Wednesday, January 19, 2011

Anne Hathaway cast as Catwoman in new "Batman" movie

Wed Jan 19, 2011 1:35pm EST

LOS ANGELES (Hollywood Reporter) - Anne Hathaway has nabbed the coveted female lead opposite Christian Bale in "The Dark Knight Rises."

Warners made the announcement Wednesday morning.

The studio also revealed which character Tom Hardy, who joined the cast last fall, will play: Bane.

"I am delighted to be working with Tom again and excited to watch him bring to life our new interpretation of one of Batman's most formidable enemies," Nolan said in a statement.

Hathaway was on the list of actresses which tested for the role in recent weeks, along with Jessica Biel and Keira Knightley.

The test involved Christian Bale, who had to leave his National Board of Review in New York dinner early so he could catch a flight back to LA. to conduct.

The announcement didn't actually name Hathaway's character as Catwoman, which keeps in line with Nolan's more grounded approach to the movie series.

Michelle Pfeiffer starred as Kyle/Catwoman in Tim Burton's "Batman Returns."

The character, as interpreted by Burton, was a meek secretary who becomes empowered after she is almost killed and left for dead.

Pfeiffer played her with a mix of repression and sensuality, with the character breaking out as a symbol of female empowerment and becoming a pop culture sensation.

In his interpretation, Nolan has been giving his characters a deeper and darker psychological edge.

(Editing by Zorianna Kit)



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Jennifer Aniston says "Rachel" haircut "ugliest ever"

LOS ANGELES | Wed Jan 19, 2011 1:57pm EST

LOS ANGELES (Reuters) - It was the hair cut that launched a million copycats. But now Jennifer Aniston says the layered look she sported as Rachel Green in the hit TV show "Friends" some 15 years ago was "the ugliest haircut I've ever seen."

"Let's say there have been moments I'd rather not re-live, like that whole Rachel thing. I love (hair stylist) Chris (McMillan), and he's the bane of my existence at the same time because he started that damn Rachel, which was not my best look," the actress told Allure magazine in an interview.

"How do I say this? I think it was the ugliest haircut I've ever seen. What I really want to know is, how did that thing have legs? Let's just say I'm not a fan of short, layered cuts on me personally, so I don't love revisiting that particular era," she added.

Aniston, 41, told the magazine in an interview for its February edition that she preferred an easy going look -- both in hair and make-up.

"I've been glammed up; I've been glammed down, which is really more me," she told Allure. "I didn't wear mascara in 'Just Go With It'. It's fun to transform a little bit -- what do I have to lose?"

"Just Go With It", a romantic comedy starring Aniston and Adam Sandler, opens in U.S. movies theaters on Feb 11.

The February edition of Allure magazine hits newsstands on January 25.

(Reporting by Jill Serjeant; Editing by Patricia Reane)



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"The Kennedys": what the first episode reveals

Wed Jan 19, 2011 1:45pm EST

LOS ANGELES (Hollywood Reporter) - What if The Kennedys miniseries isn't nearly as salacious as some fear?

The Hollywood Reporter has obtained and viewed the completed first episode of executive producer Joel Surnow's controversial 8-part mini-series starring Greg Kinnear and Katie Holmes as John F. Kennedy and Jacqueline Kennedy.

The expensive and ambitious project was scrapped January 11 by History channel parent A&E Television Networks and is currently being shopped to other buyers (it will air in Canada and other countries starting in March).

The brisk, entertaining hour is certainly melodramatic in parts, and it does contain allusions to John F. Kennedy's pill-popping and womanizing, such as one scene in which a young Joe Kennedy, Jr. tells his father he's headed to lunch with the Foreign Secretary and JFK winks and announces he's "lunching with the Secretary's secretary" instead.

There also is a general sense that JFK was the unremarkable playboy brother of Joe, who should have been president had he not died in World War II. Family patriarch Joe Kennedy, Sr. (Tom Wilkinson) is painted as a manipulative, power-mad Svengali who helps engineer JFK's political career as a rebuke to the former president who fired him as Ambassador and to avenge a favored son who died at war.

