Monday, October 3, 2011

Jackson doctor never mentioned propofol at hospital

LOS ANGELES | Mon Oct 3, 2011 7:35pm EDT

LOS ANGELES (Reuters) - Doctors who tried to revive Michael Jackson at a Los Angles hospital testified on Monday that the singer's personal physician never told them he gave him the anesthetic propofol as a sleep aid.

The testimony came as the involuntary manslaughter trial of Dr. Conrad Murray entered its second week. Medical examiners have determined Jackson, 50, died on June 25, 2009 from an overdose of propofol and sedatives.

Emergency doctors at UCLA Medical Center in Los Angeles said that Jackson was already dead when he arrived there. Nevertheless, lengthy attempts were made to revive him before he was pronounced dead at 2:26 p.m.

"My assessment when he arrived was that he was clinically dead," emergency room doctor Richelle Cooper said.

Murray told doctors that he had given Jackson only the sedative lorazepam.

Cardiologist Thao Nguyen said she could not get Murray to explain to her how much time passed between when he gave Jackson the lorazepam, and when the singer stopped breathing.

"He said he did not have any concept of time, he did not have a watch," Nguyen told jurors.

Two days after Jackson's death, Murray admitted to police that he gave the singer 25 milligrams of propofol as a sleep aid on the day he died. Prosecutors have said Murray gave Jackson that propofol at about 10:45 a.m., based on his statements to police.

Murray's defense attorney, J. Michael Flanagan, asked Cooper how long a patient who received the relatively small dose of 25 mg of propofol would remain sedated.

"If it did achieve sedation, I would expect if he didn't have any medical problems, within seven to 10 minutes it would probably be worn off," Cooper said.

CELL CALLS

Prosecutors have argued Murray acted irresponsibly by administering propofol, which can stop a person from breathing, at home instead of in a hospital where there is equipment needed to revive a patient in an emergency.

Cooper testified that when she administers propofol, there is a doctor and a nurse monitoring on hand, and that there is equipment to monitor heart and breathing.

Paramedics have testified they did not see such machines in Jackson's bedroom.

Also on Monday, phone company officials testified Murray was busy on his cell phone between 10:45 a.m., when he is believed to have administered the propofol, and 11:56 a.m. when prosecutors say he interrupted a phone call when he discovered Jackson had stopped breathing.

Defense attorneys claim that after Murray gave Jackson propofol, the pop star took another, fatal, dose of the drug when Murray was out of the room.

Murray, who has pleaded not guilty, faces up to four years in prison if convicted.

(Editing by Jill Serjeant and Eric Walsh)



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Michael Jackson lives again in "Immortal" stage show

MONTREAL | Mon Oct 3, 2011 1:48pm EDT

MONTREAL (Reuters) - Michael Jackson's music, moves and imagination live again in Cirque du Soleil's new show "The Immortal World Tour" which opened in Montreal to screams, cries and a standing ovation on Sunday ahead of a 10-month North American tour.

Set to the central image of a "Giving Tree," -- a 300-year-old oak tree at Jackson's former Neverland Ranch home where he used to find peace and inspiration -- dancers bring the "Thriller" singer's signature moves and outfits to life.

Sparkling aerialists fly through images of galaxies in the universe to the pulsing sounds of some 70 hits, rewinding back to the King of Pop's days as a child star with the Jackson Five.

Jackson's mother Katherine, his three children Prince, Paris and Prince Michael II (Blanket), along with several of his brothers attended Sunday's world premiere of the $60 million production. It is one of the biggest projects authorized by the executors of the singer's estate.

"I think it was important not only for the Cirque but our fans to see that we support this as well and that we want to make sure that they capture what our brother was about, and they did that," Marlon Jackson told reporters, in the company of brothers Tito and Jackie.

"I think the reason the legacy is so strong is because we started so young," he added. "Michael went out and did his own thing and even grew it bigger."

Jackson, 50, who died in Los Angeles in June 2009, was a fan of Cirque du Soleil and went to the Canadian entertainment group's first U.S. tent show in 1987, said John Branca, one of the executors of his estate.

"Michael was very excited to meet the performers and they were very excited to meet him, " Branca said. "There's a lot of love and passion for Michael in this show".

"IMMORTAL" SONGS TO BE RELEASED AS ALBUM

Jackson's lead vocals drive "Immortal". His voice comes directly from his master recordings, but the band is live and the music is heard in surround sound.

"I think the songs chose themselves, based on the stories," said musical designer Kevin Antunes ahead of Sunday's premiere.

The original tracks have been re-imagined for the show and will be released as an album in November, Epic Records said on Monday.

The Cirque show opened in the midst of the criminal trial in Los Angeles over the singer's death.

Dr. Conrad Murray -- Jackson's personal physician as he prepared for a series of planned comeback concerts -- denies involuntary manslaughter. His attorneys claim that the singer caused his own death by sneaking himself an extra dose of the anesthetic propofol to help him sleep.

