Monday, September 13, 2010

Stanley Tucci finds fatherhood not so simple in "Easy A"

By Cristy Lytal

LOS ANGELES | Mon Sep 13, 2010 1:11pm EDT

LOS ANGELES (Reuters) - Even though veteran actor Stanley Tucci is the father of three children, playing the dad in new movie "Easy A" was unfamiliar territory.

Tucci, a veteran actor whose recent roles have ranged from an Oscar-nominated turn as a murderer in "The Lovely Bones" to a heartwarming performance as Julia Child's doting husband in "Julie & Julia," said he'd never played a character quite like the post-modern papa named Dill in "Easy A."

In the film, which debuts in U.S. theaters on Friday, Dill is surprised to find his teenage daughter Olive (Emma Stone) furiously sewing a scarlet letter onto a bustier in tribute to Nathaniel Hawthorne's adulterous literary heroine.

As Olive takes to wearing similarly-labeled custom outfits to high school and spreading false rumors of her own promiscuity, Tucci's dad still manages to keep his cool.

"As a parent, it would be great if I could be as relaxed as these people in the movie are," Tucci laughed as he spoke to Reuters. "It'll never happen. But a thing that I have in common with Dill is that I do joke around with my kids. We laugh a lot. But again, I couldn't let go that much -- no way."

Tucci said he never takes a role without keeping his children in mind, and "Easy A" was no exception after it came his way roughly 18 months ago just after his wife Kate died of breast cancer in April 2009.

"This was the first movie I had done since she died, and I hadn't worked for a while. And they were very kind, and condensed it (his shooting schedule) into three days."

By contrast, his time on the set when filming next summer's big-budget action flick "Captain America: The First Avenger," in which he plays mad scientist Dr. Abraham Erskine, was more demanding.

"I was gone for over three weeks, and that was a little hard," he said. "The kids were okay because it was summer. They were having a great time. But I have to orchestrate things very carefully. I always did, but particularly now because I'm a single father, I can't go away for too long."

VERSATILE CAREER

Even within these constraints, Tucci still finds plenty of ways to express his remarkable versatility as an actor, writer, director and producer.

While he hasn't acted on Broadway for seven years due to the grinding, daily workload on the Great White Way, he hopes to undertake the more flexible job of directing a play a year.

He made his Broadway directorial debut earlier this year with a Tony-nominated revival of the farce "Lend Me a Tenor," starring Tony Shalhoub.

Tucci plans to keep audiences equally entertained on film. He has shared the screen with Meryl Streep twice as an actor -- in "Julie & Julia" and 2006's "The Devil Wears Prada" -- and he's set to direct her and Tina Fey in the comedy "Mommy & Me" next summer.

He is producing the feature along with his partners Steve Buscemi and Wren Arthur through their Olive Productions company.

His array of other upcoming film work includes a role alongside Cher and Christina Aguilera in the musical "Burlesque," due in theatres this November.

For Tucci, the variety is "why you're an actor...we're all multiple personalities, and actors just allow themselves to access those personalities and figure out a way to make a living doing it. So you live all of these different lives in one."

Still, it's clear that the life to which he's truly committed is that of an involved father.

"My kids don't really like to watch me in movies," he said. "They just want me to be me. They're great kids. They're incredible. And they're all really funny. Thank God."

(Editing by Bob Tourtellotte)



Powered by WizardRSS | Full Text RSS Feeds

Albee's new absurd play reaches for double the fun (AP)

NEW YORK � Edward Albee's "Me, Myself & I" begins with a line that pretty much indicates where this absurd little play is going.

"I want to make things even more complicated than they are around here," a young man says to the audience, standing in front of the curtain, which has not yet risen.

You have to hand it to him, though: mission accomplished. By the end of this impishly inventive play, an already fragile, confused little family has been utterly upended. And you can almost hear the playwright cackling with delight.

Though Albee is now in his 80s, "Me, Myself & I" � starring Elizabeth Ashley and veteran Albee interpreter Brian Murray as her lover � has a youthful, half-baked quality. At least in comparison to his searing "Who's Afraid of Virginia Woolf?" � his latest work is positively daffy, with comedic lines that evaporate without necessarily moving the plot forward.

