Friday, August 27, 2010

Viewers want to influence plots

Viewers want more access to interactive TV in the future including the ability to influence plots in programmes, a survey has revealed.

The YouGov poll, which questioned more than 2,000 people, found 69% of people wanted live voting to alter storylines in shows.

Viewers are increasingly likely to surf the internet or text as they watch TV.

Using Facebook in front of the TV was popular with 87% of people saying they had posted comments while viewing.

Almost half - 47% - said they would like to access the networking site through their television.

And 21% said they wanted to use internet shopping sites in the same way.

Ivan Ristic, director at Diffusion PR, which commissioned the study, said: "Television programming is heading the same way as traditional print media - the internet.

"Consumers are keen to be more involved with plot direction and want up-to-the-minute information to be able to know what songs are playing and where they can buy their favourite characters outfits.

"The trend shows that viewers want instant commentary and recommendation by their family and friends."

He said people were "currently turning to social networks and text messaging to do this whilst watching".



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Chinese man with no arms plays piano with toes AP

SHANGHAI Pianist Liu Wei sits quietly to compose himself before plunging into the music. Then he takes off a sock.

The 23-year-old, whose arms were amputated after a childhood accident, plays the piano with his toes.

Liu was thrust into the limelight earlier this month when he performed on "Chinas Got Talent," the Chinese version of the TV show that helped make Britains Susan Boyle a singing star.

"Whatever other people do with their hands, I do with my feet. Its just that," says Liu, a tall, slender man who peers shyly from behind dark-rimmed glasses.

"Chinas Got Talent," which has also featured disabled modern dancers and break-dancing migrant workers, has been a hit since its launch in July, despite skepticism among some viewers about whether all the participants stories are genuine. The Dragon TV program is drawing attention to the hopes and challenges of the disabled and otherwise disadvantaged in China.

In his first appearance, Liu received a standing ovation from the audience, many of whom were moved to tears, for a performance of "Mariage Damour" by Richard Clayderman.

During an interview with The Associated Press in Shanghai, where the show is filmed, he played a still unnamed, poignant piece he composed himself.

Sitting on a tallish red stool, he removed his shoes and right sock, carefully using his toes to place the sock in his right shoe. He plays with his left sock on. He wiped some of the keys with a tissue, and then rested his heels on a velvet-covered, narrow platform before the piano.

Time after time, he played the piece gently and flawlessly.

Liu, who was 10 when he lost his arms after getting electrocuted playing hide-and-seek, uses his feet to navigate online, eat, dress and brush his teeth.

"I wish I could go out driving to have fun. Apart from that, there is really nothing more I want to do," said Liu, who lives in Beijing. "Music has become a habit for me. It is just like breathing air."

He only began playing the piano in his late teens.

"Nobody ever decreed that to play the piano you must use your hands," he said.

Prosthetic limbs dont interest Liu. He has no need for special support, he said, though he conceded he has often met with discrimination. Disabled people in China, despite efforts to improve conditions, are often forced to beg on the sidewalks. Liu is able to support himself, though he wouldnt say how.

"I have food to eat and clothes to wear and many people caring about me. What is there to be dissatisfied about?" he said. "There are many people without enough to eat. Im much more fortunate than them."

Sun Ganlu, a writer and arts critic in Shanghai, said that, whatever the commercial motives behind "Chinas Got Talent," the show is raising awareness in a positive way.

"The fact is that people are touched by these great performers, regardless of whether they are disabled or poor," he said. "They are struggling in life compared with others, but they also have hobbies and talents to get them through their tough lives."

"It helps people be more aware of whether we are doing too little to help these people," he added.

Lius biggest beef is with people who insist on helping him without asking first.

"Here, if someone thinks you need help they will just do it. They assume you must want help," he said. "Foreigners will ask first if you want any help. They will first respect your wishes. In that way, China could make an improvement."

Liu would like to be seen just as a pianist.

"Right now, everyone looks at me and says, Oh, Liu Wei has no arms and its very difficult for him to play the piano," he said. "In the future, I want them to say, Oh hes good. To first notice the work is great, and then say, Liu Wei did it. ... What I demand is that my work be so good people wont notice that my arms are missing."

___

Associated Press researcher Ji Chen contributed to this report.



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Fans gear up for Reading and Leeds

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Fans are braving bad weather and fields of mud to attend the Reading and Leeds festivals 27 August.

Eighty-seven thousand people will see Gun N Roses headline the main stage at Readings Richfield Avenue tonight.

At Leeds Bramham Park, Canadian rockers Arcade Fire top the bill on the first night alongside reformed London band The Libertines.

Californian pop-punk outfit Blink 182 complete the line-up, and the weather is due to improve over the weekend.

Festival drama

The lead-up to this years event has seen its fair share of drama.

Last week, organisers were forced to quash rumours that Guns N Roses had pulled out after someone hacked into lead singer Axl Roses Twitter account and said the gigs were off.

Meanwhile, co-headliners Arcade Fire and The Libertines have enjoyed some friendly banter in the months running up to the event.

Speaking to Newsbeat last month about their joint billing, Arcade Fires Win Butler joked: "The Liber-what? Thats the one with that guy right?

