Monday, September 6, 2010

A hoax? Joaquin Phoenix film gets viewers guessing

VENICE | Mon Sep 6, 2010 7:51am EDT

VENICE Reuters - Whether a hoax or not, a new documentary about Joaquin Phoenix and his transition from acclaimed, brooding actor to bearded, shambolic hip-hop wannabe has captivated viewers at the Venice film festival.

"Im Still Here" was directed by Casey Affleck, a successful actor and Phoenixs brother-in-law.

The guessing game over whether the picture was genuine documentary or ironic "mockumentary" poking fun at an intolerant and narrow-minded public and press began long before the release of the movie.

It mirrors internet chatter following Phoenixs now infamous television interview with David Letterman last year, when a confused, mumbling performance also prompted suspicions that it was all an elaborate act.

"I can tell you that there is no hoax," Affleck told reporters after his directorial debut was screened to reporters on Monday in Venice, where it is out of competition.

"That never even entered into my consciousness until other people began to talk about the movie," he added at a briefing where he was asked repeatedly about whether certain scenes, and the movie in general, were genuine.

But he conceded that audiences were likely to be confused.

"Im very interested to hear those sorts of reactions and I appreciate that point of view, and I understand how a lot of this movie could be confusing in terms of, oh well, it seems like somethings real or not real."

Affleck said Phoenix was in Venice, but was unsure whether he would turn up at the red carpet premiere later in the day.

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Whether real or not, Im Still Here offers a sometimes excruciating insight into the life of a celebrity and into the mind of Phoenix.

He is at times funny and coherent and at others childish, aggressive and paranoid as he struggles to live with his decision in 2008, which the media greeted with breathless disbelief, to give up acting and take up hip hop.

After his Letterman appearance, Phoenix clasped his head in frustration at how badly it went.

"Im just going to be a god damned joke forever," he said, before launching into an expletive-ridden tirade and bursting into tears.

The candid film includes footage of him apparently taking drugs, surfing the internet for call girls, hosting prostitutes, diving off a stage to attack a heckler and vomiting.

It also features rap star Sean Combs, who, after several failed attempts on Phoenixs part to set up a meeting, agrees to listen to a demo of his hip-hop music.

Combs face as he listens to three demo tracks is one of the movies highlights, and Phoenix leaves crestfallen when Combs makes clear he will not produce his record.

Again, though, reporters asked whether Combs was in on the joke. Affleck replied: "The role that he played in Joaquins life was to be the bearer of bad news. He was the hammer that crushed the dream. All of that is a little bit of an act."

Comedian Ben Stiller also appears when he comes to Phoenixs home to ask him to consider playing a part in his recent movie "Greenberg."

Editing by Paul Casciato



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Giant hay bale kills former ELO cellist

Thomson Reuters is the worlds largest international multimedia news agency, providing investing news, world news, business news, technology news, headline news, small business news, news alerts, personal finance, stock market, and mutual funds information available on Reuters.com, video, mobile, and interactive television platforms. Thomson Reuters journalists are subject to an Editorial Handbook which requires fair presentation and disclosure of relevant interests.

NYSE and AMEX quotes delayed by at least 20 minutes. Nasdaq delayed by at least 15 minutes. For a complete list of exchanges and delays, please click here.



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Sunday, September 5, 2010

Brazilian superstar Ivete Sangalo plays NY arena AP

NEW YORK The most Earth-shattering event in Brazil this weekend took place in New York, where singer Ivete Sangalo played a sold out show at Madison Square Garden. Too bad, few Americans even noticed.

A superstar in her native Brazil, where she can pack a 70,000-capacity soccer stadium and commands crowds of millions during Carnaval, Sangalo kept the almost-entirely-Brazilian audience on its feet over the course of three hours and five costume changes.

Dancing frenetically, the crowd of 14,500 sang along with every word of her samba-inflected dance pop songs like "Festa" Party and "Acelere" Accelerate.

"I just want you to be proud of me, and I want you to be proud of the show I brought here," Sangalo said from the top of a massive, thrusting stage pulsing with lights and video � designed by the man responsible for this years Super Bowl halftime show, Bruce Rodgers.

In Brazil, Sangalos show was touted as her first step toward conquering the U.S., placing her in a pantheon with the likes of Madonna, the Rolling Stones, Beyonce and U2.