Some 64 international performers take part in the "Immortal" show, directed by Jamie King, who made his debut as a dancer in Jackson's 1992-93 "Dangerous" tour.

Several other members of the creative team -- the largest ever assembled by Cirque du Soleil -- had worked with Jackson, including musical director Greg Phillinganes and choreographer Travis Payne.

The cast has been rehearsing since the end of spring 2011.

The 219-member crew and the equipment's 40-truck cavalcade will travel across Canada and the show will have its U.S. premiere on December 3 in Las Vegas, where it will spend three weeks.

The North American "Immortal" tour is due to wrap up in Chicago in July 2012.

(Editing by Jill Serjeant and Christine Kearney)



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"Knocked Up" star Seth Rogen weds Lauren Miller

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Supreme court rejects Internet music download case

Mon Oct 3, 2011 10:44am EDT

(Reuters) - The Supreme Court let stand on Monday a ruling that a traditional Internet download of sound recording does not constitute a public performance of the recorded musical work under federal copyright law.

The justices refused to review a ruling by an appeals court in New York that the download itself of a musical work does not fall within the law's definition of a public performance of that work.

The not-for-profit American Society of Composers, Authors and Publishers (ASCAP) appealed to the Supreme Court. It said the ruling has profound implications for the nation's music industry, costing its members tens of millions of dollars in potential royalties each year.

ASCAP says more than 390,000 composers, songwriters, lyricists and music publishers in the United States exclusively license their music through the organization. It licenses nearly half of all of the musical works played online, according to the court record in the case.

The federal government opposed the appeal. U.S. Solicitor General Donald Verrilli said the appeals court's ruling was correct and comported with common understanding and sound copyright policy.

ASCAP argued that digital downloads were also public performances for which the copyright owners must be compensated. But a federal judge and the appeals court rejected that argument.

At issue was a section of the Copyright Act stating that to perform a work means to recite, render, play, dance or act it either directly or by means of any device or process.

"Music is neither recited, rendered, nor played when a recording (electronic or otherwise) is simply delivered to a potential listener," the appeals court ruled.

Verrilli agreed. He said that the downloading itself was not a performance of the work and the musical work was not played during the transfer.

Washington attorney Theodore Olson, a Bush administration solicitor general, represented ASCAP in the appeal.

He said the appeals court ruling improperly narrowed the right to perform copyrighted musical works publicly and placed the United States in violation of intellectual property treaties and other international agreements.

The Supreme Court denied the appeal without comment.

The appeals court also ruled that fees paid by Yahoo Inc and RealNetworks Inc for licenses to play music on the Internet should be recalculated. That part of the ruling was not at issue before the Supreme Court.

The Supreme Court case is ASCAP v. United States, No. 10-1337.

(Reporting by James Vicini, Editing by Maureen Bavdek)



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Rooney signs off on "60 Minutes" but "not retiring"

LOS ANGELES | Mon Oct 3, 2011 11:17am EDT

LOS ANGELES (Reuters) - In his final regular appearance on the CBS newsmagazine "60 Minutes," Andy Rooney expressed gratitude for a "lucky" life and thanked his fans, but not without adding a touch of the curmudgeonly grumbling that has become a signature element of his TV essays.

"I've done a lot of complaining here," the 92 year-old Rooney said, "but of all the things I've complained about, I can't complain about my life."

Sunday night's installment of "A Few Minutes with Andy Rooney" capped a 33-year run for the end-of-show segment in which Rooney famously commented on everything from trivial items -- often displaying collections of household possessions, wanted and unwanted -- to societal issues.

During his valedictory segment, Rooney thanked viewers for their good wishes, while admitting that he's not comfortable with adulation. "I wasn't always gracious about it," he said. "I don't say this often, but thank you. Although if you do see me in a restaurant, please, just let me eat my dinner."

His "60 Minutes" tenure wasn't without controversy. He was suspended without pay in 1990 over on-air remarks that were considered offensive to homosexuals, but quickly reinstated after the CBS show experienced a sizable dip in audience share. Four years later he apologized to viewers for comments about musician Kurt Cobain's suicide that were deemed insensitive.

Rooney, who joined the network in 1949 as a writer for "Arthur Godfrey's Talent Scouts," said on Sunday it was his love of the written word that led him to pursue a career in broadcasting.

"I don't think of myself as a television personality," Rooney said. "I'm a writer who reads what he's written."

He began his 70-year journalism career on the U.S. Army's "Stars and Stripes" newspaper, and his "60 Minutes" essays often included references to his military years and tributes to the men with whom he served during World War II.

"This is a moment I have dreaded," Rooney said of Sunday's farewell telecast. "I wish I could do this forever. ... But I'm not retiring. Writers don't retire, and I'll always be a writer."

(Reporting by Sheri Linden; Editing by Bob Tourtellotte)



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