The six-person play at the off-Broadway Playwrights Horizons centers on a pair of identical 28-year-old twins, one of whom � the mischief-maker we meet at the beginning � marches into his mother's bedroom to announce two bizarre things. One, he wants to become Chinese. And two, he's decided that his twin brother no longer exists.

Naturally, this news befuddles his mother (Ashley), who still has a hard time distinguishing between her sons and yet has not made life easy for herself by bestowing on them the same name: Otto. To get around this, the "good" twin (Preston Sadleir) is known by the lowercase "otto" and his "evil" sibling (Zachary Booth) goes by the uppercase "OTTO."

How his family handles OTTO's news basically shapes the thin plot, which has aspirations to be an examination of identity and parenthood but packs no wallop and seems artificially extended into a full-length play. The acting is good, but the performers are often working with a script that fails to connect emotionally.

This is Albee's 30th play and his signature touches are evident: actors stepping out of scenes to address the audience (at one point the mother abruptly abandons the stage, explaining "I've got to pee"); the love of American idioms ("ta-ta," "straight and narrow," "speak of the devil"); casual bigotry; and, of course, mommy issues. It's not even the first time the playwright has touched on identical twins, having done so in his 1960 one-act play "The American Dream." But it's the first time the Doublemint gum jingle has been so hysterically mangled.

"Me, Myself & I" made its world debut in 2008 at the McCarter Theatre Center for the Performing Arts in Princeton, N.J., and Thomas Lynch's set designs have also made the trip, combining Albee's love of stark spareness with Lynch's use of thin wires to make the stage resemble a sterile yet fragile space.

Director Emily Mann, who has faithfully followed Albee's instructions even when they veer into self-indulgence, and Murray, who clearly relishes his out-of-left-field lines, are also reprising their parts.

Ashley is superb, playing the role with equal parts befuddlement, stubbornness and sentimentality, all tinged with a whiskey-aged voice, an air of flooziness and disheveled hair.

The two Ottos manage a neat double trick � appearing and moving like identicals yet remaining utterly different in temperament, no easy feat for a pair of actors who wear the same green polos, black pants, boots and haircuts.

You'll be seeing double and likely confused when it's all over. But there's no disguising Albee's singular vision.

___

Online:

http://www.playwrightshorizons.org/current_season.asp



Powered by WizardRSS | Full Text RSS Feeds

Bill Clinton visiting 'The Daily Show' on Thursday (AP)

NEW YORK � Comedy Central says former President Bill Clinton will visit "The Daily Show with Jon Stewart" on Thursday.

He is expected to talk about the Clinton Global Initiative, which annually convenes world leaders to grapple with pressing global concerns. This year's meeting is scheduled to take place next week in New York.

Clinton appearance on "The Daily Show" will be his sixth. The show airs Monday through Thursday at 11 p.m. Eastern time.

___

Comedy Central is owned by Viacom Inc.

___

Online:

http://www.thedailyshow.com

http://www.clintonglobalinitiative.org



Powered by WizardRSS | Full Text RSS Feeds

Bob Marley family loses case over hit records

By Jonathan Stempel

NEW YORK | Mon Sep 13, 2010 11:35am EDT

NEW YORK (Reuters) - Bob Marley's family lost a lawsuit seeking the copyrights to several of the late Jamaican reggae singer's best-known recordings.

U.S. District Judge Denise Cote in Manhattan said the UMG Recordings unit of Vivendi SA's Universal Music Group is the rightful owner of copyrights to five albums that Marley had recorded between 1973 and 1977 for Island Records.

The albums "Catch a Fire," "Burnin'," "Natty Dread," "Rastaman Vibrations" and "Exodus" were recorded with Marley's band The Wailers. They include some of Marley's best-known songs, including "Get Up, Stand Up," "I Shot the Sheriff," "No Woman, No Cry" and "One Love."

Marley died of cancer in 1981 at age 36.

Friday night's ruling is a defeat for Marley's widow Rita and nine children who had sought to recover millions of dollars in damages over UMG's effort to "exploit" what they called "the quintessential Bob Marley sound recordings."

L. Peter Parcher and Peter Shukat, who are lawyers for the family, did not immediately return calls seeking comment. UMG spokesman Peter LoFrumento said the company is pleased with Cote's ruling.

