsal.

She advocates for parents and schools to reduce how much homework children are given and to help kids focus on being children rather than little adults with resumes.

"Everyone expects us to be superheroes," one student says in the film.

National experts say the films are symptomatic of a culture where young professionals who worked for Teach For America or other organizations that place newly minted college graduates in inner-city schools are having their own children. They see the disparities between what their kids have and what they saw when they were teaching.

"I think a lot of really bright, smart, creative people have gotten involved in the problems of urban education and they are willing to take a fresh look at how to solve the problems," said Richard Lee Colvin, executive director of Columbia University's Hechinger Institute on Education and the Media. "I think that's really the heart of it."

"Waiting for 'Superman'" opens with Guggenheim reflecting on his decision to send his children to a private school in Los Angeles. As they drive to class each day, the family passes by three public schools. Parents believe in the idea that every child should get a great education, Guggenheim says.

"And then when it comes time to choose a school, your priorities shift," Guggenheim said at a recent screening at the Toronto Film Festival. "You go to this place of, I will do anything for my kid, and you don't care what it is."

The film follows Daisy, a driven Los Angeles fifth-grader who dreams of becoming a doctor or a nurse; Anthony, of Washington, D.C., who wants to study and escape the path that led his father to a fatal drug addiction; Bianca and Francisco, both from struggling New York City neighborhoods but who have determined, relentless parents; and Emily, a middle-school student from Silicon Valley who worries about getting into college.

Each places their future in the hope they'll get into a high-performing charter school, which have public funding but their own set of rules. High demand means there isn't a seat for everyone. Students are picked in a lottery.

Teacher unions, painted as being a roadblock to reform, say the film does a disservice by focusing only on charters, when public schools are the only institution that can guarantee every child a quality education.

"My challenge to the David Guggenheims of the world is, 'Come back to public schools and bring your support and enthusiasm and resources to make those schools work," Wilson said.

Guggenheim said he is not blaming unions for all the ills of public education. He said the film also points a finger at politicians, school bureaucrats and others.

"The union piece probably screams the loudest, but I'm tough on all the adults starting with myself," he said.

___

AP Movie Writer David Germain and writer Karen Matthews in New York contributed to this report.



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"Blue Bloods" a welcome return for Tom Selleck

Fri Sep 24, 2010 2:30am EDT

LOS ANGELES (Hollywood Reporter) - CBS' "Blue Bloods," premiering Friday, purports to be about multigenerational Staten Island cop family the Reagans -- possibly echoing the era in which star Tom Selleck first made waves on primetime.

But the allegory here is the Bush dynasty and the ties that bind and estrange the generations in that Shakespearean knot of tension so familiar to higher pedigree crime drama. Perhaps it's no coincidence that producers Mitchell Burgess and Robin Green honed their craft on "The Sopranos."

Pivoting on New York City Police Commissioner Frank Reagan (Selleck, in a strong return to form) and an extended brood that includes two sons (Will Estes and Donnie Wahlberg) on the force, a daughter (Bridget Moynahan) in the district attorney's office and a father (Len Cariou) who was Frank's predecessor, "Blue Bloods" embodies two of this season's big themes -- comfort food, in this case watching a familiar like Selleck assume the role of a deceptively avuncular cop, and the conspiracy that results when a dynasty like the Reagan family amasses too much power.

Following a prologue in which youngest Reagan Jamie (Estes) is shown graduating from the police academy -- in a lavishly choreographed ceremony inside Madison Square Garden, suggesting that no expense was spared on the program's budget -- it's revealed that nepotism wasn't a factor in his decision to join the force: Jamie was a Harvard Law grad who against his father's wishes entered the academy after his older brother was slain in the line of duty, setting up one possible revenge motive among many to surface in this series' tangled, intricate web melding standard cop-show tropes with the complex layering essential to loftier family sagas.

Frank is an embattled commissioner who is popular with the public but endures a touchy relationship with the press and an outright volatile one with the mayor, who chides him for grandstanding in front of the media at a hastily assembled press conference designed to quell the public's nerves after a Hispanic girl is kidnapped in Washington Heights. Middle son Daniel (a grizzled Wahlberg) is assigned first investigator on the case, replete with Dad's offer of every available resource to locate the diabetic victim within 24 hours.

After tracking down a pervert with a jones for little girls in communion dresses, complications mount for Daniel -- revealed to be an Iraqi combat vet -- who pushes too far in his questioning of the suspect, resulting in a bout of excessive force that lands him in court. Enter assistant D.A. sis Erin Boyle (Moynahan), whose liberal bent puts her at odds with Daniel's inherently Reaganesque methods of fighting crime. The crux of "Blue Bloods" is this kind of intrafamilial tension, which amplifies during a Sunday roast in Frank's Staten Island home and looks to be one of the show's recurring motifs.

The youngest Reagan, meanwhile, toils as a street cop, steadily questioning his father's morals and ethics. In the pilot's final minutes, he's approached by Internal Affairs investigators, who try to hire him from within to keep tabs on Frank, launching the conspiracy subplot that quickly becomes the program's weakest link. A secret society exists within the NYPD, with evidence that slain Reagan sibling Joe was a so-called Blue Templar -- echoing the Bush family's alleged involvement in similar societies like Yale's Skull and Bones.

"They made him, and then they killed him," insists one special agent, hinting that Frank might have played a role in killing a member of his own family.

"Blue Bloods" excels through its high-tone production values -- Sinatra and Alicia Keys on the soundtrack; urban texture memorably captured across multiple boroughs -- and standout performances from Selleck and Wahlberg, whose moral ambiguity and thinly veiled powder-keg fury, passed down by lineage, promises to fuel the series through a gripping first season -- provided audiences tune in.

The pilot's closing scene on a Staten Island pier with Jamie and Frank fishing beneath an American flag suggests resonance beyond the series' already expansive and volatile web, into those familiar corridors of dynastic power where influence more often than not turns rancid.



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