Wednesday, May 4, 2011

Arnold Schwarzenegger picks drama for comeback

Wed May 4, 2011 11:37pm EDT

LOS ANGELES (Hollywood Reporter) - Arnold Schwarzenegger has zeroed in on the film that will mark his return to the big screen: "Cry Macho," a drama about a down-on-his-luck horse trainer who is hired to kidnap a 9-year-old boy.

Filming is set to begin in September. Brad Furman ("The Lincoln Lawyer") will direct. Producer Al Ruddy, an Oscar winner for both "The Godfather" and "Million Dollar Baby," has been nurturing the project for years.

"I guarantee that you'll get another look at Arnold Schwarzenegger in this movie," Ruddy said. "Arnold always plays these big muscular guys, but there's a sweetness to Arnold in real life, and we want to bring that sweetness to the screen. Now that Brad's met with Arnold, he's convinced there's an accessibility and vulnerability there that he wants to bring out."

The project's financier, QED International, will begin offering it to international buyers at the Cannes Film Festival next week.

Schwarzenegger's deal calls for the actor to receive $12.5 million plus 25% of gross ticket sales from the first dollar. Ruddy and Schwarzenegger also will end up co-owning the negative on the film.

While the former governor also is attached to a "Terminator" package that is being offered to studios, with "Macho," he is opting for a movie that is more a character study than a full-blown action piece -- although some action elements have been added to accommodate the star.

The film is based on the 1975 novel, "Cry Macho," by N. Richard Nash, who also wrote the play The Rainmaker. Nash, who died in 2000, wrote the screenplay, which Ruddy has re-optioned over the years.

"I just would never let go of this one," Ruddy, 81, said. Actors ranging from Burt Lancaster to Pierce Brosnan expressed interest in the lead role. And at one point, it looked as if Clint Eastwood might star in and direct.

Because he didn't want to lose control of the property, Ruddy said, he never took it to a studio but continued to look for ways to package it independently.

Schwarzenegger, 63, will play Mike, a horse trainer whose wife and son have died. His former boss makes him an over he can't refuse: $400,000 to kidnap the boss' trust-fund son, who is living with the man's ex-wife in Mexico. But when Mike locates the boy, a real troublemaker, the ex-wife doesn't want the kid. But as Mike and the boy head back to the states, with the Federales on their trail, they develop a father-son bond.

"If it works, and I think it will," Ruddy said, "this could be a classic. There's an emotional line to the story that really works. At the end of the movie, I'm hoping audiences will be laughing and crying at the same time."



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Simon Cowell tops Jagger, Sting in UK music rich list

LONDON | Wed May 4, 2011 7:18pm EDT

LONDON (Reuters) - "The X Factor" and former "American Idol" judge Simon Cowell jumped to number 6 in the British music rich list in 2011 after his fortune hit 200 million pounds ($330 million), Britain's Sunday Times newspaper said on Thursday.

That was a 35 million pound rise on 2010, when he was 11th in the annual rankings published by the newspaper, and took him above Elton John and Mick Jagger whose fortunes were estimated at 195 million and 190 million pounds respectively.

Cowell, also a music producer with an entertainment company called Syco, has signed a new deal with Britain's ITV channel and is preparing to launch "The X Factor" in the United States. But he was still some way behind his arch-rival Simon Fuller, creator of the talent TV "Idol" franchise, who ranked 5th in 2011 with personal wealth of 375 million pounds.

British-based record executive Clive Calder, who sold Zomba Records in 2002, took over at the top of the music rich list with 1.3 billion pounds, unchanged on the amount in 2010.

He regained his position at number one after Warner Music boss Edgar Bronfman moved back to New York from his temporary home in London.

Musical composer and theater owner Andrew Lloyd Webber was second with a fortune of 680 million pounds, musical producer Cameron Mackintosh was third (675 million) and ex-Beatle Paul McCartney fourth (495 million).

In the Irish music rich list, U2 boosted their wealth to 455 million pounds from 429 million in 2010 to remain comfortably on top, followed by dancer Michael Flatley with 214 million pounds.

Following is a list of the top 10 British music millionaires. (all figures in pounds)

1. Clive Calder (1.3 billion)

2. Andrew Lloyd Webber (680 million)

3. Cameron Mackintosh (675 million)

4. Paul McCartney (495 million)

5. Simon Fuller (375 million)

6. Simon Cowell (200 million)

7. Elton John (195 million)

8. Mick Jagger (190 million)

9. Sting (180 million)

10. Keith Richards (175 million)

(Reporting by Mike Collett-White; Editing by Jill Serjeant)



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Hollywood actor Jackie Cooper dead at 88

LOS ANGELES | Wed May 4, 2011 6:48pm EDT

LOS ANGELES (Reuters) - Actor Jackie Cooper, the former child star who enjoyed renewed fame years later as Daily Planet editor Perry White in the Christopher Reeve "Superman" movies, has died near Los Angeles, his attorney said on Wednesday. He was 88.

