Thursday, September 9, 2010

Designs for living well on Nate Berkus new show AP

NEW YORK After a taping of his new weekday talk show, Nate Berkus stuck around to chat up his studio audience. Did they have a good time? Did they like what they saw? Did they have any suggestions?

Grinning, Berkus drank in the audiences overall approval, but listened closely as one woman called for more decorating tips.

Will do, he promised, thanking her.

Then he had to go. He had to prepare for another taping in a couple of hours.

Besides the new demands of "The Nate Berkus Show" which premieres Monday; check local listings for time, he must also juggle other enterprises like his design firm, nationally distributed home products line and schedule of personal appearances.

He arrives full-time on the syndicated scene fresh from an 8-year recurring run with the queen of daytime TV, Oprah Winfrey, on whose show he made dozens of guest appearances as her designated design expert.

There he established his zesty style "Ive never played anything else but myself on television," he says, while he charmed viewers with his all-embracing vision of design.

Berkus believes that transforming your physical surroundings is a way to change your personal story. He likes stories of self-realization as much as he likes the furniture and window treatments that get you there.

"Im as passionate about design as people who watched me on Oprah for all these years think I am. But the focus of my show is living well," says Berkus, munching a salad during a backstage interview between tapings. "We want the viewer left with something they didnt know, after every show. And also to have a good time."

The set for "The Nate Berkus Show" is clear evidence of how hes tailoring the show to his sensibilities.

"When we started designing it, I understood that a set for a talk show could either look like a fake living room with a staircase leading nowhere � or a nightclub. Instead, I wanted something fresh and clean and serene. I wanted the set to be its own way of sharing inspiration without even saying it."

The colors are soft � sands, grays, taupes, blues � with the audience seated at several levels, including one section in a so-called sunken mosh pit.

"Most of the furniture is vintage. All of the accessories we found in different flea markets. The books are all real books that Ive read," he says proudly. "Its definitely a big reflection of me."

And maybe most notable are the living plant walls � two verdant panels of pothos, pileas and more.

"For the boy who cant keep a single house plant alive," says Berkus, psyched by this home away from home, "its such a great thing"

And Berkus just might offer some good gardening advice, because practical tips are part of the shows mix. Hint from "The Nate Berkus Show": Clean your kids marker or crayon scrawls off the wall with hairspray or toothpaste Who knew?

The show wont be particularly celebrity-driven, Berkus says, but celebs are welcome "who will have something to say, something to share. I want to see a side of them that works for my show."

Examples: Julianne Moore, who "is totally passionate about design." And Jamie Lee Curtis, "an organizational expert" whose home "looks like a Virgos fantasy"

On Friday of premiere week, Berkus guest is Elizabeth Edwards. She, of course, is the wife of former North Carolina Senator and presidential candidate John Edwards, from whom she separated after his acknowledgment that he had an affair and fathered a child with a videographer who had worked on his 2008 presidential campaign.

"I talked about what happened to her YESTERDAY, but I mainly wanted to talk about whats happening for her TOMORROW," Berkus says.

He visited her new venture in Chapel Hill, N.C. � a furniture store where she sells quality items at below wholesale.

"Shes created a family within the furniture world in North Carolina," he says.

Berkus, who turns 39 on Sept. 17, is a boyish, buoyant force of nature.

Growing up in suburban Minneapolis, he was a youngster who preferred finding bargains at flea markets to loitering in left field for nine innings, a kid who pressed his chums into helping rearrange his bedroom layout when they came for a sleepover.

At 24, he formed the Chicago-based Nate Berkus Associates design firm. Then, a few years later, a chance meeting with a producer from "The Oprah Winfrey Show" led to an assignment to make over a tiny residential space for a segment on her program.

Soon, he was not only an acclaimed designer, but also a TV star.

Then tragedy struck. He and his partner, photographer Fernando Bengoechea, were vacationing in Sri Lanka on Dec. 26, 2004, when the tsunami that killed more than 200,000 washed away their hut.

Three weeks later, the bereaved Berkus appeared on "Oprah Winfrey" to tell of losing his partner and to appeal for donations to rebuild the devastated village they had been visiting. He raised hundreds of thousands of dollars from viewers. "That was the moment of crystallization for me about the power of TV," he says.

Now hes eager to harness that power on his new TV series, though hes beginning to appreciate the difference between being a guest on someone elses show and hosting your own.

