Wednesday, February 9, 2011

Justin Bieber film opens early with $30 tickets

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Ricky Martin, Kristin Chenoweth honored by GLAAD

LOS ANGELES | Wed Feb 9, 2011 12:50pm EST

LOS ANGELES (Reuters) - Singer Ricky Martin and Broadway singer and actress Kristin Chenoweth are being honored for their efforts to increase understanding of America's gay and lesbian community, the campaign group GLAAD said on Wednesday.

Martin, the Latin singer who came out as gay last year, will be given GLAAD's Vito Russo Award at a ceremony in March. The award is given annually to an openly gay, lesbian, transgender or bisexual professional who is deemed to have made a significant difference in promoting equal rights for the community.

"Ricky coming out was a game changer for many gay and transgender Latino children, who for too long, did not have many out gay people to look up to," said Jarrett Barrios, president of the Gay and Lesbian Alliance Against Defamation(GLAAD), the nation's leading organization in promoting fair and accurate portrayals of gay people in the media.

Chenoweth, the original star of the stage musical "Wicked" and a guest star on TV show "Glee", will be presented with the Vanguard Award which is given annually to those who increase the visibility and understanding of the LGBT community.

Chenoweth was singled out for defending her gay Broadway co-star Sean Hayes in the musical "Promises, Promises" against comments in a 2010 Newsweek article which argued that openly gay actors were unconvincing in straight roles.

"When allies like Kristin take such powerful stands against anti-gay sentiments in the media, it sends an important message of equality," Barrios said in a statement,

Chenoweth said in Twitter message on Wednesday that she was "proud to be honored by GLAAD".

The honors to Chenoweth and Martin will be handed out at the GLAAD Media Awards in New York and Los Angeles, which recognize the best portrayals of the LGBT community on film, television, radio, music, newspapers and blogs.

(Reporting by Jill Serjeant, editing By Christine Kearney)



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Tuesday, February 8, 2011

Lindsay Lohan to be charged with necklace theft

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Barbra Streisand to sing on Grammy stage

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Critics take merciless swat at musical "Spider-Man"

NEW YORK | Tue Feb 8, 2011 12:54pm EST

NEW YORK (Reuters) - It's been delayed five times, suffered multiple cast injuries and been the butt of jokes. Now Broadway's most expensive show ever, "Spider-Man," has been reviewed by the critics, and universally panned.

Critics had respected tradition by holding back from reviewing the beleaguered $65 million musical, "Spider-Man: Turn off the Dark," because it was still in previews and not scheduled for a formal opening until March 15.

But with the true opening night uncertain and producers charging as much as $277 for a seat, critics decided to wait no longer and on Tuesday reviewed the show in an apparent contest to see who could denigrate it the most.

The unprecedented and spectacular aerial stunts that account for much of the costs failed to save an incomprehensible storyline, flat and cartoonish sets and songs that failed to please, critics said.

The New York Times concluded that the musical was "so grievously broken that it is beyond repair."

"The sheer ineptitude of this show, inspired by the Spider-Man comic books, loses its shock value early. After 15 or 20 minutes, the central question you keep asking is likely to change from 'How can $65 million look so cheap?' to 'How long before I'm out of here?'" Times critic Ben Brantley said.

Under the headline "It soars & bores," the New York Post said the flying was "impressive" but the musical was "erratic" with breathtaking scenes followed by laughable ones.

The Washington Post relegated the two-hour-and-50-minute show to the "dankest subbasement of the American musical theater."

"If you're going to spend $65 million and not end up with the best musical of all time, I suppose there's a perverse distinction in being one of the worst," Washington Post reviewer Peter Marks said.

The New York Daily News labeled the show "Dead on Arrival."

"What I saw is a big production going in too many directions and in need of a lot of work to make it entertaining, satisfying and understandable," wrote Joe Dziemianowicz of the Daily News.

Despite bad publicity surrounding the cost, delays and four injuries to its cast and crew, the show has still been performing well at the box office, even taking the top place in some weeks. Audience members who have seen the show have said they are fans of the franchise and don't care about the buzz.



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