Cooper died on Tuesday at a convalescent home in the coastal city of Santa Monica. "He just kinda died of old age," attorney Roger Licht told Reuters. "He wore out."

He rose to fame as a prominent cast member of Hal Roach's "Our Gang" short comedy films, appearing in such notable releases as "Teacher's Pet" and "Love Business."

Cooper holds the record as the youngest actor to receive an Oscar nomination for his title role, at age 9, in the 1931 film "Skippy," an adaptation of the comic strip about a lively youngster.

Later that year, he co-starred in "The Champ" as the innocent son of a washed-up boxer played by Wallace Beery.

After a stint as a television executive during the 1960s and as a TV director during the 1970s, Cooper won over a new generation of fans playing grizzled newspaperman Perry White in the 1978 film "Superman" and its three sequels.

He co-wrote his memoirs, "Please Don't Shoot My Dog," in 1981. He was married three times, and is survived by two of his four children.

(Reporting by Dean Goodman; editing by Steve Gorman)



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Shania Twain not only lost husband, but also voice

LOS ANGELES | Tue May 3, 2011 9:46pm EDT

LOS ANGELES (Reuters) - Country singer Shania Twain said on Tuesday that she was so shattered by the collapse of her marriage that she feared she would never sing again.

In her first TV interview in five years, Twain told Oprah Winfrey that she became "an emotional mess" when she found out in 2008 that her best friend and her husband had fallen for each other.

"I figured mentally that I would never sing again," the five-time Grammy Award winner told Winfrey. Twain said she not only lost her husband, but her producer and co-writer when she split with in Robert John "Mutt" Lange.

"I hadn't written a song without this man in 14 years....How do I even get started?," she said in an interview won The Oprah Winfrey Show.

Twain, whose 1997 album "Come on Over" was a huge crossover hit, revealed that she also suffers from dysphonia, an ailment where the muscles squeeze the voice box.

"My fears and anxieties throughout my whole life have been slowly squeezing my voice," Twain told Winfrey. "I was losing it slowly and progressively."

Twain chronicles the demise of her 14-year marriage and her fight to get her voice back in a new book "From This Moment On" and a documentary series "Why Not?" that debuts on Sunday on Winfrey's cable TV network OWN.

She also announced on Tuesday that she would be attending the Country Music Association festival in Nashville in June -- and handed out passes to Winfrey's studio audience.

In her memoir and TV documentary, the Canadian singer recounts how she grew up poor and witnessed her step-father physically abuse her mother on a regular basis only to see them both die in a car accident, leaving Twain to raise her siblings.

Twain called her husband's betrayal "a trigger crisis," and "the straw that broke the camel's back of something that had already been building."

Eventually, Twain found solace with Frederic Thiebaud, the husband of the woman who was once her best friend. The two married on Jan 1.

(Editing by Jill Serjeant)



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Filmmakers back pro-democracy protesters in Syria

AMMAN | Wed May 4, 2011 2:01pm EDT

AMMAN (Reuters) - Scores of international film industry figures have joined Syrian movie makers in signing a declaration denouncing the violent repression of pro-democracy demonstrators.

"Peaceful Syrian citizens are being killed today for their demands of basic rights and liberties," said the declaration, which was published this week on Facebook.

"We call on all filmmakers in the world to contribute to stopping the killing by ... announcing their solidarity with the Syrian people and with their dreams of justice, equality and freedom," the document said.

It was signed by Costa-Gavras from Greece, French-Swiss director Jean-Luc Godard, U.S. writer Howard Rodman and French actors Catherine Deneuve and Juliette Binoche, among hundreds from Europe, the United States and the Middle East.

Among the Syrian signatories were Mohammad Malas and Osama Mohammad, directors who collaborated with late Syrian director Omar Amiralay on films about social and political problems under Syrian Baath Party rule. Director Nabil Maleh, whose films dealt with economic and social marginalization, also signed.

Amiralay died in February, a month before pro-democracy protests for freedom and an end to corruption erupted in Syria.

He said before his death: "I live in a country steadfastly marching on its hooves to its own demise, after it was betrayed by its rulers, deserted by its brainpower and abandoned by its intellectuals."

Human rights groups say Syrian security forces and gunmen loyal to President Bashar al-Assad have killed at least 560 civilians in attacks on demonstrators since the protests erupted in the southern city of Deraa six weeks ago.

(Reporting by Khaled Yacoub Oweis, editing by Tim Pearce)



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A minute with: Kenneth Branagh about "Thor"

LOS ANGELES | Wed May 4, 2011 7:32am EDT

LOS ANGELES (Reuters) - British actor and director Kenneth Branagh is best known for his deft handling of Shakespearean material.