But a 100-foot-high banner that hung outside the Garden for weeks advertising the show still required the helpful caption explaining Sangalo is "A Brazilian Star."

At a pre-concert news conference, the statuesque brunette said the relative anonymity didnt faze her.

"When I started in Brazil, I was also unknown, and Brazil is a gigantic place with lots of talent," the husky-voiced singer explained. "I havent come here with the pretension of being well known, but what Ive come do to here, Ive come to do right."

As a Portuguese speaker, Sangalo may have had her work cut out for her, but promoters say selling out the Garden is a real accomplishment.

Shows by non-English-speaking acts there tend to top out at around 3,000 to 4,000 people, unless they sing in Spanish, which is spoken by a large and growing percentage of the U.S. population.

The only other Brazilian to headline a show at the Garden, singer Roberto Carlos, did so by reaching out to Latin audiences and singing in Spanish.

The closest comparison might be the Korean pop singer Rain, who sold out two nights at the smaller Madison Square Garden theater, which seats 4,000, in 2006.

Concert promoter John Scher said people have been calling him to ask who Sangalo is.

"I dont think theres been anything quite like this. There are Latin Spanish speaking artists who can sell out the Garden, but this is a pretty unique situation really," Scher said. "Theres a lot of interest in the music industry, if not with the public."

Sangalo, 38, got her start singing as a teenager from the top of the sound trucks that ply their way through the packed streets of Salvador da Bahia during Carnaval time.

When she left the Carnaval group Banda Eva to go solo in 1999 she was already one of the countrys biggest stars.

But her brand of Carnaval-inspired dance-pop, known as axe pronounced ah-SHAY, isnt what U.S. listeners usually think of as Brazilian music, and her audience tends to be concentrated among teenagers and twenty-somethings looking for a chance to hook up.

Her lyrics express the irrepressible optimism of youth, and her sound is a world away from the cool, cerebral bossa nova of Joao Gilberto or the smooth sounds of Caetano Veloso and Marisa Monte, all of whom are better known in the United States, even if Sangalo outsells them all at home.

As many as 5,000 fans had been expected to fly in from Brazil for the show, organizers say.

So despite all the conquering America swagger, Sangalos intent is actually something entirely different: The Garden show was mainly intended to serve as a backdrop for her new DVD and a TV special to be broadcast in Brazil in December.

"They want a packed house and want to say weve sold out Madison Square Garden and theyve probably achieved that through various other means than from straight ahead ticket sales," says Gene de Souza, development director of the nonprofit Rhythm Foundation, who promoted Sangalos Miami show.

In Miami, with a larger Brazilian population, Sangalo sold only 6,500 of the 7,000 seats put up for sale, de Souza said, in an arena where Britney Spears was able to pack in 18,500 fans.

On Saturday night Sangalo appeared well aware of her target audience, addressing the crowd as "Brazil" and dedicating the show to Brazilians living abroad.

Her only nods to local audiences were covers of Michael Jacksons "Human Nature" and Lionel Richies "Easy" and a duet with Nelly Furtado, in which her English sounded good with only a slight accent.

She also reached out to the Spanish-speaking audiences, performing duets with Colombian superstar Juanes and Argentinas Diego Torres, but the warmest applause was reserved for Brazilian guests like Seu Jorge and fellow axe star Netinho, who appeared, briefly transforming the 25-minute-long encore into a mini-version of Carnaval.

"I didnt come with the objective to transforming anything or parting the waters for Brazilian music or anything like that," Sangalo said before the show. "I am a popular singer for the masses, and I will continue to be one, and this is my greatest pleasure."



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George Clooney shoots first at box office

LOS ANGELES | Sun Sep 5, 2010 3:41pm EDT

LOS ANGELES Reuters - George Clooney outgunned his rivals at the Labor Day holiday weekend box office in North America with a low-caliber opening for his assassin drama "The American," as the lucrative summer moviegoing season wound down on a traditionally weak note.

According to studio estimates issued on Sunday, "The American" earned $13 million during the three-day period beginning September 3; its tally stands at $16.1 million since Wednesday, when it got a two-day head-start on the competition.

