Monday, October 11, 2010

Malaysia Islamists object to Adam Lambert concert

KUALA LUMPUR | Mon Oct 11, 2010 6:58am EDT

KUALA LUMPUR (Reuters) - Malaysia's Islamist opposition party on Monday demanded that authorities cancel a planned concert by U.S. glam rocker Adam Lambert that they say is promoting "gay culture" in the mainly Muslim country.

The Pan Malaysian Islamic Party (PAS) has also threatened to call "as many of its members and supporters" to proselytize to concert-goers if the performance by the former "American Idol" runner-up goes ahead on Thursday, a party official said.

"Adam Lambert's shows... are outrageous, with lewd dancing and a gay performance that includes kissing male dancers, this is not good for people in our country," said PAS Youth leader Nasrudin Hasan. Homosexual sex is a criminal offence in Malaysia.

PAS is Malaysia's second-largest political party with close to a million members and is a partner in a rainbow opposition grouping led by former Deputy Prime Minister Anwar Ibrahim.

Foreign acts often draw protests from PAS, which since 2007 has campaigned against performances by singers including Beyonce, Rihanna, Gwen Stefani, Avril Lavigne and Mariah Carey.

Police in May broke up a demonstration by Islamists including PAS supporters protesting against a concert by U.S. rapper Pitbull, underscoring a deepening tide of Islamic conservatism in the country.

An official from Malaysia's Arts, Culture and Heritage Ministry was reported saying that the singer, had signed a contract agreeing to abide by the Ministry's rules on performances, which can require foreign performers to tone down their acts to suit local sensibilities.

(Reporting by Razak Ahmad; Editing by Alex Richardson)



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Sunday, October 10, 2010

"Budrus" film captures peaceful change in Middle East

NEW YORK | Sun Oct 10, 2010 1:21pm EDT

NEW YORK (Reuters) - Sometimes, a little peace goes a long way. Indians, led by Mohandas Gandhi, found out. African American followers of Martin Luther King, Jr. learned too.

So did a village of Palestinians and their Israeli counterparts from a reluctant hero, family man and his 15-year-old daughter. Their little-known story is documented in a new film "Budrus," whose makers hope will spread a message that peace can bring change, even in a war-torn land.

As Palestinians and Israelis attempt to restart peace talks, "Budrus," which opened in New York over the weekend and spreads around the United States in coming weeks, takes on greater meaning.

The documentary film shows the father and daughter duo leading a throng of Palestinian villagers, notably joined by some Israeli supporters, in a nonviolent crusade to protect their agricultural village, Budrus, from a barrier being built to separate the two ethnic groups inside the West Bank.

Budrus is 31-kilometers from Ramalla in the northern West Bank, and the film shows villagers peacefully protesting Israeli bulldozers even as the machines uproot olive trees -- and their Palestinian culture -- in 2003, when they campaigned for 10 straight months to reroute the barrier.

"It's a small story, it's a small village," said director Julia Bacha. "But there are many lessons to be learned from what happened there and many of the things that they did in this community can be applied broadly."

To retell the story in a compelling fashion, Bacha gathered footage taken by protesters and villagers after the events and coupled it with fresh interviews of major players from both the village and the Israeli army.

"We wanted to put the faces of both sides of that struggle in the consciousness of people," she said. "Budrus felt like a microcosm to look at 'what are the dynamics that take place when this community decides to use nonviolent strategies to resist'," she said.

Interviews include a local Hamas leader, village protesters, Israeli activists, the female Israeli border police squadron commander and an Israeli army captain.

Anchoring the protest, and the film, is Budrus' mayor, family man and former Fatah activist Ayed Morrar, who once spent years in Israeli prisons, and his then 15-year-old daughter, Iltezam. At one stage, she risked her life by stepping into the path of a bulldozer.

But Bacha called Morrar a "humble man" and said it took her several months to persuade him to be in the documentary.

At the beginning of the film he says with pained and hopeful eyes, "We want to raise our kids in peace and hope. We are using a strategy of popular resistance and nonviolence."

The film has attracted critical acclaim, with The New York Times columnist Nicholas Kristof calling it "this year's must-see documentary" and "a riveting window into what might be possible if Palestinians adopted civil disobedience on a huge scale". The Guardian called the movie an "eye-opener."

Bacha said one of the most inspiring parts in discovering the story -- and an emotional highpoint in the film -- was how the people of Budrus spread their successful protest strategy to other villages and built trust with Israelis.

"This community didn't just preserve what they have, they extended it," she said before commenting on some Israelis joining in on the efforts, "If people struggle together they start believing they share a common cause and they see that 'You are willing take risks for me, I am willing to take risks for you.'"

