Monday, January 24, 2011

Christina Aguilera to sing Super Bowl national anthem

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Music mood muted despite Lady Gaga, more big albums

LONDON | Mon Jan 24, 2011 10:06am EST

LONDON (Reuters) - When even Lady Gaga can't lift the gloom, you know the music industry is in the doldrums.

Despite a release schedule that includes the reigning queen of pop, Britney Spears, R.E.M., U2 and Coldplay, record labels are bracing themselves for another tough year.

Universal Music Group, Sony Music Entertainment, Warner Music Group and EMI -- the market leaders -- struggled in 2010 as they have for a decade, hampered by online piracy, shrinking retail space and an inability to adapt to technological change.

Global recorded music sales overall slumped by nine percent last year, and figures out last week estimated that some 19 of 20 tracks downloaded from the Internet were illegal.

The scale of piracy and other challenges suggest that no matter which artists are competing for chart supremacy, 2011 sales are virtually guaranteed to extend their long slide.

"I don't see any indication that record sales are going to improve, because it's got nothing to do with the quality of the music," said U.S. music critic Robert Christgau in a blunt assessment of the business prospects.

That does not make release schedules irrelevant, with companies still hopeful their artists will rise to the top and repay their time and investment.

Top of the pile is widely tipped to be "pop provocateur" Lady Gaga with "Born This Way," due out on May 23. Not one to shy away from the hype, the singer has called it "my absolute greatest work I've ever done."

Combined sales of her "The Fame," "The Fame Monster" and a remix album have reached 15 million, a hefty figure even in pre-crisis days, and with more touring planned, Forbes predicts the 24-year-old could earn over $100 million this year.

"She's just hitting her stride artistically and commercially now," entertainment attorney Bernie Resnick told Forbes. "We're only seeing the beginning."

ROCK'S SHOT IN THE ARM

Other established solo female artists vying for attention include 29-year-old Spears, who releases a new album in March. Lead single "Hold It Against Me" has just debuted atop the U.S. singles chart with impressive sales.

Canada's Avril Lavigne is back on March 8 with "Goodbye Lullaby," and there are hopes of new material at last from Amy Winehouse, whose troubled personal life has overshadowed the success of Grammy-winning 2006 hit "Back to Black."

The struggling rock genre is set to get a welcome shot in the arm in 2011 with the first album from The Strokes since 2006's "First Impressions of Earth."

The acclaimed New Yorkers tentatively titled "Angles" is due to hit stores on March 22, and, according to NME magazine's Jamie Fullerton "it's almost make or break time for Julian (Casablancas) and co. with album four" after so long away.



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Sunday, January 23, 2011

Fitness guru Jack LaLanne dies at 96 in California

LOS ANGELES | Sun Jan 23, 2011 10:34pm EST

LOS ANGELES (Reuters) - Jack LaLanne, a one-time sugar-holic who became a television fitness guru preaching exercise and healthy diet to a generation of American housewives, died on Sunday at age 96, his daughter said.

LaLanne, who became U.S. television fixture in his close-fitting jumpsuit starting in 1959 and came to be regarded as the father of the modern fitness movement, succumbed to pneumonia following a brief illness at his home in Morro Bay, along the California's central coast.

"He was surrounded by his family and passed very peacefully and in no distress ... and with the football game on Sunday, so everything was normal," Yvonne LaLanne, 66, told Reuters.

She said her father had remained active until a few months ago, including the taping of a recent public TV special.

Well into his 90s, LaLanne exercised for two hours a day. A typical workout would be 90 minutes of weightlifting and 30 minutes of swimming, changing his routine every 30 days.

He preached the gospel of exercise, raw vegetables and clean living long after his contemporaries had traded in their bicycles for nursing home beds.

"I can't die," LaLanne would say. "It would ruin my image."

LaLanne was born Francois Henri LaLanne on September 26, 1914, in San Francisco, the son of French immigrants. He said he grew into a "sugar-holic" who suffered terrible headaches, mood swings and depression.

In desperation when he was 14, LaLanne's mother took him to hear health lecturer Paul Bragg, who urged followers to exercise and eat unprocessed foods.

The young LaLanne swore off white flour, most fat and sugar and began eating more fruits and vegetables. By age 15, he had built a backyard gym of climbing ropes, chin-up bars, sit-up machines and weights.

Soon, LaLanne, who was only 5 feet, 6 inches tall, was playing high school football. He added weight-lifting to recover from a football injury and was hooked.

LaLanne opened the nation's first modern health club in Oakland, California, in 1936. It had a gym, juice bar and health food store. Soon there were 100 gyms nationwide.

Without bothering with patents, LaLanne designed his own exercise equipment, which he had built by a blacksmith. In 1951, he started using television to get the first generation of couch potatoes to try jumping jacks, push-ups and sit-ups.

"The Jack LaLanne Show," which went national in 1959, showed housewives how to work out and eat right, becoming a staple of U.S. daytime television during a 34-year run.

He also was known for a series of promotional fitness stunts. At age 45, in 1959, he did 1,000 push-ups and 1,000 chin-ups in 86 minutes. In 1984 a 70-year-old LaLanne had himself shackled and handcuffed and towed 70 boats 1.5 miles in Long Beach Harbor.

LaLanne said in 2007 his focus was always to help people the way Paul Bragg had helped him, adding, "Billy Graham is for the hereafter, I'm for the here and now!"

(Additional reporting by Diane Bartz; Editing by Bill Trott and Chris Wilson)



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Natalie Portman romantic comedy leads box office

LOS ANGELES | Sun Jan 23, 2011 1:24pm EST

LOS ANGELES (Reuters) - Natalie Portman, already riding high during awards season with "Black Swan," took the No. 1 spot at the North American box office on Sunday for the first time in five years with her romantic comedy debut.

