Tuesday, August 16, 2011

"Super Size Me" director gets original on Hulu

LOS ANGELES | Tue Aug 16, 2011 8:00pm EDT

LOS ANGELES (Reuters) - He made his name on the quirky fast food documentary "Super Size Me," and recently peered inside the wacky world of product placement in movies.

So, it makes some sense that Morgan Spurlock's newest premiere might seem kooky because it won't be in movie theaters or on TV, but on a computer at Web television service Hulu.

"A Day in the Life" is a series of six documentaries about celebrities as diverse as Virgin Group boss Richard Branson and Black Eyed Peas frontman will.i.am. It debuts on Wednesday as the Web TV service's first, long-form original program.

Spurlock does not see the move from film theaters and TV to the Web as all that unusual. In fact, he told Reuters it was more of a practical move in keeping with modern times and, in fact, had given him greater creative license for the project he said has been on his mind for some five years.

"I've tried to go down the network or film route with it many times, and I thought, if it was never right for them, it must be right for someone else," Spurlock told Reuters.

For its part, Hulu said the director has a large and loyal fan base on the Web TV service, and it knows who they are because Hulu can track the video streams.

Much like friends on social networking website Facebook, Hulu users often organize themselves around specific events and spread word-of-mouth publicity. So for Hulu, a show by Spurlock marketed directly to his fans who would then help promote it seemed like a strong formula for success.

"It's not only a cool idea and we have faith in Morgan, but we also know his audience is there," said Andy Forsell, senior vice president of content acquisition for Hulu.

PEOPLE ON THE EDGE

It makes some sense that users of Hulu, which shows repeats of TV shows, movies and other videos, would be fans of Spurlock because many of them are early adopters of new technology that resides on the edge of mainstream TV. And Spurlock's films, TV shows and production tactics are nothing if not on the edge.

In his 2004 breakthrough movie "Super Size Me," he filmed himself on a month-long diet of nothing but food from McDonald's, resulting in weight gain and health problems that was followed by the restaurant making menu changes.

In his most recent film, "The Greatest Movie Ever Sold," he told a story that skewered product placement in entertainment, and he financed it, rather amusingly, by product placement.

Spurlock said that the low cost of making the 22-minute long documentaries for Hulu meant less financial risk for the company and greater creative freedom for him.

"A Day In the Life" pretty much says it all about the documentaries. The feature covering Branson follows him for 24 hours as he jets from a banquet with Queen Elizabeth and President Obama in London, to Chicago where he works the media for a Virgin Airways launch, then back across the Atlantic.

Audiences not only see Branson as corporate pitchman for his business, but also glimpse his abundant energy and drive for success backed by his trademark sense of humor.

Five other TV-length tales of hip hop star will.i.am, Canadian comedian Russell Peters, DJ Girl Talk, ballerina Misty Copeland and artist Mr. Brainwash will roll out weekly.

Spurlock said all his subjects share a sense of purpose, are goal oriented, have a unique vision of the world and know exactly where they fit into it.

"I think it's amazing to see how grounded all these people are," he said.

(Editing by Jill Serjeant)



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Tony Iommi denies report of Black Sabbath reunion

LOS ANGELES | Tue Aug 16, 2011 6:01pm EDT

LOS ANGELES (Reuters) - Black Sabbath guitarist Tony Iommi on Tuesday denied a report that the veteran British rock band was getting back together in its four man original line-up.

British paper The Birmingham Mail had reported that Iommi, singer Ozzy Osbourne, bass player Geezer Butler and drummer Bill Ward had begun rehearsing for a tour and a new studio album for release next year.

It quoted Iommi, 63, as saying the original foursome, which dates back to 1969, was looking forward to performing together again.

But in a statement on his official website on Tuesday, Iommi said he was just speculating and described the report as "absolute nonsense."

Iommi said the journalist had taken "a conversation we had back in June and made it sound like we spoke yesterday about a Black Sabbath reunion.

"At the time I was supporting the Home of Metal exhibition and was merely speculating, shooting the breeze, on something all of us get asked constantly, "Are you getting back together?"