Morrar says softly by the end of the film, "I used to tell them, this is not our destiny. We have a choice. We can decide to resist."

(editing by Bob Tourtellotte)



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"Social Network" tops box office for second week

LOS ANGELES | Sun Oct 10, 2010 11:58am EDT

LOS ANGELES (Reuters) - Facebook film "The Social Network" captured the top spot at North American box offices for the second straight week, beating a pair of newcomers including horse racing film "Secretariat," according to studio estimates released on Sunday.

"The Social Network," which tells of the founding of the popular website, took in $15.5 million at just under 2,800 locations, for a per-theater average of around $5,600. Total ticket sales were down just about 30 percent from last week's final haul of $22.4 million for Columbia Pictures movie.

Warner Bros. romantic comedy "Life As We Know It," starring Katherine Heigl and Josh Duhamel, took the No. 2 spot with $14.6 million in 3,150 locations, averaging just over $4,600 per theater. Disney's "Secretariat" came in third with $12.6 million in roughly 3,200 venues for $4,100 per theater.

Columbia Pictures is a unit of Sony Corp.'s Sony Pictures Entertainment media division. Warner Bros. is a part of Time Warner Inc., and Disney is a unit of The Walt Disney Co..

(Reporting by Bob Tourtellotte, editing by Philip Barbara)



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U.S. soul singer Solomon Burke dies at 70

WASHINGTON | Sun Oct 10, 2010 6:30am EDT

WASHINGTON (Reuters) - U.S. soul singer Solomon Burke, a Grammy winner and member of the Rock and Roll Hall of Fame, died on Sunday at Amsterdam's Schiphol Airport, according to media reports.

Burke, 70, died after arriving on a flight from Los Angeles, CNN reported.

Famed R&B producer Jerry Wexler called him "the best soul singer of all time," according to Burke's Rock and Roll Hall of Fame biography.

Born in Philadelphia, he was known for hits including "Cry to Me," "Just Out of Reach (Of My Two Open Arms)" and "Got to Get You Off My Mind."

A large man, Burke was also known for his showmanship, wearing regal robes for his "King of Rock 'n' Soul" persona, the Hall of Fame said.

Burke's career was centered in the 1960s, but it had a revival with a Grammy award for the 2002 contemporary blues album "Don't Give Up On Me."

(Reporting by Vicki Allen, Editing by Noah Barkin)



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Saturday, October 9, 2010

John Lennon's son unveils monument on anniversary

LIVERPOOL, England | Sat Oct 9, 2010 2:15pm EDT

LIVERPOOL, England (Reuters) - John Lennon's son Julian and first wife Cynthia unveiled a monument to the late singer Saturday, the 70th anniversary of his birth, and said the time for mourning the former Beatle was over.

The presentation of a $350,000 18-foot structure, designed to promote peace, was one of several events being held around the world to celebrate one of pop music's most influential singers and songwriters who was murdered in New York in 1980 at the age of 40.

Internet search site Google paid tribute to Lennon with a hand-drawn logo and mini-video based on his hit "Imagine."

Manhattan planned a benefit concert and Lennon's widow Yoko Ono was to perform alongside their son Sean as the Plastic Ono Band in Reykjavik.

Cynthia, 71, and Julian Lennon, 47, looked on in Lennon's birthplace Liverpool as a choir performed his music. A crowd of several hundred people gathered in Chavasse Park for the event.

"I think the mourning is over for John," said Cynthia, who was married to Lennon between 1962 and 1968. "I think it's time to celebrate, which is what we're doing."

Musician Julian added: "I think most things have been said. We come here with our hearts to honor dad and to pray for peace and say thank you to each and every one of you and everyone involved in the celebrations today."

As one half of the songwriting partnership in the Beatles alongside Paul McCartney, Lennon was responsible for much of the band's catalog, including seminal hits like "She Loves You," "I Want to Hold Your Hand" and "A Hard Day's Night."

The band is widely credited as being the most successful in pop history, and Lennon went on to make his mark as a solo artist after the group split in 1970 with classic songs including "Imagine."

Ono said his influence continued to be felt, 30 years after his death.

"It's very interesting, you know, that songs like 'Gimme Some Truth' mean a lot now, and of course 'Give Peace a Chance' ... 'Imagine'," she said in Reykjavik Friday.

"All his political songs really have a lot of meaning right now for people," she said.

Lennon remains big business, and the anniversary, just months before the 30th anniversary of his death, has seen the release of a new wave of Lennon-related merchandise and music.

Ono oversaw the making of a digitally remastered Lennon catalog that includes eight studio albums and several newly compiled titles on the EMI Music label.

(Reporting and writing by Mike Collett-White; Editing by Janet Lawrence)



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