But the episode differs significantly from an early, racier script that has recently popped up online and was criticized last year by a former JFK aide as "malicious" and "vindictive."

The final version is less sensationalistic and controversial, less concerned with the embarrassing aspects of the Kennedy lifestyle and more focused on moving along a compelling narrative.

THR only has viewed one of the eight hour-long episodes, so the rest of the miniseries could be far more incendiary. But the final version of the first episode suggests that History executives and the miniseries' creators were telling the truth when they said that the entire project had been vetted by historians before shooting began�which, of course, makes the decision to yank the project all the more puzzling.

After a regal opening theme reminiscent of HBO's "John Adams" miniseries, the episode opens with a quote from French Renaissance author Michel de Montaigne: "Ambition is not a vice of little people," alluding both to the outsized goals and sense of political purpose that have created the Kennedy family legacy.

The opening shots intercut a rally during the 1960 presidential campaign with a nervous JFK self-medicating with pills on the day of the election. Then Joe Sr. is introduced, managing the campaign with an iron fist and exerting huge influence over sons Jack, Joe Jr. and Bobby (Barry Pepper).

After a nice moment between JFK, Jackie and little Caroline as they rub her pregnant stomach ("Today's a big day," Jackie tells Caroline. "Your daddy's going to become president."), the action soon flashes back to Joe Sr's clash with President Roosevelt over what to do about Hitler when he served as Ambassador to the UK�an incident that gets him fired and sets him on a course to amass more power for his sons than he was able to achieve himself. "This country is ours for the taking," he advises them.

In these scenes, Joe Sr. is depicted kissing his secretary's neck in his office while his boys look on with mischievous smiles on their faces, as well as questioning his wife Rose's strong Catholicism (she's the "finest wife a fellow could have, but I don't understand her faith," he says. "I admire it but I don't understand it.") and teaching his kids to play dirty in politics ("It's not what you are, it's what people think you are. And with the right amount of money you can make them think whatever you want").

But rumored depictions of explicit sexual liaisons with his secretary are not in the final episode, nor are scenes of Jack abusing drugs (other than the pills), having affairs or crassly discussing with Bobby his inability to stay faithful to one woman, all of which have been rumored online as being part of the first episode (although they could be in subsequent hours, of course).

At one point, Joe Sr. does confront Jack about his involvement with married Danish woman Inga Arvard, whom J. Edgar Hoover believed was a spy. But any fears the Kennedys or other viewers might have that JFK would be depicted as fearful of joining the military are unfounded. Jack cuts a deal with his father, who allows him to serve in the Navy as long as he drops the Danish girl.

After a brief scare when Joe Sr. thinks Jack might have died overseas, the family is rocked by Joe Jr's death in combat. Joe Sr. flies into a rage, condemning his wife's Catholic faith. But gone is the scene, reportedly in an early draft, of Joe Sr. breaking a crucifix over his knee. In the final version, Joe Sr. curses the cross but hands it over to Rose intact.



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Revamped "American Idol" looks to regain its mojo

LOS ANGELES | Wed Jan 19, 2011 8:32am EST

LOS ANGELES (Reuters) - A heavily revamped "American Idol" returns for a 10th season on Wednesday hoping to regain its mojo after losing audiences and its biggest star.

Airing for the first time without sharp-tongued British judge Simon Cowell, the TV singing contest has ramped up the star power with new judges Jennifer Lopez and rocker Steven Tyler in a bid to maintain its place as the dominant force on U.S. television.

And producers say they are putting new emphasis on supporting and mentoring contestants in the hope of finding the next Kelly Clarkson or Carrie Underwood -- the only two winners to have enjoyed strong careers.

"I'm not going in there to be a harsh judge or an overbearing judge," said Aerosmith frontman Tyler. "I made some harsh comments the first week (of nationwide auditions) ... I only did two of those because I didn't want that to happen again."

