Friday, December 17, 2010

"Larry King Live" draws 2.2 million for last show

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Olivia Wilde, Maria Bello bring Hollywood to Haiti

LOS ANGELES | Fri Dec 17, 2010 2:40pm EST

LOS ANGELES (Reuters) - After the devastating earthquake rocked Haiti earlier this year, food and medical aid poured into the island country, but in the months that followed a pair of Hollywood actresses and their friends had another idea. They wanted to build a movie theater.

It may seem like a far-fetched notion, but since it opened in September, the Sun City Picture House has become a place that generates smiles on the faces of children and adults. It also has been used as a community center and school, and it helped spawned two similar buildings in different camps.

Maria Bello, who starred Adam Sandler comedy "Grown Ups," and "Tron" actress Olivia Wilde, have documented the efforts of the group of people that brought the theater to life in a new, short documentary they expect to screen at festivals throughout the upcoming year.

"The thing that's needed most in Haiti right now, besides the immediate relief efforts, is joy. And that's what this movie is about," Bello told Reuters.

The movie, "Sun City Picture House," focuses on Haitian aid worker Raphael Louigene -- whose dream was to build a movie theater -- and the two American aid workers who helped him realize that dream by constructing it in just four days: Bryn Mooser from Artists for Peace and Justice, and Dave Darg, who works for Operation Blessing.

Darg directed the documentary. Mooser produced, and they hired a student from Haiti's only film school, Cine Institute, to shoot it.

Bello, 43, and Wilde, 26, both advisory board members of Artists for Peace and Justice, had volunteered in Haiti before January's earthquake, and even then, theaters were in short supply. Wilde remembers one night standing with "40 or so Haitians as we projected 'Home Alone' onto a sheet slung over a wall, creating an impromptu late-night outdoor theater smack in the middle of the slums known as Cite Soleil, or Sun City."

Watching their faces in the light from a projector was an important moment for Wilde. "That's when I understood the need for an Artist for Peace and Justice Film Project," she said.

FROM DREAM TO REALITY

The Sun City theater project came to fruition when, during their earthquake relief work, Louigene shared his dream of building a theater, and Darg and Mooser said they would help.

After the quake, the pair were working full-time in Haiti on standard relief efforts, building homes and schools and bringing in medical, water, clothing and other supplies to what became known as "tent cities."

Bello and Wilde were making regular trips to pitch in, and they all realized it was time to take their efforts beyond the basics to a different level.

"The next logical step was rebuilding some of the society and some of the culture," said Mooser. "It became apparent right away that it was important to give Haitian kids something to do -- especially as we saw increasing violence, rape and all the alcohol and drug use going on. These tent cities are pitch black at night and can become dangerous places."

Artists for Peace and Justice paid for the construction and villagers helped with the building.

On the fourth day, the theater's grand opening, Bello provided the inaugural movie, "The Mummy: Tomb of the Dragon Emperor," the 2008 film in which she starred.



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From finance to fiction in India and Pakistan

NEW DELHI | Fri Dec 17, 2010 1:00pm EST

NEW DELHI (Reuters) - Finance and fiction seem like an unlikely mix, but a number of Indian and Pakistani novelists are finding their stints as finance professionals may have helped ward off writer's block.

While there is no direct link between mastering the markets and writing novels, a career in finance does seem to have had its merits for former Wall Street banker Anish Trivedi.

"I think once you've had to convince people to part with their money by giving them a cogent, compelling argument in as few words as possible, you learn to get your point across pretty rapidly on a page," says Trivedi.

Trivedi, who lives in Mumbai, gave up a seven-figure salary to pursue his writing dream. In "Call me Dan" he took a light-hearted look at arranged marriages and one-night stands in 21st-century India.

Some novelists who move from other careers to writing success mine their experiences for fiction. John Grisham has done this with law and Robin Cook, an ex-doctor, with medicine.

Yet the financiers-turned-novelists from the Indian subcontinent chose to set their characters in worlds far removed from dollar wars and hedge funds.

Private equity professional Sarita Mandanna wrote about star-crossed lovers in the period novel "Tiger Hills" while Pakistan's H.M. Naqvi, a former World Bank employee, explored a post-9/11 New York in "Home Boy."

Amish Tripathi, who works in the Indian insurance industry, found his calling with "The Immortals of Meluha," historical fiction set in 1900 BC.

Financial journalist Maha Khan Phillips made her debut with "Beautiful from This Angle," a satire set against the backdrop of honor killings in Pakistan, and thinks many novelist wannabes may be lurking in media offices.

"Financial journalism is cluttered with frustrated fiction writers," says Phillips.

"In fact, every boss I have ever had, every editor I have ever worked with, has had a novel tucked away."

Publishers aren't wary of novelists with a finance background. And there may be some positives for writers with a financial bent.

"I enjoy having conversations with them (publishers) about the workings of the business - the operating mechanics, the numbers and the accounting," says Mandanna.

But even after getting published, it's often too soon for writers to trade in finance for literary aspirations. Not everyone can be Chetan Bhagat.

Bhagat, arguably India's most read novelist, quit his investment banking career in 2009 to devote his entire time to writing. His first three bestsellers were written juggling his day job and the novelist's urge.



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Japan comics industry to fight new under-18 rules

TOKYO | Fri Dec 17, 2010 12:58pm EST

TOKYO (Reuters) - Japan's comics and animation industry intends to fight a ban on the sale to minors of comics and film depicting "extreme sexual acts" including rape, incest and child sex imposed by authorities in the capital, Tokyo.

Publishers have criticized the ban, included in a bill passed by the Tokyo Metropolitan Assembly on Wednesday, as an infringement of free speech.

But supporters, including conservative Tokyo governor Shintaro Ishihara, have praised it as "common sense."

"We feel a real sense of anger over this," Tomio Suzuki, head of industry group the Publishing Ethics Council, said in a statement.

Though Japanese comics, known as manga, cover a wide range of topics including romance, action -- some are even devoted to food -- a number feature violent sex acts, incest and sex with children or clearly underage characters.

The bill calls on the industry to regulate itself and prevent people under the age of 18 from buying or gaining access to both manga and animation, known as anime, containing material the government deems "unhealthy."

Violators will face fines of up to 300,000 yen ($3,573).

In a nod to criticism about freedom of speech, the legislation includes a clause that the assembly will consider "artistic and social expression" in considering what material will be restricted.

The sales restrictions come into force on July 7.

"We will continue to use every possible chance to oppose this bill until it takes effect next July," Suzuki said.

In response to the ban, a group of 10 major publishers are refusing to take part in the 2011 Tokyo International Anime Fair, which is sponsored by the government, next March.

The dispute puts the government, which wants to promote Japan's wildly popular comics and cartoons globally, in a bit of a bind.

"Bringing up children properly is an extremely important issue," Prime Minister Naoto Kan wrote on his blog on Monday.

"At the same time, it's also quite important to spread Japanese anime throughout the world. I hope everyone involved will make efforts to bring the International Anime Fair off successfully."

(Reporting by Elaine Lies; Editing by Robert Birsel)



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