Friday, September 17, 2010

Sacha Baron Cohen set for Freddie Mercury biopic (AP)

LONDON � "Borat" star Sacha Baron Cohen has been signed up to star in a movie about flamboyant rock star Freddie Mercury, producers said Friday.

Peter Morgan, who wrote "The Queen," is working on a screenplay about the frontman of the band Queen, who died of AIDS in 1991.

The as-yet-untitled film will climax with Queen's barnstorming appearance at the 1985 Live Aid concert in London.

The announcement was made by GK Films, which is producing with Robert De Niro's Tribeca Productions and Queen Films.

Production is due to begin next year.

Founded in 1971 by Mercury, guitarist Brian May, bassist John Deacon and drummer Roger Taylor, Queen scored hits with songs including "We Are the Champions," "We Will Rock You" and "Bohemian Rhapsody."

May told the BBC that the band supports the project.

He said the choice of Baron Cohen, creator of wannabe rapper Ali G, Kazakh journalist Borat and Austrian fashionista Bruno, "will probably be a shock to a lot of people, but he's been talking with us for a long time."

"He's been in on this project since we started talking about it seriously with Peter Morgan a couple of years ago." May said.

Baron Cohen's latest film is Martin Scorsese's "Hugo Cabret."



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Author of Carla Bruni book defends sources (AP)

PARIS � The co-author of a new book about French first lady Carla Bruni-Sarkozy is defending his sources amid a media buzz over a passage that cites Michelle Obama as calling life in the White House "hell."

Mrs. Obama's spokeswoman, and the French Embassy in Washington, have denied the first lady said such a thing.

Author Yves Derai stands by the explosive dialogue, insisting it's based on interviews with "reliable sources." Derai, in an interview with The Associated Press, declined to name his sources, saying it would violate his journalistic principles.

Derai is an investigative journalist who co-wrote "Carla and the Ambitious Ones," along with a political TV journalist. Derai acknowledged the French word used in the passage, "enfer," might not correspond directly with the English word "hell."



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Sony hopes Facebook film befriends fans, Oscar

By Kim Masters

Fri Sep 17, 2010 8:16am EDT

LOS ANGELES (Hollywood Reporter) - Sony is starting to show the face of "The Social Network," the saga of the founding of Facebook and one of the most buzzed-about films of the season.

The studio has started to screen it, beginning with a select list of friendly journalists. No surprise there.

At the same time, it is positioning the film for Oscar. Along with reporters from fan sites, the guest list at screenings includes awards bloggers.

Sony wants it all for director David Fincher's October 1 release: commercial results and artistic recognition. The studio declines to discuss the carefully orchestrated marketing campaign for the film, but clearly it's chasing the young audience, with spots on MTV emphasizing partying, bling and Justin Timberlake. For older audiences, it's being spun more as "Wall Street," with heavy reliance on quotes from positive reviews.

"I think there is heat on the movie and it's going to work," said a distribution executive at a rival studio.

Sony will need it to work commercially if it wants to be a contender in the awards race, according to one veteran consultant (who hasn't seen the film). Unlike a modest movie like "Hurt Locker," "Social Network" -- with its high-end pedigree and a budget of $40 million or more -- will need commercial traction to engage the Academy.

"The sucker can't bomb," this campaigner said. "It's about Facebook -- about something that has permeated all levels of our culture. ... If it doesn't do business, it failed. It can't come out and tank when everyone knows there's an audience for it. There's nothing worse than promoting a film within the Academy that failed to do what it was supposed to do."

So far, the early reviews on the movie fan sites are positive. Slashfilm raved. CHUD.com called it "absorbing and hilarious and smart."

An executive at a rival studio said Sony is trying to create a snowball effect. "They're showing it to the hard-core geeks first supposedly because they're 'of the Internet,' " he said. "But to get these guys excited, you have to let them be the first to see it. That's all they want, sometimes. So they're all frothing, and when they show it at the New York Film Festival and other places to the older critics, they're going to have to jump on the bandwagon. They don't want to be perceived as uncool."

The campaign consultant concurred: "They're trying to make it something you have to see -- it's hip and if you don't understand it, you're left out."

Sony's biggest challenge, commercially, will be to draw in the increasingly important young female audience, which tends to be driven by word-of-mouth. Young women are big users of Facebook, in fact, but they may not be drawn so easily to the story of its founder's debauchery. So far, the ads on MTV appeal to young men; Sony still needs to reach the young ladies, possibly with ads on cable shows where they congregate.

