Monday, October 18, 2010

Daybreak viewers down to 600,000

Viewing figures for ITV1's flagship morning show Daybreak fell to about 600,000 last week, it has emerged.

The show has seen ratings slip after opening audiences of one million to settle at about 700,000 - lower than viewing figures for predecessor GMTV.

Daybreak was launched in September with former The One Show presenters Adrian Chiles and Christine Bleakley hosting.

ITV said it had "made a long-term investment in new breakfast programming".

"After over five years of decline for GMTV, Daybreak is already closing the gap in year-on-year decline after just one month, with housewives and children, male and younger audiences," a spokesman added.

The broadcaster looked forward "to building on this start and welcoming new audiences", the spokesman added.

ITV reportedly spent more than �1m rebranding and revamping their morning show with new sets and hefty promotion.

It also wooed Chiles and Bleakley from the BBC in the hope they would replicate their popular partnership from The One Show.

Friday's edition of the BBC's Breakfast programme attracted an audience of 1.5 million.

The show is set for an overhaul itself next year following a decision to relocate the programme to the corporation's new northern headquarters in Salford.



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Sunday, October 17, 2010

Canadian cops probe Justin Bieber laser tag mishap

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Actresses take center stage on Oscar watch list

LOS ANGELES | Sun Oct 17, 2010 6:55pm EDT

LOS ANGELES (Reuters) - Hollywood's Oscar race is only about six weeks old, but already one theme is emerging: unlike most years when men dominate the critical buzz for strong roles, this season women are the talk of the town.

From previous Oscar winners such as Nicole Kidman and big stars like Annette Bening to newcomers such as Jennifer Lawrence, women are tearing it up on the big screen. Some Oscar watchers see as many as 15 possible contenders for five best actress nominations.

The experts cite several reasons for what may be dubbed "The Year of the Actress" at Oscar time in February. Chief among them is that many of the strong female stories are making it onto film because the women themselves have greater clout to get their pet film projects made.

"Not only are women taking center stage, they are dominating the stage entirely," said Tom O'Neil, awards expert for TheEnvelope.com.

The Oscars, of course, are the world's top film honors, and pundits begin handicapping the awards categories, based on screenings at film festivals in Venice, Telluride and Toronto, which generally begin in late August and early September.

Most years when it comes time for some 6,000 voters at the Beverly Hills-based Academy of Arts and Sciences to pick winners, Academy watchers have a difficult time narrowing down the best actor category because generally three or four, if not all five nominees have turned in strong performances.

Best actress, however, typically narrows more easily because often times there is just one or two favorites. Last year, for instance, Sandra Bullock faced very little competition when she picked up the statuette for her role in football film, "The Blind Side."

"Normally with the actress race, you scramble to find three good ones," said Pete Hammond, awards columnist with Deadline Hollywood. "You're looking at women who may not even get nominated this year, while in a lesser year they may have very well won."

A variety of themes in movies are giving numerous women a shot. Notions of what a family truly means dominate comedy "The Kids Are All Right," which has Bening and Julianne Moore playing a lesbian couple raising a pair of teens.

Briton Sally Hawkins portrays a "Norma Rae"-type factory worker with a mission to get women equal pay in "Made in Dagenham," and Natalie Portman won raves at September's Venice film festival playing a vengeful ballerina in director Darren Aronofsky's "Black Swan."

INDEPENDENT WOMEN

Kidman is a grieving mother whose young son dies accidentally in "Rabbit Hole," and Michelle Williams is a woman who wants out of her marriage in "My Blue Valentine." Lawrence is turning heads as a teen left alone to fend for her younger siblings in drug drama "Winter's Bone."

And the list goes on: Anne Hathaway ("Love and Other Drugs"), Lesley Manville ("Another Year"), Gwyneth Paltrow ("Country Strong") and Naomi Watts ("Fair Game").

Making the 2010 best actress race even more interesting is that many of the roles are being judged independently from their male counterparts, said O'Neil.

That phenomenon contrast to recent wins by actresses such as Reese Witherspoon, who took home an Oscar for playing June Carter to Joaquin Phoenix's Johnny Cash in "Walk the Line" (2005) or Hilary Swank, who played a boxer in "Million Dollar Baby" (2004) opposite Clint Eastwood as her coach.



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"Jackass" daredevils top box office for third time

LOS ANGELES | Sun Oct 17, 2010 3:05pm EDT

LOS ANGELES (Reuters) - Blowing stuff up never gets old in movies, as the death-defying pranksters from MTV's reality series "Jackass" proved at the North American box office on Sunday.

