Friday, August 27, 2010

"Modern Family" co-creator takes on Internet omg

LOS ANGELES Hollywood Reporter - Ever since "Modern Family" co-creator Steve Levitan told The Hollywood Reporter about his efforts to remove his Emmy-nominated comedy hit from ABC.com last month, he has been stirring up cyberspace with his take on Modern Viewing. In an interview Thursday, Levitan spoke about Hulu, piracy and how his bosses feel about his stance.

SO WERE HEARING STEVE LEVITAN HATES THE INTERNET.

Steve Levitan: Laughs My wife would think thats hilarious since Im on it so much.

LETS START WITH HULU; WHATS YOUR TAKE THERE?

Levitan: Look, Im not naive; I understand why big media backed Hulu -- to stave off piracy and to gain some control in the online space -- but I dont believe Hulus upside outweighs the potentially disastrous long-term effects. Network TV has some distinct advantages over the music and newspaper industries. Sharing a few songs from an album requires very little bandwidth. News is available from a wide variety of sources. But at the risk of sounding like a pompous ass, nobody but a shows creator and producers is capable of delivering that particular show.

I acknowledge that Hulus easy accessibility probably keeps some people from pirating. But a respected industry analyst says less than 5% of TV content is being stolen today. Even if that number quadruples as broadband speeds improve, that means 75% of the audience will still be perfectly happy with the present model. And, to quote that analyst, "The logic of Im having trouble getting paid for my content, so let me give it away for free probably drives Wall Street to allocate capital to other industries."

My other concern is that Hulu is an asset being built with our product. If I were responsible for News Corp.s stock prices, I might do the same thing. But I feel compelled to speak out if I feel that "growth" comes at the expense of our show.

AND ABC.COM STREAMING? SAME ESSENTIAL ARGUMENT?

Levitan: Look, I value every single one of our viewers, which is why I just want them to be clearly counted, no matter on what platform theyre watching. Right now the producers of "Modern Family" have no idea how many people watch our show each week on all platforms, and nobody seems to want to tell us. If a disproportionate number of any shows viewers watch in alternative ways, then, under the current system, that show may not appear to be as strong as it actually is. If a show brings someone to a screen, any screen, then shouldnt they get credit for that? If not, then some really interesting new shows with a disproportionate number of young online viewers will get canceled because their audience isnt being counted. That said, Ive been told that Nielsen will step up its measurement of online numbers this season and that other companies like Rentrak are making inroads. Hopefully, these are steps in the right direction.

WHAT ABOUT THE ARGUMENT THAT ONLINE VIEWING PROVIDES A VALUABLE MARKETING PLATFORM?

Levitan: Its true. Its also a great way for people to catch up. But once a show is launched, once its successful, it stops being a marketing platform. "Family Guy" does not need Hulus promotion.

WHAT KIND OF BUSINESS MODEL WOULD YOU LIKE TO SEE ONLINE FOR "MODERN FAMILY"?

Levitan: 1 Show "Modern Family" online, but include all the same commercials. The CW sold its 2010-11 upfront ad inventory this way and was able to charge higher rates than if the spots were on network alone. 2 Make those online viewership numbers readily available to everyone. 3 If some people want to view the show without commercials, then, by all means, allow them to do that for a fee.

SOME ARE DOUBTLESS READING THIS GOING: "BUT YOUR SHOW IS SO SUCCESSFUL SO WHAT IF SOME WATCH ONLINE TOO?"

Levitan: The iPhone and iPad are very successful, but, with all due respect to the prophetic Steve Jobs, I dont see Apple giving them away. Its very simple. Shows like "30 Rock" and "Lost" and "The Office" are expensive to produce. Plus these "hits" cover the costs of all the misses. If viewers want to continue to see quality content like that, then we have to find a way to keep it profitable. Otherwise, well all be watching clips of a sneezing panda -- which, by the way, were adorable.

OTHERS PROBABLY WONDER: SHOULDNT THIS BE ADDRESSED DURING WGA WRITERS GUILD OF AMERICA CONTRACT NEGOTIATIONS?

Levitan: This does not feel to me like an issue that gets settled by our union. This will be decided at the highest levels by those who have the power to do so.

RUPERT MURDOCH ALSO HAS BEEN AN ADVOCATE OF CONTENT CREATORS GETTING PAID FOR USE OF COPYRIGHTED CONTENT ONLINE.

HAS HE REACHED OUT?

Levitan: In June, I voiced some of my concerns when I spoke at the D8 conference, and Mr. Murdoch was sitting in the front row. Afterward, we had a very friendly chat. I was heartened to hear that he shares many of my same concerns.

