Saturday, January 22, 2011

At 83, Harry Belafonte still sings of justice

PARK CITY, Utah | Sat Jan 22, 2011 4:02pm EST

PARK CITY, Utah (Reuters) - At age 83, his days of singing calypso tunes to thousands of fans are behind him, but Harry Belafonte says he still has one song to sing for people around the world -- his song of justice.

Belafonte is at the Sundance Film Festival this week with a new documentary, "Sing Your Song," that tells of his life from being born in Harlem and raised in Jamaica to becoming a star singer of the 1950s and '60s with hits such as "Banana Boat Song," also known as "Day-O."

But what the nonfiction film focuses on -- and what Belafonte thinks may be lost on some people, especially younger generations -- is the work he and others did to advance civil rights and justice in the United States and around the world.

The movie's title comes from something African-American singer Paul Robeson told Belafonte when he was a young man: "Get them to sing your song, and they will know who you are."

Asked what he believed his song was, at 83, Belafonte's answer was: "The same melody. It just needs to be sung again. What it needs are more voices of harmony. It's a beautiful chord that everybody gets to sing in the same place at the same time with the same purpose. The song is the same: justice."

"Sing Your Song" was among the opening night films this past Thursday at Sundance, the premiere U.S. festival for makers of movies outside Hollywood's mainstream studios.

The event, which is backed by actor and activist Robert Redford's Sundance Institute, has long been a place where independent filmmakers screen movies, and much of their work deals with social issues, so "Sing Your Song" fit perfectly.

In fact, on opening night festival director John Cooper said, "at our core, the life of Harry Belafonte and Sundance are almost intertwined."

CHALLENGING MYTHS

But Belafonte admitted to some trepidation about making a documentary of his life when approached by producer Michael Cohl because, he said, "it looked like self-indulgence."

He was swayed by family members and by his own concern that the groundbreaking history of women and men like Dr. Martin Luther King, was lost on a younger generation.

"What I looked at were the (issues) of the day and the absence of people being inspired and fueled to take charge and take responsibility for changing," Belafonte told Reuters.

"The great void that I hear expressed by people who say, 'I don't know what to do' or 'there's nothing we can do' must be challenged. And the best way to challenge that myth is to say, 'take a look at the history that proceeded you.'"

"Sing Your Song" traces Belafonte's career as a singer and in movies and on television. He was a major star of his generation, yet in the late 1950s and 1960s when traveling to segregated U.S. cities, he was barred from some restaurants, hotels and other public places because he was black.

The documentary tells how he fought racism in very public ways by marching with civil rights protesters such as Dr. King and singing and dancing with white women on TV at a time when such a thing was not done in some communities.



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Donald Trump's daughter, Ivanka, tweets pregnancy

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Friday, January 21, 2011

MSNBC and anchor Keith Olbermann abruptly part ways

LOS ANGELES | Fri Jan 21, 2011 11:31pm EST

LOS ANGELES (Reuters) - U.S. cable news television network MSNBC and its top anchor, Keith Olbermann, abruptly parted ways on Friday, less than three months after the liberal broadcaster was suspended for campaign donations to Democrats.

Olbermann, who had two years left on his contract, signed off for the last time on his "Countdown with Keith Olbermann" political affairs program on Friday night.

"This is the last edition of "Countdown," Olbermann said on the program, which drew over 1 million viewers a night.

"MSNBC and Keith Olbermann have ended their contract," the network said in a statement. Neither Olbermann nor MSNBC gave a reason for the move.

His departure came just over two months after MSNBC briefly suspended Olbermann for giving money to three Democratic politicians during the congressional election campaign, including Representative Gabrielle Giffords, who was coincidentally shot and wounded in an assassination attempt on January 8 in Tucson, Arizona.

"MSNBC thanks Keith for his integral role in MSNBC's success and we wish him well in his future endeavors," the network statement said.

Olbermann, whose talks with MSNBC management about his future at the company had been going on for some time, seemed to suggest during his signoff that the decision to leave MSNBC had not been entirely his own.

"I think the same fantasy popped into the head of everybody in my business who has ever been told what I have been told, this will be the last edition of your show," he said.

He then mentioned the 1976 movie "Network," where a news anchor declares, "I'm mad as hell and I'm not going to take it anymore!" and persuades viewers to yell out their windows.

Olbermann's program helped define MSNBC as a liberal voice in cable television and a counterpoint to Fox News' largely conservative bent. MSNBC is now second in cable news ratings behind Fox News and ahead of CNN.

The outspoken former sportscaster with ESPN went to work for MSNBC in 2003. He had the highest-rated host on MSNBC. The New York Times said he signed a $30 million four-year contract extension in 2008.