If in fact the studio manages to generate enough commercial success to give the movie traction with awards voters, the inevitable anti-"Social Network" campaigning will begin -- that the characters in the film are unpleasant, that there's no rooting interest, that watching rich miscreants is not appealing at a time of economic stress.

As the campaign strategist put it, "Facebook is a thing that everyone who's on it loves, but the inventor is this dick."

And the consultant adds that even positive buzz can turn into a problem. "I hate being in that position," he said. "I dread it. They can only go downhill from there unless it delivers on every level."

But the consultant said the film may have an advantage -- perhaps counter-intuitively -- because even the many Academy members who will never see 40 again tend to be plugged into Facebook. Given that, he said, the issue comes down to the film's commercial prospects.

"If it becomes a populist entertainment, they have a shot," he said. "If they come out and don't do business, good luck."



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Director admits Joaquin Phoenix documentary a hoax

LOS ANGELES | Fri Sep 17, 2010 1:45am EDT

LOS ANGELES (Reuters) - Joaquin Phoenix transformed from a clean-cut actor into a bearded, druggy rap wannabe two years ago -- but it seems it was all in the name of art.

His brother-in-law Casey Affleck, who made a documentary about Phoenix's transition from acclaimed actor to bearded, shambolic hip-hop star, admitted on Thursday that it was an act.

"It's a terrific performance, it's the performance of his career," Affleck told the New York Times.

Affleck said Phoenix put his professional life on the line to star in the documentary, "I'm Still Here," which captivated viewers at the Venice International Film Festival this month.

At the event, Phoenix swore it was a genuine documentary despite clear indications on the screen that it was a "mockumentary" poking fun at a narrow-minded public.

The buzz about the documentary began when a bearded Phoenix appeared on David Letterman's chat show in February last year, confused and mumbling.

In the movie Phoenix is at times funny and coherent and at others childish, aggressive and paranoid as he struggles to live with his decision in 2008, which the media greeted with breathless disbelief, to give up acting and take up hip-hop.

The film includes footage of him apparently taking drugs, surfing the Internet for call girls, hosting prostitutes, diving off a stage to attack a heckler and vomiting. It also features rap impresario Sean Combs, who finally agrees to listen to a demo of his hip-hop music.

Affleck has now come clean. Virtually none of it was real, he told the New York Times. Not even the opening shots, supposedly of Phoenix and his siblings swimming in a water hole in Panama. Affleck said that was actually shot in Hawaii with actors. "I never intended to trick anybody," said Affleck.

He acknowledged that Letterman was not in on the joke involving Phoenix who was nominated for an Oscar for his role of Johnny Cash in "Walk The Line."

Phoenix, whose sister Summer is married to Affleck, is due to return to "The Late Show with David Letterman" next week -- and Affleck said this time he would not be in character.

(Writing by Belinda Goldsmith, Editing by Dean Goodman)



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NJ man knows secrets of genuine 'Boardwalk Empire' (AP)

ATLANTIC CITY, N.J. � While Enoch "Nucky" Johnson was running things in Prohibition-era Atlantic City � including booze, hookers and gambling dens � a teenager named Ed Devlin was getting a taste of Johnson's real-life "Boardwalk Empire" from the periphery.

Johnson, who will be played by Steve Buscemi in the HBO series that begins Sunday, was the unquestioned boss of the resort, and Devlin won enough of his trust to run some small-time numbers. He also heard the most powerful man in Atlantic City talk about his plans to control the resort, its police force and the state police.

Before he finished high school, Devlin had already learned how to take bets from people and deliver money � on time � to the bookies, how much northside hookers charged for an encounter and, most of all, the one rule in Atlantic City: never cross Nucky.

"In my world, he was a god," said Devlin, now 89 years old. "Atlantic City was my kingdom, and he was the king."

His high school yearbook lists his name as Edward "Nucky" Devlin � a nickname he earned because everyone knew Devlin had the ear of the biggest man in town.

For 30 years, until he was finally sent to prison for tax evasion, Johnson dominated Atlantic City � then one of the nation's leading resorts. He controlled not only the Republican political machine that had a stranglehold on government, but also made sure it was what Devlin called "a wide-open town, with gambling, prostitution and booze right out in the open."