WHATS BEEN THE REACTION FROM ABC BOSSES TO YOUR COMMENTS?

Levitan: I have a very friendly relationship with Walt Disney Co CEO Bob Iger and Disney-ABC Television Group president Anne Sweeney, and I respect them both. Theyve been incredibly supportive of "Modern Family." They know my opinions, and while we may disagree on some issues, I understand theyre wrestling with extremely complex issues in a fast-changing environment. Their job is to steer a multinational corporation, while my job is just to watch out for "Modern Family." I certainly believe that there exists a sweet spot where our interests align.

DO YOU THINK THAT BRINGING THIS ISSUE OUT IN THE OPEN HAS ADVANCED THIS CAUSE?

Levitan: Many people at all levels are having this conversation privately. Im the only one dumb enough to have it out in the open.

DO YOU THINK OTHER TV PRODUCERS NEED TO BE SPEAK UP?

Levitan: I would never presume to tell anyone else what they need to do. However, if others share my concerns, Id sure appreciate the company. A dramatic "Im Spartacus" moment would be nice.



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Yankees, Jay-Z team up on co-branded merchandise AP

NEW YORK Get your New York Yankees hats here � with a Jay-Z logo.

The hip-hop mogul is teaming up with his favorite baseball squad on co-branded clothes that will be sold exclusively at Yankee Stadium beginning next week. All the items, from baseball caps to T-shirts and hooded sweat shirts, will feature Yankees and Jay-Z logos.

In a news release Thursday, the Yankees said the attire was created to commemorate the first official concerts at the new Yankee Stadium on Sept. 13 and 14, when Jay-Z and Eminem will co-headline.

The shows mark the second half of their "Home and Home" tour, following joint performances at Detroits Comerica Park on Sept. 3 and Sept. 4.

The new merchandise will be available at Yankee Stadium from Aug. 30 to Sept. 14.



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Pritzkers 1st is silent film with live music AP

RALEIGH, N.C. Dan Pritzker has spent more than 15 years and millions of dollars trying to bring the story of a jazz singer of whom little is known to the big screen.

Then he decided to release another movie first. And not just any other movie, but a silent, black-and-white movie about Louis Armstrong.

"Since I finished the silent film first, its kind of like I finished my second film before I finished my first, which is a little ridiculous," Pritzker acknowledged.

Pritzker, the billionaire son of the late Hyatt hotel magnate Jay Pritzker and a musician in his own right with the R&B band Sonia Dada, had intended to release "Bolden," starring Anthony Mackie, as his debut film project. Its about Buddy Bolden, the cornet player virtually unknown in most circles but credited with being one of the creators of jazz.

But while Pritzker was writing the script for that movie in 2001, he took his mother to see the Charlie Chaplin classic "City Lights," complete with a live symphony, in Chicago. He decided it would be a challenge to make a silent film as well, one that was supposed to pick up where "Bolden" left off.

Thats where the inspiration for "Louis" was born. It tells a fictional story of a 6-year-old Louis Armstrong played by Anthony Coleman, whose dreams of playing the trumpet are intertwined with the seedy, corrupt underworld of early 20th century New Orleans. Jackie Earle Haley plays an evil, corrupt politician with more than a passing interest in a brothel, and Shanti Lowry stars as the beautiful prostitute who captures the heart of the politician and young Louis.

Lowry, who stars in both movies as the same character, said she didnt know what to expect while filming the silent "Louis," but she wasnt at a disadvantage because neither did anyone else, including Pritzker.

"Dan was in the same boat with us. Hed never done it before," Lowry said. "And every day we got on the set and created the scene. It was not always exactly what was on the page. ... It was an adventure every day."

The movie, photographed by Academy Award-winning cinematographer Vilmos Zsigmond, opened Aug. 25 in Chicago, played in Detroit, and is scheduled to be screened in Bethesda, Md., New York and Philadelphia over the next few days. Each showing will feature live accompaniment by jazz great Wynton Marsalis, the films executive producer, his 10-piece ensemble, and pianist Cecile Licad.

Right now, there are no plans to show "Louis" in other theaters after its initial dates. But Pritzker said hell figure out how to bring "Louis" to a wider audience, even if it means showing the movie with recorded music instead of a live orchestra.

"Ive been showing it to people with music just attached to it," he said. "Humility aside, it came out really well, and it plays completely."

Lowry agrees, saying she doesnt care if its a commercial success but only hopes those who do see it "Louis" love it as much as she does.

"Its like a museum piece," she said. "You could freeze frame any piece and put it on a wall."