Olbermann would often take aim at conservative politicians and commentators, in a segment he called "The Worst Person in the World." His targets included rival commentator Bill O'Reilly from Fox News and New York 2010 Republican gubernatorial candidate Carl Paladino.

MSNBC is a network in transition. Comcast Corp earlier this week won approval from the Federal Communications Commission and the U.S. Justice Department for its combination with NBC Universal, the company behind MSNBC.

Once the deal closes, Comcast will acquire a 51 percent stake in NBC Universal from General Electric Co.

Jeremy Gaines, a spokesman for MSNBC, said Comcast had nothing to do with Olbermann's departure.



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Oprah Winfrey to reveal "family secret"

Fri Jan 21, 2011 8:17pm EST

LOS ANGELES (Hollywood Reporter) - Oprah Winfrey will be giving her daytime talk show fans something to talk about next week.

She is staging a family reunion on "The Oprah Winfrey Show" on Monday and said she plans to reveal something she's recently learned that only a few people close to her know.

"I thought I'd seen it all. But this, my friends, is the miracle of all miracles," Winfrey said in a promotional clip.

"I was given some news that literally shook me to my core. This time, I'm the one being reunited. I was keeping a family secret for months, and on Monday you're going to hear it straight from me," she added.

Her production company, Harpo, declined to provide further details on Friday.

Winfrey was born to unwed teens and was raised at various times by her grandmother, mother and father and stepmother in Mississippi, Wisconsin and Tennessee.

She got pregnant at age 14, but her baby died a short time later. Earlier this week on Piers Morgan's CNN show, she said she wouldn't be where she is today if she had had the baby.

(Editing by Jill Serjeant)



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Sundance debuts with Harry Belafonte documentary

PARK CITY, Utah | Fri Jan 21, 2011 2:17pm EST

PARK CITY, Utah (Reuters) - The Sundance Film Festival opened on Thursday night with a new look -- four feature films instead of only one, including a documentary about calypso singer Harry Belafonte and a teen lesbian drama.

The documentary, "Sing Your Song," follows the social activism of the 83-year-old singer of "Banana Boat Song" and "Scarlet Ribbons." Belafonte has been at the vanguard of the U.S. civil rights movement, anti-apartheid efforts in South Africa and ending gang violence on the streets of Los Angeles.

Sundance founder Robert Redford called Belafonte's tale "a story about a man whose story should be told for generations to come," and the documentary earned a standing ovation.

The other screenings included: "Pariah," the tale of a young black lesbian who yearns to come out of the closet; "The Guard," an Irish buddy-cop comedy starring Don Cheadle and Brendan Gleeson; and "Project Nim," a British documentary about a chimpanzee raised as a human being in an ethically questionable experiment.

The annual showcase for independent movies runs through January 30, and takes place as bold discoveries from last year's event, including "The Kids Are All Right" and "Winter's Bone," vie for attention during Hollywood's awards season.

Sundance chief programer John Cooper, in his second year at the helm, told Reuters that this year's selection of some 115 feature films reflects a desire among directors to look reality squarely in the face and build stories around how they fit into that world.

"They are sticking more to the truth within themselves and the stories they have to tell," Cooper said.

"There are several films dealing with religion, faith and redemption, and we kind of can't help but think it has something to do with the world we are living in."

BUZZ AND BUSINESS

Coming into the festival there are, as always, movies generating industry buzz, including "Little Birds," about two teenage girls (portrayed by Juno Temple and Kay Panabaker) learning about life and love, and "The Ledge" in which two men are forced to examine their lives.

Numerous stars will again turn out on the snowy streets of Park City, a ski resort east of Salt Lake City. Oprah Winfrey is expected to promote documentaries on her new OWN TV network.

Money will be on the minds of distributors and financiers looking to scoop up the next "The Kids Are All Right", paying small for a big box office hit. After about three tough years, experts say business is looking up, if conducted sensibly.

The good news is that digital downloading and streaming of movies from websites like iTunes or Netflix has opened up new avenues to reach audiences and new ways to make money. The bad news is that making sizable profits from new distribution remains five or more years away, the experts added.

That means traditional revenues from box office, DVDs and TV pay-per-view are still the key ways to make money. For a few indie films, box office is buoyant, but DVD and TV revenues are soft. That dynamic has market players hopeful, but wary.

"This year, you'll see a large amount of (movies) make their way into the marketplace, but in terms of making your money back, it depends on what you spend," said Tom Bernard, co-head of indie distributor Sony Pictures Classics.

Elizabeth Redleaf, whose relatively new production company Werc Werk Works is screening its heist movie "The Convincer" here, put it another way. "People, I think, are much more conscious of their money."

(Editing by Mike Collett-White)



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