Johnson did this by controlling not only the local police department, but by currying enough favor with state authorities so that when the state police had to conduct an obligatory raid from time to time, Nucky would get advance warning. The liquor and gambling equipment were hustled into boats that sped offshore. Hookers were either moved or told to lay low.

It was in this world that Devlin came of age. His father was a local eye doctor who knew most people in town, including Johnson. He introduced his son to the boss, who took a liking to the boy and unfailingly referred to him as "kid."

"Hiya doing, kid? How's things, kid?" Johnson would say every time they met, which Devlin estimated was every other day for at least 10 years.

One night in 1926 when Devlin and his father were waiting for a boxing match to start at the Million Dollar Pier, they saw Johnson stroll in with Harry Moore, the leading candidate for governor of New Jersey.

"I turned to my dad and said, `What's Nucky doing with Harry Moore?'" Devlin recalled. A few days later, Devlin recalled, he asked Johnson, "I saw you at the fights. You were with Harry Moore. He's a Democrat; you're a Republican."

"He says, `Kid, I want to talk to you,'" Devlin said. "So we went into his private office, first door on the left, and he says, `This is a small county. It doesn't have enough votes to control anything. We have to control the Statehouse in order to control the state police. That way they won't come in and raid a place.'"

Like most other Atlantic City residents, young Devlin fell under Johnson's sway, admiring his power, charm and the way he took care of poor or out-of-work families. A household having trouble keeping warm would suddenly find their coal bin filled. A jobless father would be hired for a week or two cleaning up the beach or sweeping streets. Gifts of clothing or food were common � and there was no doubting where they came from.

"He took care of people," said Allen "Boo" Pergament, an Atlantic City history buff who was 12 when he met Johnson. "He could have been a thug and demanded things, and people would have responded out of fear. But he was loved and respected because of the way he took care of people. It bought their loyalty."

Pinky Kravitz, an Atlantic City radio host, also knew Johnson, and confirmed that Devlin and the boss were pals. The 83-year-old Kravitz recalled watching Johnson at a community meeting in an African-American neighborhood, where he dispensed largesse.

"He said, `Mrs. Johnson, you need coal? You're going to have a ton of coal tomorrow. Mr. Smith, you need a job?'" Kravitz recalled. "He went around the room calling out the names of people, asking what they needed."

Devlin ran numbers for local bookmakers, taking care to get the picks and the cash to the storefront boss on Kentucky Avenue by 12:15 p.m. � 12:30 at the absolute latest � before the winning number was announced at 1 p.m. The payoff: 500-to-1. His take as a street-level runner was 15 percent.

"One day, I made 12 dollars," he said. "At that time, the Works Progress Administration was paying $9 a week, $12 if you were politically connected. We had an apartment where the rent was $7 a month.

"I came home on cloud nine that day, a big shot," he recalled. "I had made $12 in a few hours by running numbers."

Devlin also lined up a messenger job with a brothel on North Michigan Avenue.

"If they wanted a blonde or a redhead, I would take the key to the house where they were," Devlin said. "I did very well."

One day, Devlin worked up enough courage to tell one of the hookers he was interested in her services.

"I don't have much money," he told her. "She said, `It's 25 cents.' Those were the days!"

Devlin had no qualms about what he was doing, because everyone else seemed to be doing it, too.

"I accepted that way of life," he said. "I had no chance to think that this was illegal or unconstitutional or against the law; it was part of the community I was raised with from the time I could walk and think."

Devlin went on to own two gift shops on the Atlantic City Boardwalk that remain to this day, with his wife taking care of day-to-day matters.

In Nucky's day, Devlin's uncle, "an ex-Marine who believed in doing things strictly by the book," was an Atlantic City police officer. One day when the two were out together, his uncle saw a car stop and make a U-turn in the middle of the street. Ticket book in hand, he flagged down the offending vehicle, and told the driver he had broken the law.

"You know who I am?" the driver said.

"Yes, Nucky," his uncle said.

Devlin went pale watching his uncle write a ticket to the most powerful man in town.

"Ten days later, I saw my uncle again," Devlin said. "He was no longer a police officer. He had been relieved of his office. My relatives were all mad at him. They said, `What were you thinking, giving a ticket to Nucky Johnson?'"

___

Online:

http://www.hbo.com/boardwalk-empire/index.html



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