Now that "Louis" is out, Pritzker can concentrate once again on his first love, the movie "Bolden."

Bolden was institutionalized in 1907 and died in 1931 without leaving behind a single recorded note of music, but is considered by many historians as an integral figure in the creation of jazz.

"Its the poetry and the tragedy � an anonymous black guy who created this music thats incredible," Pritzker said. "Jazz is the American art form.

___

Online:

http://ping.fm/WMk8Q



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Horror filmmaker Eli Roth talks exorcisms in new movie omg

LOS ANGELES Reuters - Since coming on to the horror film scene fifteen years ago with "Cabin Fever," filmmaker Eli Roth made a name for himself in the genre with the "Hostel" franchise. An occasional actor, he got a chance to shine last year as the infamous "The Bear Jew" in Quentin Tarantinos "Inglourious Basterds."

Roth sat down with Reuters to discuss his latest producing effort, "The Last Exorcism," which opens in U.S. movie theaters on Friday. The film is about a minister who lets a documentary crew film his last exorcism. A non-believer who has swindled plenty believers in the past, he is unprepared for what he encounters.

Q: What kind of childhood did you have that would make you grow up and create such scary and gory movies?

A: "I grew up in Newton, Massachusetts, in the safest neighborhood, in a very wonderful, loving household. My father Dr. Sheldon Roth was a professor of psychiatry at Harvard University and my mothers a fantastic painter. I was the neighborhood babysitter and never got in to trouble."

Q: Where there signs of blood and guts in your future back then?

A: "Id say, I want to film someone being chopped in half with a chainsaw and my parents would say, Thats wonderful honey. Heres a saw, be careful. They never saw it as real violence; they always saw it as creative expression."

Q: With parents like that, you must have your own psychological theories when it comes to horror films.

A: "Horror movies are the last place in society where its socially acceptable to be scared. We cant be scared at home, we cant be scared at our jobs. But when youre scared at a movie, theres no shame. Youre not a coward. We all have feelings we bundle up our whole lives and when we watch a scary movie, we are able to release them."

Q: Your latest film, "The Last Exorcism," is about a young woman possessed by the devil. Can that really happen?

A: "Having been raised by a psychiatrist, I was told anything psychological was a mental illness. Then I saw the 1973 feature "The Exorcist" and it changed everything. It really freaked me out. I told my dad, Whats this whole possession thing youve never told me about? He said, Dont worry about that. Were Jews. We dont believe in that."

Q: Did that quiet your fears?

A: "No I was certain it was going to happen to me. I thought I was going to be the test case for the Devil. Hed be like, See? I got you Jews too"

Q: And today, what do you believe?

A: "Exorcism and possession is the kind of thing Im almost scared to believe in. On the set of "The Last Exorcism," the brother of one our drivers was an exorcist. Hed talk about it like it was no big deal, like he went to the store and bought milk."

Q: Youve done cameo roles in movies here and there, but "Inglourious Basterds" was your biggest role yet. Do you consider yourself an actor?

A: "I think of myself as a writer-director first and foremost. Even when I was acting in Inglourious Basterds, I still shot the film-within-the-film, Nations Pride. I couldnt quite let go of my directors hat. I might actually write a part for myself one day and then Ill be able to combine all three."

Editing by Jill Serjeant



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DiCaprio attacker to face trial

A woman accused of attacking Leonardo DiCaprio with a broken bottle at a Hollywood party in 2005 has been ordered to stand trial in Los Angeles.

Aretha Wilson, 40, faces one count of assault with a deadly weapon. Her lawyer said he expected the case to begin within 60 days.

DiCaprio required a dozen stitches to his face and neck after the party.

The judge, who saw photographs of the stars injuries, said he did not consider them "trivial or moderate".

The photographs, showing cuts to the actors ear and neck, have not been made public.

The star of Titanic and Inception was not in court for the hearing.

Extradition

Ms Wilson has remained in jail since pleading not guilty to the charge earlier this month after failing to secure bail of $150,000 �96,600.

She had previously been ordered not to contact or come within 500 yards 457m of DiCaprio.

Ms Wilson could face up to seven years in prison if convicted.

She is accused of sneaking into a party hosted by Paris Hiltons former boyfriend, Rick Salomon.

According to police, she mistook DiCaprio for a former boyfriend and attacked him with a bottle.

DiCaprio later filed a formal criminal complaint and a warrant was issued for Ms Wilsons arrest.

Ms Wilson fled to Canada afterwards and had to be extradited to the US last month to face charges.

Her next scheduled appearance in court is on 9 September.



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