"Thanks to the Internet it's gone round the world as some sort of "official" statement on my part, absolute nonsense," Iommi said, apologizing to his three bandmates.

Osbourne was fired from the band in 1979, leading to a revolving line-up for a number of years. The original members got back together for the 1998 album "Reunion" but split again afterward.

(Reporting by Jill Serjeant; Editing by Bob Tourtellotte)



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Biography claims Coco Chanel was a Nazi spy

NEW YORK | Tue Aug 16, 2011 7:00pm EDT

NEW YORK (Reuters) - A new book about the life of Coco Chanel published in the United States on Tuesday aims to strengthen claims the French designer collaborated with the Nazis during World War II as a spy code-named "Westminster."

The book, "Sleeping With The Enemy: Coco Chanel's Secret War," by Paris-based American journalist Hal Vaughan, claims that not only was the designer the lover of a German officer, Hans Gunther von Dincklage, which has been well-documented, but they were spies who went on missions to Madrid and Berlin.

In addition, the book claims Chanel was deeply anti-Semitic.

"Vaughn reveals that Chanel was more than just a Nazi sympathizer and collaborator. She was a numbered Nazi agent working for Abwehr, Germany's military intelligence agency," publisher Alfred A. Knopf said in a statement.

But a representative for the Chanel fashion house on Tuesday poured doubt on the book's allegations.

"What's certain is that she had a relationship with a German aristocrat during the War. Clearly it wasn't the best period to have a love story with a German even if Baron von Dincklage was English by his mother and she (Chanel) knew him before the War," the Chanel group said in a statement.

The fashion house also disputed that the designer was anti-Semitic, saying Chanel would not have had Jewish friends or ties with the Rothschild family of financiers if she were.

But the book draws on English, French, German and American archives to claim Chanel, whose menswear-inspired fashions propelled her to become one of the most influential figures in fashion, went on missions with Dincklage and others to help recruit new agents willing to serve Germany.

It gives her Abwehr agent number as F-7124 and code-name as "Westminster," named after the Duke of Westminster with whom she had a love affair. She died in Paris in 1971, age 87.

She has long been speculated about as being a spy, but was released after being questioned about her ties to Nazi Germany by a judge in France. The book prints some excerpts of her court testimony.

(Reporting by Christine Kearney in New York and Leigh Thomas in Paris, editing by Bob Tourtellotte)



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Sinatra estate steps to plate in Dodgers Chapter 11

WILMINGTON, Delaware | Tue Aug 16, 2011 4:01pm EDT

WILMINGTON, Delaware (Reuters) - The estate of Frank Sinatra, a long-time Los Angeles Dodgers fan, has joined four other season ticket holders to ask a bankruptcy judge for an official say in the baseball team's future.

Nancy, Frank Jr. and Tina Sinatra and the other ticket holders are seeking recognition as an official committee to advocate on behalf of Dodger fans who generally blame team owner Frank McCourt for its financial problems.

They did not specify their concerns or motives in a filing with the Delaware bankruptcy court. But an official committee would speak on behalf of all season ticket holders, and would have some or all of its expenses for lawyers and advisers paid by the Dodgers.

The family of the singer known for such standards as "My Way" and "New York, New York" and for acting in films such as "From Here to Eternity" has held season tickets since the Dodgers moved to Los Angeles from Brooklyn, New York for the 1958 season, according to court documents.

"The season ticket holders are the voice of all fans and therefore deserve a seat at the table," said Anthony Sabino, a law professor at Tobin College of Business at St. John's University. "One could even say they are the lifeblood of a franchise."

In a statement, the Dodgers said there is no need for an official committee of ticket holders because their interests "will not be affected by the Chapter 11 cases."

Bankrupt companies generally work hard to get the support of official committees in order to successfully reorganize.

Sinatra, who died in 1998, was known for dropping by the team's clubhouse.

Among the assets reported by the Dodgers is a pencil drawing of Frank Sinatra and former manager Tommy Lasorda.