"Already for me," he says, "its been a process of self-discovery."

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Co-produced by Harpo Studios and Sony Pictures Television.

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Online:

http://www.thenateshow.com



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Final 4 acts advance on Americas Got Talent AP

LOS ANGELES Three very different singers and a group of special-effects wizards got talent � and votes.

Soulful 30-year-old crooner Michael Grimm, flashy 32-year-old showman John "Prince Poppycock" Quale, 10-year-old opera phenom Jackie Evancho and 13-man performance troupe Fighting Gravity are advancing to the "Americas Got Talent" finale. The four acts were revealed Wednesday to have received the most viewer votes on the NBC variety competition.

"It feels like a dream come true," beamed Evancho after the show Wednesday.

Evancho, the sprightly singing sensation who displays more natural effervescence offstage than any Nickelodeon or Disney Channel star, reached Susan Boyle status online this summer with her surprisingly classical opera style. The Pittsburgh native doesnt know what shell sing in next Tuesdays finale but hopes to wear a "bigger, prettier dress."

The 13 fraternity brothers of Pi Kappa Alpha from Virginia Tech in Blacksburg, Va., that make up Fighting Gravity plan to top their space-themed routine from Tuesdays episode with a new performance which promises to be "beyond space." The team, reminiscent of the Blue Man Group, utilize black lights and other props to create illusions within darkness.

"Its a tremendous amount of pressure," said 22-year-old member Danny Kang, one of three members that are actually visible in their routines. "We really, really want to step it up this time and just blow people away. We dont want to play it safe. We are going to take some risks this time. There are going to be some safety concerns in this routine."

Michael Grimm, the soft-spoken singer from Waveland, Miss., isnt sure about what hell do for the finale after performing Tuesday for the first time on "Americas Got Talent" without his guitar. Grimm, who collects stamps when off stage, said hes considering delivering a ballad with his guitar then taking it off for the rest of the performance.

"I dont know," he said. "I didnt think I was going to make it through tonight."

There are already several ideas for the next routine from Prince Poppycock, the outlandish operatic creation of Quale, whose previous spectacles include belting out "Bohemian Rhapsody" while smashing blue-and-white china and chirping "Yankee Doodle Dandy" in front of leggy backup dancers sporting U.S. flags and a replica of the Capitol building.

"Im going to bring more of an emotionally connected performance than perhaps youve seen in the past," teased Quale. "I feel its a strength that I have as a performer that hasnt really been showcased as much because Ive been focused so much on spectacle. Ill still bring spectacle, but hopefully an emotionally resonant performance as well."

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NBC is owned by NBC Universal, a unit of General Electric Co.

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Online:

http://www.nbc.com/agt/



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"BP Spillcam" deemed top TV word."Guido" close behind

LOS ANGELES | Thu Sep 9, 2010 7:39am EDT

LOS ANGELES Reuters - The Gulf of Mexico oil spill and the success of the TV show "Jersey Shore" made words like "BP Spillcam" and "Guido" among the most used words of the 2009-2010 TV season, according to a global language survey released on Thursday.

"BP Spillcam" topped the list by the Global Language Monitor due to the live camera feeds of the ruptured deep sea well that caused the worlds biggest offshore spill. The murky pictures of the well were watched by millions of viewers on television, the Internet and mobile devices.

In second place was the term "dysfunctional" thanks to the success of the Emmy-winning television comedy "Modern Family."

"Guido" -- the popular but largely pejorative slang word for young Italian-Americans -- came in third due to New Jersey-centric TV reality shows such as MTVs pop culture hit "Jersey Shore."

"The Top TeleWords of 2010 encompassed an unintended up-close-and-personal view to an unparalleled natural disaster, resonating sitcoms detailing the contradictions, foibles and joys of post-Modern life... and more Guidos and Guidettes and one might encounter in a lifetime," said Paul JJ Payack, president of the Global Language Monitor.

The Texas-based Global Language Monitor uses a math formula to track the frequency of words and phrases in print and electronic media.

Other words on the list include "Lady Gaga," "rude," in reference to departing "American Idol" judge Simon Cowell, and "Aspergers Syndrome" , the autism disorder seen on the Emmy Award-winning HBO film, "Temple Grandin."

The 2010 list is the seventh annual analysis by the Global Language Monitor. Last years Top Teleword was "Obamavision".

