Discovery cancels Michael Jackson autopsy TV show

By Bob Tourtellotte

LOS ANGELES | Fri Dec 31, 2010 1:05pm EST

LOS ANGELES (Reuters) - The Discovery television network on Friday said it canceled plans to air a reenactment of the autopsy on Michael Jackson's body, citing an upcoming court hearing and concern by the late pop star's estate.

The show, "Michael Jackson's Autopsy: What Really Killed Michael Jackson," had been set to air in several countries of western Europe and in the United Kingdom on January 13.

"Given the commencement of legal proceedings beginning next week, and at the request of Michael Jackson's estate, the scheduled broadcast of the medical documentary related to Michael Jackson's official autopsy has been postponed indefinitely," Discovery Networks International said in a statement.

A Discovery spokesman declined comment beyond the statement.

The "Thriller" singer died suddenly of a prescription drug overdose on June 25, 2009, age 50, only weeks before beginning a series of comeback concerts. An autopsy by Los Angeles officials showed Jackson died chiefly of an overdose of the powerful anesthetic propofol that he used as a sleep aid.

Discovery's show, which was not scheduled to air in the United States, was an unofficial, fictional account of what the autopsy must have been like and its results.

But Jackson fans worldwide protested in an online petition launched earlier this month, and the co-executors of his estate sent a letter this week to Discovery Networks calling the program "insensitive" and "in shockingly bad taste."

A print advertisement for the program shows a body covered by a sheet, with one hand poking out wearing the singer's well-known sequined glove.

"On behalf of Michael's family, fans, common sense and decency, we urge you to reconsider and cancel this program," co-executors John McClain and John Branca wrote in the letter.

An estate spokesman was not immediately available to comment.

Jackson's physician at the time of his death, Dr. Conrad Murray, has admitted giving the singer propofol, which is often used in surgery, and Murray has been charged by authorities with involuntary manslaughter in Jackson's death.

Murray has pleaded not guilty, and a preliminary hearing to determine if enough evidence exists to make him stand trial begins in Los Angeles on January 4.

(Editing by Christine Kearney)

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"Social Network" spells Hammer time for actor Armie

By Zorianna Kit

LOS ANGELES | Fri Dec 31, 2010 2:05pm EST

LOS ANGELES (Reuters) - They look so much alike in Oscar-hopeful film "The Social Network," they could be one man, and in fact, they are. But what the Winklevoss twins share with the actor who plays them has less to do with looks and more with their privileged background.

The actor, 24 year-old Armie Hammer, is the great grandson of oil tycoon and philanthropist Armand Hammer. He was blessed with good looks and a prominent family tree, like the Winklevoss'. But the similarities seem to stop there.

While the Winkelvoss twins, as portrayed in the movie, stuck to family traditions, attended Harvard University and became Olympic rowers. Hammer quit school, said hello to Hollywood and angered his family -- if only temporarily.

"I dropped out of high school and I dropped out of college because the movie industry was the only thing I wanted to be in," Hammer told Reuters.

"I definitely got a speech that said, 'You will be the first Hammer man to not graduate college, to not get a degree,'" he said. "But I didn't have any interest in that."

Hammer's passion for acting has clearly come through in "Social Network," because amid all the awards and box office buzz for the movie that traces the origins of Facebook, one consistent message circulating among Hollywood insiders is that Hammer is enjoying a breakthrough performance.

Industry players, the media, and audiences have been scratching their heads at just how one man played the two roles of Tyler and Cameron Winklevoss, who claimed Facebook founder Mark Zuckerberg stole their idea when he founded the website and, in the process, became a billionaire.

Hammer said a typical day would involve him shooting a scene playing Cameron Winklevoss with a body double, Josh Pence, standing-in as Tyler.

After director David Fincher was satisfied with the main scene, Hammer would change costume, hairstyles and makeup and be transformed into Tyler to perform the scene again, alone. This time, the camera focused only on his face and in editing, his head would be digitally superimposed on Pence's body.

OVERCOMING TRADITION

In the movie, Cameron is portrayed as initially not wanting to press a legal claim against Zuckerberg out of deference to Harvard tradition, while Tyler is less enamored of that notion. They argue, but eventually Tyler sides with Cameron. Of the twins, Hammer's favorite to play was Cameron.

"I appreciated Cameron's sense of chivalry and that he wanted to be a gentleman," Hammer said. "I think that's becoming more obsolete in the 21st century. But it was fun to play Tyler and fly off the handle."

Hammer said he was so involved in his dual roles that he truly believed Zuckerberg "stole from us," but now that he has distanced himself, he believes all the key players in real life probably did wrong things and no one person is to blame.

Time, distance and success also have given Hammer and his parents a different perspective on his decision to become an actor. While he spent his first year in Hollywood without landing any work, his next few years brought guest roles on shows like "Veronica Mars" and "Desperate Housewives."

In 2007, he earned a big break when he was cast as crime fighting superhero Batman in the DC Comic book adaptation, "Justice League," but before the movie began filming, it was halted due to Hollywood's screenwriter strike.

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John Mellencamp and wife separate after 20 years

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Oprah aims for "mindful TV" in OWN network gamble

By Jill Serjeant

LOS ANGELES | Thu Dec 30, 2010 1:40pm EST

LOS ANGELES (Reuters) - She is already the most influential woman on television, publishes a magazine, has starred in movies, opened a school in South Africa and is one of America's biggest celebrity philanthropists.