"No Strings Attached," in which she co-stars with Ashton Kutcher, sold about $20.3 million worth of tickets across the United States and Canada during the three days beginning January 21, distributor Paramount Pictures said.

The opening exceeded the modest expectations of the Viacom Inc unit, which said the film cost just $25 million to make. Portman and Kutcher play friends who enter into a sexual relationship with the titular proviso. Complications ensue.

Paramount said women accounted for 70 percent of the audience, and patrons aged under 25 gave it the best reviews in exit polls. Paramount said it was impossible to tell how the "Black Swan" buzz helped, but "everything helps," noted the studio's distribution president Don Harris.

The film was directed by "Ghostbusters" veteran Ivan Reitman who has not had a big hit since "Six Days, Seven Nights" in 1998. Kutcher's last big movie was "What Happens in Vegas," a 2008 romantic comedy with Cameron Diaz. Portman, 29, last led the box office in March 2006 when the thriller "V For Vendetta" grossed $26 million during its first weekend.

OSCAR PICS IN FOCUS

Last weekend's champion, Columbia Pictures' 3D comic-book adaptation "The Green Hornet," slipped to No. 2 with $18.1 million. "The Dilemma," a Universal Pictures romantic comedy starring Vince Vaughn and Kevin James, was also down one, to No. 3, with $9.7 million in its second weekend. Their respective 10-day totals stand at $63.4 million and $33.4 million.

"No Strings Attached" was the weekend's only new wide release, in keeping with January's reputation as a graveyard for new films. Much of the focus is on the awards-season contenders, four of which were in the top 10.

That includes "Black Swan," in which Portman plays an unhinged ballerina. The Fox Searchlight melodrama slipped one to No. 6 with $6.2 million. It has earned $83.6 million to date, and is poised for further gains as the awards season enters the home stretch. Portman has won most of the bellwether awards leading up to Tuesday's announcement of the Academy Award nominations.

Elsewhere, Weinstein Co's royals drama "The King's Speech" was steady at No. 4 with $9.2 million. The film's Oscar chances received a surprise boost on Saturday when it was named best picture by the Producers Guild of America, a group whose picks usually go on to win the top Oscar. Its victory weakened the awards-season dominance of "The Social Network," which has just come out on DVD.

Paramount's hit Western remake "True Grit," largely overlooked during awards season, fell two to No. 5 with $8 million; its total stands at $138.6 million, easily a personal best for filmmakers Joel and Ethan Coen.

"The Fighter," also released by Paramount, rose two to No. 7 with $4.5 million; the boxing drama, buoyed by acclaim for Christian Bale's supporting turn as a boxer-turned-crackhead, has earned $73 million to date.

Columbia Pictures is a unit of Sony Corp. Universal Pictures, a unit of General Electric Co's NBC Universal. Weinstein Co is privately held. Fox Searchlight is a unit of News Corp.

(Reporting by Dean Goodman; editing by Anthony Boadle)



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Saturday, January 22, 2011

At 83, Harry Belafonte still sings of justice

PARK CITY, Utah | Sat Jan 22, 2011 4:02pm EST

PARK CITY, Utah (Reuters) - At age 83, his days of singing calypso tunes to thousands of fans are behind him, but Harry Belafonte says he still has one song to sing for people around the world -- his song of justice.

Belafonte is at the Sundance Film Festival this week with a new documentary, "Sing Your Song," that tells of his life from being born in Harlem and raised in Jamaica to becoming a star singer of the 1950s and '60s with hits such as "Banana Boat Song," also known as "Day-O."

But what the nonfiction film focuses on -- and what Belafonte thinks may be lost on some people, especially younger generations -- is the work he and others did to advance civil rights and justice in the United States and around the world.

The movie's title comes from something African-American singer Paul Robeson told Belafonte when he was a young man: "Get them to sing your song, and they will know who you are."

Asked what he believed his song was, at 83, Belafonte's answer was: "The same melody. It just needs to be sung again. What it needs are more voices of harmony. It's a beautiful chord that everybody gets to sing in the same place at the same time with the same purpose. The song is the same: justice."

"Sing Your Song" was among the opening night films this past Thursday at Sundance, the premiere U.S. festival for makers of movies outside Hollywood's mainstream studios.

The event, which is backed by actor and activist Robert Redford's Sundance Institute, has long been a place where independent filmmakers screen movies, and much of their work deals with social issues, so "Sing Your Song" fit perfectly.

In fact, on opening night festival director John Cooper said, "at our core, the life of Harry Belafonte and Sundance are almost intertwined."

CHALLENGING MYTHS

But Belafonte admitted to some trepidation about making a documentary of his life when approached by producer Michael Cohl because, he said, "it looked like self-indulgence."

He was swayed by family members and by his own concern that the groundbreaking history of women and men like Dr. Martin Luther King, was lost on a younger generation.

"What I looked at were the (issues) of the day and the absence of people being inspired and fueled to take charge and take responsibility for changing," Belafonte told Reuters.

"The great void that I hear expressed by people who say, 'I don't know what to do' or 'there's nothing we can do' must be challenged. And the best way to challenge that myth is to say, 'take a look at the history that proceeded you.'"

"Sing Your Song" traces Belafonte's career as a singer and in movies and on television. He was a major star of his generation, yet in the late 1950s and 1960s when traveling to segregated U.S. cities, he was barred from some restaurants, hotels and other public places because he was black.

The documentary tells how he fought racism in very public ways by marching with civil rights protesters such as Dr. King and singing and dancing with white women on TV at a time when such a thing was not done in some communities.



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