Editing by Jill Serjeant



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Japanese samurai movie pokes fun at tradition

VENICE | Thu Sep 9, 2010 7:33am EDT

VENICE Reuters - Prolific Japanese filmmaker Takashi Miikes "13 Assassins" is a surprisingly conventional remake of a 1963 samurai movie, but he injects enough horror and humour to win over viewers at the Venice film festival.

The film, one of 24 in the festivals main competition lineup, is based on Eiichi Kudos black-and-white picture of the same name, and it could appeal to Venice jury president Quentin Tarantino, a martial arts enthusiast.

Set in 1844, the film follows a band of 12 samurai and one hilarious hanger-on as they seek to bring down the cruel Lord Naritsugu, who rapes and kills at will in the knowledge that his status as the Shoguns brother will protect him.

Led by the noble Shinzaemon Shimada Koji Yakusho, the rebels know they are on a suicide mission against vastly superior numbers, but that does not deter them as they prepare for battle using elaborate traps and expert swordsmanship.

In one early scene, an eerie-looking and emaciated girl who has had her arms and lower legs severed by Naritsugu is brought before Shinzaemon.

She cannot tell him what happened to her family because her tongue has been cut out, but when she writes the words "total massacre," the hero keeps them close to his heart as he sets out on his path for revenge.

Most of the laughs come from Koyata Yusuke Iseya, a wild mountain man who fights alongside the more formal samurai using stones and a sling and who criticizes them for their arrogance.

RECENT PAST

Miike said his main aim in making 13 Assassins was to educate young Japanese people about their recent past.

"This is not taking place in the remote past, but rather in the quite recent past, when our great-grandparents lived," he told reporters in Venice on Thursday.

"It is our story, the story of our everyday lives. It is not total imagination, although certainly it is a fictional story.

"Young Japanese today should not forget what the reality was that our families were experiencing," he added, speaking through an interpreter.

"I hope that young Japanese looking at this movie might reflect on the recent past, 50, 100 years ago, and think how Japan was different from what it is today."

Critics were surprised mostly by the lack of surprises in 13 Assassins, a well-produced, carefully made picture from one of the worlds fastest filmmakers.

Since starting out in motion pictures in the early 1990s, Miike has made over 80 films, including 1999 horror "Audition" and 2004 superhero movie "Zebraman." A sequel, "Zebraman 2: Attack on Zebra City," premieres in Venice out of competition.

The competition also features Hong Kong director Tsui Harks "Detective Dee and the Mystery of the Phantom Flame," an effects-laden epic set in China in 690 AD as Chinas first female emperor, Wu Zetian, is about ascend the throne.

Andy Lau plays the lead.

Editing by Paul Casciato



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Left for dead by MTV, music videos rebound on Web AP

NEW YORK It wasnt long ago that the music video was on life support.

MTV � which will hold its 27th annual Video Music Awards on Sunday � phased out videos in favor of reality programming and other shows that attracted better ratings. At the same time, the music industry was collapsing and slashed budgets no longer had room for elaborate clips.

But recently, the music video has had a revival. Watching music videos has become central aspect of Internet usage. Music blogs and social media have greased the channels, facilitating the quick, easy spreading of videos, especially those with arresting or controversial visuals. People even buy clips on iTunes.

Lady Gaga and Beyonce go on a scantily clad murderous rampage with the nearly 10-minute "Telephone"; MGMT wanders through the dessert with a digitally created creature in "Congratulations"; Erykah Badu strips while strolling the path of President John Kennedy assassination in "Window Seat"; MIA depicts a war on terror against redheads in "Born Free."

All of these videos exploded on the Internet and became water-cooler moments. Cee-Los recent and unprintable hit titled "Forget Me" for radio went viral with a video of only its lyrics. And Beyonces "Single Ladies" became so iconic is spawned countless imitators and even had then President-elect Barack Obama imitating the hand choreography.

"Were entering another golden era for music videos," says Saul Austerlitz, the author of "Money for Nothing: A History of the Music Video from the Beatles to the White Stripes. "Theyve become part of the cultural discourse again in a way thats reminiscent of the heyday of the music video, from the early `80s to the mid `90s."

Todays audiences can be enormous. Shakira, who last year debuted a music video on Facebook, was "blown away" when her video for the official song of the World Cup, "Waka Waka This Ones for Africa" � a colorful mix of dancing and soccer star cameos � was nearing 100 million views on YouTube.