Executive producer Nigel Lythgoe, returning to the show after a two-year absence, said the new panel would "bring more of a critique rather than just 'pack your suitcase, go home',".

"American Idol" has lost about six million viewers over the past four years, and recent winners Kris Allen and Lee DeWyze seem destined to slip into obscurity after suffering dismal sales for their debut albums.

But Todd Gold, executive editor of Xfinity TV, said buzz was strong after a summer of upheavals that also saw the exits of judges Ellen DeGeneres and Kara DioGuardi, and a switch to record label Universal Music from Sony Music Entertainment.

"Jennifer Lopez and Steven Tyler are bringing excitement and curiosity to the show. The goal is not to just stop the ratings fall, but to reverse it," Gold told Reuters.

"I think they have a really good shot at achieving their goal, which is to make people not only watch the show, but talk about it and buy the merchandise and the records," he added.

Broadcaster Fox television, currently languishing bottom of the leading four U.S. networks in overall viewers, is looking to "Idol" for its annual ratings lift, especially among the 18-49 year-old audience most coveted by advertisers.

But rival networks whose programing was once squashed by the "Idol" juggernaut, are quietly confident.

"American Idol" is moving to new nights this season, airing mostly on Wednesdays and Thursdays. The change puts "Idol" up against a pair of Emmy-winning comedies, ABC's "Modern Family" on Wednesday and CBS' "The Big Bang Theory" on Thursday .

"It's going to be interesting to see, with the new cast and the changes this year. But it's a power house," CBS entertainment president Nina Tassler said recently of "Idol".

But Tassler said that "Big Bang Theory" has a loyal fan base of around 14 million viewers, adding "so we think we will do okay...The truth is we're not worried." "American Idol" averaged 24 million viewers last season.

"American Idol" has also hired Universal Music executive Jimmy Iovine -- a record producer who worked with the likes of U2, Bruce Springsteen and John Lennon -- as an in-house mentor. It will also whittle down early contestants more quickly in a bid to keep audiences engaged.



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Tuesday, January 18, 2011

Conservatives rally behind Ricky Gervais

Tue Jan 18, 2011 9:15pm EST

LOS ANGELES (Hollywood Reporter) - British comedian Ricky Gervais is the new darling of political conservatives thanks to the fusillade of insults he directed at the aghast celebrities attending the weekend's Golden Globe Awards.

Delighted at the sight of Gervais belittling Hollywood elitists who they maintain do likewise to them regularly, the right-wing blogosphere lit up with positive reviews, even while more traditional media was critical of Sunday's telecast.

Had Gervais "been as relentless in ripping apart Sarah Palin, her young children, Jesus Christ or George W. Bush, today the comedian would be celebrated as 'edgy' and 'courageous'," noted John Nolte, editor of the Andrew Breitbart website Big Hollywood.

Instead, the Washington Post said Gervais "crashed" and the New York Times said he was "merciless" and in "bad form." Philip Berk, president of the Hollywood Foreign Press Association (HFPA), the event's organizer, said some of the things Gervais said "were totally unacceptable."

Nolte, though, likened Gervais' jabs at various actors and the HFPA as a much-needed "sucker punch" leveled against elite bullies who do likewise to middle America on a routine basis.

At Pajamas Media, a conservative and libertarian news organization, CEO Roger Simon wrote that Gervais "has been roundly attacked for being rude to practically everyone, including the HFPA, whose event it was. Problem is: he was right, particularly about the HFPA."

The U.K's right-leaning Daily Mail weighed in via a lengthy, positive analysis of Gervais' performance that was headlined: "Bravo, Ricky Gervais! A risque' attack on self-loving Tinseltown."

"The flock didn't know what to do because it had never encountered such risky mockery," author Quentin Letts wrote, praising Gervais for his rebellious performance.

"Hollywood and its power brokers hate a rebel. It is a place of groupthink and almost terminal political correctness."

On Sunday night Gervais earned himself a cult following around the world, Letts opined, as "the man who went to Hollywood and told them what a bunch of self-regarding boobies they are."



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