The opening is slightly better than industry forecasts, but is similar to that of his 2008 flop "Leatherheads," which ended its brief run with $31.3 million.

The film, in which Clooney plays a stone-faced gun enthusiast holed up in a picturesque Italian town, was directed by rock photographer Anton Corbijn. It was released by Focus Features, the art-house unit of General Electric Cos NBC Universal.

Also new were 20th Century Foxs violent fantasy "Machete" at No. 3 with $11.3 million, and Warner Bros. Drew Barrymore romantic comedy "Going the Distance" at No. 5 with just $6.9 million. Both opened on Friday.

"Machete," a bloody homage to 1970s B-movies using the immigration debate as a backdrop, stars character actor Danny Trejo as a Mexican assassin with a penchant for dispatching people with sharp objects. Robert Rodriguez directed with Ethan Maniquis. Fox said the audience was 60 percent Latino.

"Going the Distance" stars Barrymore and Justin Long as bi-coastal lovers. It is the latest in a string of rom-com flops for the actress, including "Lucky You," "Music and Lyrics" and "Fever Pitch."

TICKET SALES SLIDE

Last weekends champion, the Screen Gems heist drama "Takers," slipped to No. 2 with $11.5 million, taking its 10-day total to $37.9 million.

Sales for the top-12 films fell to their lowest level since the September 11-13 weekend last year, a fitting coda to a summer lineup whose weak performance was obscured by the 3D boom.

While sales from the first weekend in May through Labor Day on Monday are projected to break last years record, the increase comes solely from higher ticket prices. The number of tickets sold -- a better gauge of Hollywoods health -- hit its lowest level since 1997.

Tracking firm Hollywood.com Box-Office predicted summer attendance would come in at 552 million tickets sold, a 2.6 percent drop from last year, and the lowest since 1997 when 540 million were sold. It forecast summer receipts of $4.35 billion, up 2.4 percent from last summers record levels.

The top summer films were "Toy Story 3" $408 million, "Iron Man 2" $312 million and "The Twilight Saga: Eclipse" $298 million. Notable bombs included "Cats & Dogs: The Revenge of Kitty Galore" $42 million, "Scott Pilgrim vs. the World" $29 million, "The Switch" $21 million, "Jonah Hex" $10.5 million -- and now "Going the Distance."

Movies released in 3D, such as "Toy Story 3," "Cats & Dogs," "Despicable Me," and "The Last Airbender," allowed movie theaters to charge an average premium of $3 per ticket. In some markets, this pushed the ticket price to almost $20. The average ticket price for all movies was $7.88, according to Hollywood.com Box-Office.

Sales are expected to remain weak for the next few weeks as the studios dump their under-performers so that they can focus on prestige pictures catering to awards voters and on holiday-season crowd-pleasers.

Screen Gems is a unit of Sony Corp. 20th Century Fox is a unit of News Corp. Warner Bros. Pictures is a unit of Time Warner Inc.

Reporting by Dean Goodman; editing by Mohammad Zargham



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Number one for debut Murs single

Former X Factor contestant Olly Murs has gone straight to the top of the UK singles chart with his debut song Please Dont Let Me Go.

He beat Katy Perrys Teenage Dream into the number two spot while her album of the same name debuted at number one.

Last weeks number one single Dynamite, by Taio Cruz, dropped to number three.

Pepper & Piano, a female duo from Sky1 talent show Must Be The Music, went straight into the chart at seven with You Took My Heart.

Top five singles

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1 Olly Murs - Please Dont Let Me Go

2 Katy Perry - Teenage Dream

3 Taio Cruz - Dynamite

4 Eminem feat Rihanna - Love The Way You Lie

5 Flo Rida feat David Guetta - Club Cant Handle Me

Source: Official UK Charts Company

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Speaking to the BBC News website, 26-year-old Murs put his popularity down to "the fact that Im quite confident but Im also an entertainer".

"Im the same person in every single performance that I do," he said.

"Im able to showcase my personality in my music so thats probably why people like me."

In the album chart, Mercury-nominated rock band Biffy Clyro climbed from number 27 to number three with Only Revolutions - one place behind last weeks number one Recovery, by Eminem.

There were also new entries in the album chart for Man Alive, by Everything Everything, at 17, and Richard Thompsons Dream Attic, at number 20.



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