"It can take on a life of its own online," says Shakira. "And it inspires us artists to be even more creative. With access to so many videos, we need to challenge ourselves to surprise our fans."

The video, which was distributed by the music video and live music website Vevo, has gone on to be watched by more than 173 million people, good enough for the fourth most-viewed video ever on YouTube.

In fact, four of the five most-viewed clips on YouTube are music videos released in the last year. Justin Bieber and Lady Gaga top the charts. Though thats partly because Vevo which shares a small percentage of advertising revenue with YouTube tabulates view counts across platforms, its still a striking example of the music videos dramatic comeback. Its a long way beyond the novelty videos of OK Go that followed YouTubes debut in 2005.

"If it wasnt for YouTube, the online video space would not be where it is today," says David Kohl, executive vice president of sales and customer operations at the Sony and Universal co-owned Vevo.

At the center of music videos earlier, headier times was Hype Williams, who � often with his trademark fisheye lens � created much of the iconography of hip-hop. Several of his videos are typically considered among the forms best, like Missy Elliotts "The Rain Supa Dupa Fly" and Busta Rhymes "Put Your Hands Where My Eyes Could See."

But he grew disillusioned with the commercialization of music videos and the recycling of imagery. Williams was coaxed back into music video by Kanye West and has remained active, including recently directing the Jay-Zs "Empire State of Mind," watched by nearly 60 million and nominated for three VMAs.

"Its a different time," says Williams. "Its an opportunity to find it all over again. I didnt really think that was possible until recently, seeing things like this Arcade Fire clip. It shows you that it can be more."

Released last week, the Arcade Fire video is titled "The Wilderness Downtown" and set to the bands song "We Used to Wait." Its a new kind of video, a kind particularly suited to the medium of the Web.

"It speaks volumes about where music video is going," says Williams, whos happy to pass the torch. "Its a young mans game."

At the website dedicated to the film http://www.thewildernessdowntown.com, a viewer inputs his or her childhood home address. The film starts with a hooded figure running down golden suburban streets. Another browser window opens full of fluttering birds. Others pop open, too, that use Google Street View and Google Maps to show the old neighborhood. At the end of the film, the viewer is urged to write a letter to his or her young self.

Within days, the site received some 20 million hits and 3 million unique views.

The video, made possible by the Web programming language HTML5, was directed by Chris Milk, who has previously done more traditional videos for Gnarls Barkley, West and others. He has been thinking about using the interactivity of the Web for music videos and earlier this year released "The Johnny Cash Project," a Web-only video that gathers portraits of Cash submitted by fans and sets them to the song "Aint No Grave."

"Because were in this transitional moment, weve all been making music videos as if were making them for a television broadcast," says Milk. "But really the Web is a totally different canvas from broadcast. It allows for a whole different set of rules."

Many of the new, Web-oriented videos are made possible financially because of advancements in technology, especially DSLR cameras, which are relatively inexpensive and provide excellent production value. The comedian Tom Sharpling used such a camera to shoot the recent Ted Leo and the Pharmacists video for "Bottled in Cork," a parody of jukebox musicals made for less than $7,000.

The video premiered not on a music blog, but the comedy site Funny Or Die. Its been watched by more than 105,000, which Leo notes is several times more those who have bought his latest album, "The Brutalist Bricks."

"People are actually able to present images that to them relate to the music that theyre making, as opposed to feeling like they need to present images with quick cuts, flashy, hi-fi performance shots and pose-y things that for a while were dictated by wanting to get played on MTV," Leo says.

Music videos havent completely vanished from television. They can still be seen on Fuse, VH1, MTV and Palladia, the high-definition channel owned by MTV Networks. Van Toffler, president of MTV Networks Music and Logo Group, says MTV networks together play more videos � about 600 hours worth a week � than MTV did in its video heyday.

MTV puts its focus on blending music video into its programming, and having its online properties � which brought in more than 53 million unique visitors in August � work in tandem with its broadcast.

"The notion of infamy on multiple screens has given music videos a shot in the arm," says Toffler.

Williams goes further: "I dont know why anyone would watch a music video anywhere other than the Internet."

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Online:

http://www.thewildernessdowntown.com/

http://www.chrismilk.com/

http://www.thejohnnycashproject.com/

http://www.funnyordie.com/videos/3cbac7e38c/

http://www.vevo.com/

http://www.youtube.com/user/shakira

http://www.mtv.com/ontv/vma/2010/



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