Marley's family accused UMG of intentionally withholding royalties from their company Fifty-Six Hope Road Music Ltd, and ignoring a 1995 agreement assigning them rights under the original recording agreements, court papers show.

It also accused UMG of failing as required to consult with them on key licensing decisions, including the use of Marley's music as "ringtones" on AT&T, Sprint and T-Mobile phones, the papers show.

But Cote concluded that Marley's recordings were "works made for hire" as defined under U.S. copyright law, entitling UMG to be designated the owner of those recordings, for both the initial 28-year copyright terms and for renewals.

"Each of the agreements provided that the sound recordings were the 'absolute property' of Island," Cote wrote. "Whether Marley would have recorded his music even if he had not entered the recording agreements with Island is beside the point."

She added that it was irrelevant that Marley might have maintained artistic control over the recording process. What mattered, she said, was that Island had a contractual "right" to accept or reject what he produced.

Cote also denied the Marley family's request for a ruling upholding its claims over digital downloads, citing ambiguity in a 1992 royalties agreement.

She directed the parties to enter court-supervised settlement talks, and scheduled an October 29 conference.

The case is Fifth-Six Hope Road Music Ltd v. UMG Recordings Inc, U.S. District Court, Southern District of New York, No. 08-06143.

(Reporting by Jonathan Stempel in New York; Editing by Derek Caney)



Powered by WizardRSS | Full Text RSS Feeds

Jovovich juggles zombies, serious film fest roles (AP)

TORONTO � Milla Jovovich does not just want to rule the box office by killing zombies.

She aims to show versatility beyond her "Resident Evil" action-horror franchise with a pair of movies at the Toronto International Film Festival.

Jovovich co-stars with Robert De Niro and Edward Norton in the psychological drama "Stone," which premiered at Toronto over the weekend ahead of its theatrical release in October. Her second Toronto film, the teen comedy "Dirty Girl," also premiered at the festival over the weekend.

"I just keep chugging away at the smaller, more interesting character studies that I get to play," Jovovich said in an interview. "The `Resident Evil' world is amazing. I love it and I love the action. But really, when you do the little indies, you get a chance to play the parts you don't normally play."

Jovovich, 34, led the weekend box office with $27.7 million for "Resident Evil: Afterlife," the fourth installment in the series, in which she reprises her role as a superhero slaying ravenous zombies that have overrun the world.

The "Resident Evil" movies are overseen by Jovovich's husband, director Paul W.S. Anderson, who also is directing her in a 3-D adaptation of "The Three Musketeers," which features Orlando Bloom and Academy Award winner Christoph Waltz and is due in theaters next year.

Jovovich also has starred in such big studio productions as "The Fifth Element" and "The Messenger: The Story of Joan of Arc," appeared in Ben Stiller's "Zoolander" and Spike Lee's "He Got Game," and has done such smaller films as "The Claim" and "Dummy."

In "Dirty Girl," which is seeking a theatrical distributor at the Toronto festival, Jovovich co-stars with Juno Temple, Mary Steenburgen, William H. Macy and Dwight Yoakam in the tale of a teen bad girl. In "Stone," Jovovich plays the wife of a prison inmate (Norton) who seduces a parole officer (De Niro) to try to secure her husband's release.

Co-star Norton said Jovovich brought both her beauty and an exotic spirit to the role.

"I knew she had this in her," Norton said. "It's a weird comparison, but she reminded me of Karen Black or one of those great actresses of the '70s who though beautiful was always kind of finding a little bit of a funky kink in what they were doing and didn't feel like they were out of central casting."

The "Resident Evil" movies have left Jovovich somewhat typecast, making more serious roles a bit tougher to land, Jovovich said. "Stone" director John Curran said he initially had doubts that she could pull off the role but that Jovovich aced her audition.

Jovovich is not complaining about her main gig as an action hero, though.

"I'm really lucky to have a four-picture franchise. Not many women in Hollywood are given the opportunity to helm a big action franchise," Jovovich said. "So it's a big honor, and I keep doing smaller movies that give me a chance to play something different from Alice in `Resident Evil' and to really grow as an actress."



Powered by WizardRSS | Full Text RSS Feeds