"Jackass 3D," the third installment in a feature series about a crew of thrill junkies, crushed forecasts by selling an estimated $50 million in tickets during its first three days of release across the United States and Canada, distributor Paramount Pictures said.

If projections hold up when final data are issued on Monday, the film will beat 2003's "Scary Movie 3" ($48.1 million) to rank as the biggest October opening of all time.

Pundits had forecast "Jackass 3" would open in the $30 million range. The actual result ranks as the best opening since the Leonardo DiCaprio thriller "Inception" kicked off with $63 million three months ago.

The series details the exploits of a crew of daredevils, led by Johnny Knoxville, who withstand grievous bodily harm by performing various gruesome stunts. Genitalia abuse and frequent vomiting are popular favorites.

Women accounted for a surprisingly large 40 percent of the audience, Paramount said, up from 34 percent for the first film in October 2002. That one opened at No. 1 with $23 million and finished with $64 million. The 2006 sequel led the field with a $29 million opening, and ended up with $73 million. MTV, which originally aired the "Jackass" TV series between 2000 and 2002, and Paramount are units of Viacom Inc.

Critics mostly praised the movie, even if they said the new 3D element failed to add much. But Paramount's executive VP for distribution Don Harris said the new movie would have been viewed as a "been there, done that" proposition and opened in the $20 million range had it not been for the extra dimension.

Even though it was filmed in 3D -- rather than converted in post-production -- the film cost a modest $19 million to make.

Opening at a distant No. 2 was "Red," a Bruce Willis action drama based on a DC Comics book. It earned $22.5 million, in line with expectations. The film, which also stars Morgan Freeman and Helen Mirren, was released by closely held Summit Entertainment.

After two weeks at No. 1, the acclaimed Facebook drama "The Social Network" slipped to No. 3 with $11 million, taking its total to $63.1 million. It was released by Columbia Pictures, a unit of Sony Corp.

"Despicable Me" led the foreign box office for a second weekend with a $25.7 million round from 54 markets, said distributor Universal Pictures. Its total stands at $168.6 million. The animated feature was a surprise summer hit in North America, grossing $247 million. Universal is a unit of General Electric Co.

(Reporting by Dean Goodman; editing by Doina Chiacu and Todd Eastham)



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Saturday, October 16, 2010

"Leave It to Beaver" mom Barbara Billingsley dies

LOS ANGELES | Sat Oct 16, 2010 7:14pm EDT

LOS ANGELES (Reuters) - Actress Barbara Billingsley, who played the quintessential suburban American mom on the 1957-1963 U.S. television comedy "Leave It to Beaver," died on Saturday at age 94.

A spokesman for the Santa Monica, California, care facility where Billingsley died said the actress, who had a memorable cameo as a jive-talking elderly passenger in the 1980 hit comedy film "Airplane!" had been in poor health in recent years.

In her signature role as June Cleaver in "Leave It to Beaver," which ran for six seasons, Billingsley personified the ideal middle-class mother and housewife in an era when relatively few American women with children worked outside the home.

Ever patient with the family's rambunctious younger son, nicknamed Beaver, played by Jerry Mathers, and their teenage son, Wally (Tony Dow), June Cleaver was always impeccably stylish, often seen doing household chores in pearls and earrings.

Her TV husband, Ward Cleaver, was played by Hugh Beaumont, who died in 1982.

The show aired first on CBS, then on ABC. Reruns are still shown widely in syndication almost half a century after the program went off the air.

Billingsley reprised her June Cleaver role in several revivals and TV movie updates of the original show that aired into the 1990s.

She complained at times that her association with the character left her forever typecast in Hollywood as the perfect mother.

But Dow said in an interview with CNN that Billingsley "was very proud of being June Cleaver."

"She was just happy as a lark being recognized as America's mom," he said.

It was an image she used to comic effect in "Airplane!" as an elderly passenger who offers to have a word with two upset African-Americans speaking in heavy street slang on the plane after she politely tells the flight attendant, "Oh, stewardess, I speak jive."

According to the entertainment website IMDB.com, Billingsley was good friends with several other actresses famous for the moms they played on TV, including Florence Henderson ("The Brady Bunch"), June Lockhart ("Lassie," "Lost in Space") and Jane Wyatt ("Father Knows Best").

(Editing by Peter Cooney)



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