So the choice of Branagh to direct the hotly-anticipated comic book movie "Thor," which makes it U.S. debut on Friday, came as something of a surprise.

Branagh, 50, spoke to Reuters about why he was drawn to the project and the pressures of working on a big budget Hollywood movie.

Q: What possessed you to direct "Thor"?

A: "The surprise of it was a big factor. Its immensity, the degree of difficulty, which I thought would be massive (and because) the challenge would take me out of my comfort zone ... This immense figure in epic landscapes and mountains, and men with horned helmets and this wild, unpredictable quality which I loved because superheroes can sometimes be terribly smooth. The fact that Thor is a God, and an unrestrained God -- that kind of unpredictability and danger, I thought would be unusual and maybe distinctive."

Q: The pressure must have been immense. Obviously you had tight control over your previous films. With this I imagine there was a lot of studio interference, a lot of commentary.

A: "Let's call it collaboration. They have this unique cinematic plan to interweave these characters and these stories into 'The Avengers' (movie) next year. I knew what I was getting into. The impression I had was they want a strong point of view. They would argue with me and they would strongly produce me ... But they wanted a director. They didn't want just a shooter -- someone to come in and walk away and leave it to them."

Q: They wanted to make sure it made money -- it being a $150 million budget and all?

A: "Yes and no. Without remotely diminishing the vast chunk of change that is, I had almost no control over that ... I kept my focus very narrow and in the end, I don't know what the toys look like, I didn't have any say in that. I don't know about the commercial tie-ins, who paid what for what. I had plenty to do, just start with what's on the page and then how we realize a single story."

Q: One of the challenges you might have faced was how to make this Norse God stand above the fray because there have been a dozen superhero franchises before.

A: "Already it stands apart because, as Stan Lee put it when he started writing about it, he'd gone as far as he could with humans. Now he wants to use Gods ... Here we have a superhero with those powers, a God indeed, who has to lose everything and engage with our audience. Really, the key is having him lose everything ... enjoy going on the journey with him -- him getting his comeuppance, him losing everything in order to understand what he's worth, family, friends, home.

"That's already a story in reverse that gave you fish-out-of-water comedy, and also potentially in terms of romance, allow a Romeo and Juliet possibility with the Jane Foster character."

Q: So would you do it again? Would you direct a massive, big-budget, 3D, effects-laden summer popcorn flick?

A: "It didn't seem as big right at the start. It got bigger the further I got into the woods ... At this end of things, I must note somehow I've got to stop for a little bit and have a think and process it all ... That's the point at which I'm at. That question (of doing another) -- if it arises, and it hasn't arisen yet -- because as thrilled as we are with the way it seems to be going now, it will be a few weeks before we understand the financial and creative fate of the move. There are a thousand tales to tell, we'll wait and see."

(Editing by Jill Serjeant and Patricia Reaney)



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"Songs for Japan" charity album raises $5 million

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"Book of Mormon" leads with 14 Tony nominations

NEW YORK | Wed May 4, 2011 2:20am EDT

NEW YORK (Reuters) - "The Book of Mormon," a musical comedy skewering many classes of people, was nominated for 14 Tony Awards on Tuesday, potentially making it the most celebrated Broadway show since "The Producers" won 12 of 15 nominations in 2001.

The show from the creators of television's animated satire "South Park" and the previous Broadway hit "Avenue Q" has won critical acclaim and sold-out houses with the story of Mormon missionaries in Africa. It has skirted significant criticism about racial and religious insensitivity by virtue of its humor.

Tony Award winners Matthew Broderick and Anika Noni Rose, best known for her role in the Broadway production of "Caroline, or Change," announced the nominations at Lincoln Center.

The Tony Awards will take place at the Beacon Theater in New York on Sunday, June 12.

The nominees were selected by a 22-person nominating committee, while the award winners in 26 categories will be selected by 824 theater professionals.

"Mormon" was followed by "The Scottsboro Boys" with 12 nominations for the musical based on the 1930s case in which nine black men were unjustly accused of attacking two white women on a train in Alabama.

Two musical revivals followed. "Anything Goes" gained nine nominations, led by Best Actress nominee Sutton Foster, and "How to Succeed in Business Without Really Trying" had eight, though not for star Daniel Radcliffe of Harry Potter fame.

Shakespeare's comedy "The Merchant of Venice" gained seven nominations, including a Best Actor nomination for Al Pacino as Shylock.

The South Africa-based Handspring Puppet Company will receive a Special Tony Award for its puppetry work on the production of "War Horse", based on the children's novel by Michael Morpugo.

"War Horse" received four nominations, including direction and scenic design.

The 2011 Special Tony Award for Lifetime Achievement will be awarded to playwright Athol Fugard and Philip J. Smith, the chair of the Shubert Organization, America's oldest professional theater company.

(Reporting by Daniel Trotta and Bernd Debusmann Jr.; editing by Patricia Reaney)



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