So why is Oprah Winfrey taking perhaps the biggest gamble in her life and launching a cable TV network this weekend? Because she believes people are hungry for shows that entertain, inspire and offer what she calls "mindful television."

"What I want to do is build a channel that is a respite for your mind, an oasis of stimulation that you come away from with little pieces of light.

"I'm aiming for a moment where somebody could say, 'I never thought of it that way before.' I just love that," Winfrey 56, told Parade magazine in an interview this week.

Three years in the making, the Oprah Winfrey Network (OWN) kicks off on January 1 with a weekend of "sneak peeks" into the array of largely female-oriented original series, lifestyle, and advice shows that viewers can expect in the first year.

OWN, a venture between Winfrey's Harpo Inc and Discovery Communications, will be available in some 80 million homes.

The OWN launch has brought with it some uncharacteristic anxiety for Winfrey, who will end her popular U.S. daytime chat program, "The Oprah Winfrey Show" -- which airs in some 140 countries -- in May after 25 years.

She told her magazine "O" that she has "never felt such fear in all my life" than she has in launching OWN in a crowded TV market packed with hundreds of cable channels.

'OPRAHFICATION'

Winfrey will appear in only 70 hours of programs in 2011, but the OWN schedule has the unmistakable flavor of uplifting tales, self-improvement and struggles in the face of adversity that has come to be known as "Oprahfication."

The lineup includes a four-part special bringing together health, wealth and relationship experts Dr. Phil McGraw, Suze Orman and Dr. Mehmet Oz. There are two reality shows about the fractious relationships between movie stars Tatum O'Neal and her father Ryan O'Neal and country singers Wynonna Judd and her mother Naomi Judd.

There will be frank sex and relationship therapy from Dr. Laura Berman and another reality series called "Kidnapped by the Kids" in which children force their parents to ditch work for family time.

Two shows were Oprah's ideas. "Oprah Presents Master Class" features eight famous people including rapper Jay-Z, poet Maya Angelou, actor Sidney Poitier and TV entrepreneur Simon Cowell talking about their lives' lessons, triumphs and setbacks.

"Finding Sarah", featuring disgraced British royal Sarah Ferguson, the Duchess of York, was inspired by a confessional TV interview between the two women earlier this year.

In May, Ferguson was caught on camera appearing to ask for cash to introduce a reporter to her ex-husband, Prince Andrew.

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A Minute With: Bette Midler on New Year TV special

By Jill Jacobs

NEW YORK | Thu Dec 30, 2010 10:36am EST

NEW YORK (Reuters) - She has received four Grammys, four Golden Globes, three Emmys, and a Tony Award, and even after selling more than 30 million records, singer Bette Midler is still going strong.

For over 40 years, Midler has delighted audiences with her bawdy live performances, and on December 31, Midler will be ringing in the New Year on cable TV channel HBO with her special, "The Showgirl Must Go On," which is the live stage show she has been performing in recent years at Caesars Palace in Las Vegas.

The special was taped in front of a packed house at Caesars. Midler, known as "The Divine Miss M," dons elaborate costumes and sings some of her best-known hits including "Wind Beneath My Wings" and "Boogie Woogie Bugle Boy" with her back-up singers, The Harlettes, and a 13-piece band.

Reuters spoke to Midler about the TV special, why being environmentally green is common sense and her love of books.

Q: How did you get in such great shape for the show?

A: "A year before we even started rehearsals, I started doing my warm-ups, getting on the treadmill again and lifting weights. It's fascinating to get on stage and run for an hour and a half, wringing wet at the end. And I loved every minute of it."

Q: You've had such a long and successful career. What do you think is the key to your success?

A: "I don't do everything that comes my way and I tend to do things in spurts. I'll be really busy and then just collapse, take a break for a year or two and then come roaring back. I'm not sure if that's how you achieve longevity, but I tend to sift through things and make sure they are things I really want to do."

Q: You did over 200 performances of your Las Vegas show. How do you keep a song fresh that's done night after night?

A: It's not so easy, but the crowds are different every night and every crowd becomes a beast of its own -- this huge monster that has to be wrangled and corralled. And you have to stay in tune with them. There's an ebb and flow between the crowd and the entertainer that really keeps you on your toes, and this changes with every performance. I think that's what keeps a song fresh.

Q: Are you working on any new projects?

A: No, this is one of the down times. Just looking around to see what's out there. It's a different world now, with the Internet, iTunes, YouTube, Twitter -- all this stuff which is so different from what I do and I really don't know where I fit in it. I feel if you can entertain a group of people live, you're really going to be okay, and I've always been able to do that. But I'm curious to see where I fit in in this new world, so I'm exploring my options.

Q: What's on your iPod?

A: I just love Teddy Pendergrass. I've always been a big fan. Also, Harold Melvin and the Bluenotes, "The Sound of Philadelphia" and Harry Nielson, "A Little Touch of Schmilsson in the Night," which is one of the most beautiful records ever made. And I listen to The Stones.

Q: You've been a pioneer in the now popular green movement, founding the nonprofit New York Restoration Project (www.nyrp.org). Why are you so passionate about it?

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