The Dodgers filed for bankruptcy in June after Major League Baseball nixed a $3 billion deal for future television rights. The deal would have provided the team a much-needed infusion of cash but the league accused McCourt of using the agreement to siphon off money for his personal use.

The case is In re: Los Angeles Dodgers LLC, U.S. Bankruptcy Court, District of Delaware, No. 11-12010.

(Reporting by Tom Hals; Editing by Richard Chang)



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Haunting New York show draws crowds, masked stars

NEW YORK | Tue Aug 16, 2011 1:51pm EDT

NEW YORK (Reuters) - A haunted house, it's not. But for theatergoers including many high-profile celebrities hidden behind masks, "Sleep No More" certainly is haunting.

Dubbed "immersive theater" by directors Felix Barrett and Maxine Doyle of British theater company Punchdrunk, the new show compels audience members to roam five floors and almost 100 rooms of the fictional 1930s McKittrick Hotel in search of performances -- small snatches of dance or largely silent scenes between actors -- that will lead them on an adventure.

With nods to the likes of filmmakers Alfred Hitchcock and Stanley Kubrick, the show sends its audience -- all wearing Venetian beak masks -- drifting though graveyards, creepy corridors and sinister hospitals looking for items and performances that interest them.

Attendees, who are prohibited from talking for the length of the performance, might find a bloody letter or two actors in a panic, then follow them on an adventure into the unknown.

"Sleep No More" is "a lifelike experience where you don't know what's around the corner," Doyle told Reuters.

The show, which opened in April, has thrilled theater fans and extended its run Off-Broadway. It also has attracted a long list of celebrities drawn to the kind of voyeurism they often experience in reverse in their own lives. Included among the audience, who are all required to don white masks similar to those in Kubrick's "Eyes Wide Shut," has been Natalie Portman, Kevin Spacey, Tobey Maguire, Hugh Jackman and Spike Lee.

On one night alone, audience members were unknowingly rubbing elbows with Justin Timberlake, Mary-Kate and Ashley Olsen and Neil Patrick Harris. The following night Matt Damon, Emma Stone and Emily Blunt wandered among the crowd.

Part of the attraction is that audience members are able to become lost in a world called "a voyeur's delight" and "a lovely evening in hell" by theater critics.

"We wanted to switch on the part of your brain that you aren't normally using in the theater," Barrett told Reuters. "What we want is a 360 experience where you get lost in this parallel world."

PUSHING THEATER BOUNDARIES

Barrett and Doyle believe that the anonymity encourages people to delve deeper into the experience and can bring out more voyeuristic impulses.

"Because you're anonymous, you're empowered to do things you might not do normally," Barrett said.

The performance is inspired by the themes of Shakespeare's Macbeth -- "guilt, betrayal, murder, ambition, suspense," according to Doyle. Items such as a letter from Lady Macbeth on a desk, and a famous quote from that play written in blood on a wall help evoke these themes.

"It is theater, but it's also dance. It's an art installation, it's performance art, it's nightlife," said producer Jonathan Hochwald.

Audiences are free to inspect letters, books, and trinkets sprinkled through the hotel, which was designed with the goal of "making sure there's detail everywhere," said Barrett. No sensory detail is neglected: the smell of dried leaves permeates a taxidermy shop, a forest feels cool and damp, and a candy store smells nostalgically sweet.

"It's the kind of thing that pushes an active experience, and that pushes conventional theater boundaries," Doyle said.

Added Barrett, "It encourages to trust their instincts and to carve out their own evening. There's no right way or wrong way to do it."

Depending on what one looks for and which actors one chooses to follow, "Sleep No More" is a different experience for each audience member -- a defining feature of this sort of immersive theater, said the directors.

"It's all about the individual response," Doyle said.

Some audience members see the production as offering an entirely different experience to the staid formats of musicals and plays shown on Broadway.

"I think there's always a hunger for something that enlivens the mind, that puts the audience into a position of control and power," said Barrett.

(Editing by Christine Kearney and Bob Tourtellotte)



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Beverly Hills "Real Housewives" husband found dead

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