"We dont have anything to do with that stuff. I mean, theyre an exciting rock band. I think itll be a good double bill."

Carl Barat, lead singer of the reformed Libertines, replied by saying: "Thats surprisingly nice of them. I didnt think they wanted it to be a double bill.

Chris, Steve, Liam and Jack all from Hull Chris, Steve, Liam and Jack, all from Hull, get ready to party in Leeds

"I guess well see on the night. I know theyre a well respected band. This sounds like a boxing match. Theyre great - I like what they do."

The original four members of The Libertines - Peter Doherty, Carl Barat, Gary Powell and John Hassall - announced they were to reform to play the festivals during an inebriated press conference at a north London pub in March.

After performing a short acoustic set there, the band played two warm-up shows this week at Londons Kentish Town Forum - one for friends and family and another for the general public.

The spirit

Fans at Leeds festival seem most excited by the return of The Libertines after six years away.

Chris, 23, from Hull said: "Im really looking forward to The Libertines. Un-planned setlist - itll probably be mental."

Jack, 23, also from Hull, added: "I think its whether Pete [Doherty] can keep it together - thats the big worry. They might not get to Reading but that doesnt matter"

And their friend Steve said: "Theres more anticipation about The Libertines than Arcade Fire - theyre consistently good but with Libertines its hit or miss. Its exciting - the spirit."

Other bands playing the first day at Reading include Queens Of The Stone Age, Biffy Clyro, LCD Soundsystem, Mumford And Sons and Marina And The Diamonds.

Day one at Leeds will see Dizzee Rascal, Pendulum and The Cribs join The Libertines and Arcade Fire.



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On the set as "Glee" begins its second season

Fri Aug 27, 2010 1:39am EDT

LOS ANGELES Hollywood Reporter - Its 10 a.m. on a Wednesday in the middle of a cavernous soundstage at Paramount Studios, and while the world outside is bathed in sun, everything inside is dark -- everything, that is, except for the warren of classrooms and offices that make up the set of Foxs "Glee."

A dozen cameramen, grips and assistants are squeezed into Principal Figgins tiny office as four of the casts regulars try out their lines. Theyre rusty at first, as you might imagine given that today is their first day back from summer hiatus.

Two of the main characters are having an argument.

"Finn was just trying to help out his handicapable friend" Will Matthew Morrison yells.

"He was insubordinate -- twice" a large, intimidating woman played by Dot Marie Jones shoots back. "I am the captain of the USS Kick Ass, not the USS Back Talk"

She stumbles slightly on the line.

"Lets try it again," urges Brad Falchuk, one of the shows executive producers, whos also directing.

She does -- and again -- and then she nails it, storming out of the room for dramatic effect as a wave of relief suffuses her and everyone else.

Welcome to the world of "Glee," Foxs monster hit that returns September 21 for its second season. The stakes are sky-high for everyone, not least Jones, the veteran actress who debuts as a formidable female football coach and rival to Sue Sylvester Jane Lynch.

Jones is just now being thrust into the rollercoaster ride that "Glee" has become -- not to mention plunged into a cast that has bonded in the cauldron of publicity that consumed them this past year.

"I was nervous," she admits. "But I was also excited."

A few months ago, she was standing in the fruit and vegetables section of a Whole Foods store in the San Fernando Valley when she ran into Falchuk. She had guest starred for him and fellow executive producer Ryan Murphy on FXs "Nip/Tuck."

"I love "Glee." I wish I could be on it," she told him. "Two weeks later, I got a call from my agent saying that Ryan was writing something for me. I was like, Holy cow, this is unreal "

Unreal may be an understatement.

Today, Jones is surrounded by young actors who have become overnight celebrities. One by one they traipse in and start milling around -- first Morrison Will, then Lea Michele Rachel, then Chris Colfer Kurt and Cory Monteith Finn. Only Lynch is absent on this first morning back -- she had laryngitis the night before -- and the big soundstage feels strangely empty without her.

Just 12 months ago, "Glee" didnt even have a soundstage of its own. Now it has two and a half to call home.

For the 20-plus actors and crew swirling around, expectations are enormous -- especially with 19 Emmy nominations that could result in a sweep Sunday night. The pressure is palpable.

"The first day is about making sure everyone is OK," says Murphy, a man whose serious manner contrasts with the joyfulness of his work. "People are nervous. I get nervous, because Im like a proud papa who wants the kids to knock it out of the park."

The network wants that, too. But Murphy is resisting pressure just to repeat what "Glee" did its first season. "The obvious choice would be to make it bigger and bolder -- I mean, 10 numbers," he says. "Instead, were going quieter and more intimate. We are doing the exact opposite of what people think."

An hour later, Michele proves the point.

Shes sitting glued to a chair in the choir room, tackling one of those intimate scenes as shes interrogated by Will, Tina Jenna Ushkowitz and Mike Harry Shum Jr.. Theyre all furious at her for sending a new rival, Sunshine played by YouTube phenomenon Charice Pempengco, into the citys slums.

"Youre an ambitious little freak," Tina snaps.

"I love you all so much," Rachel sobs.

Then she stops cold and turns to Falchuk, sitting by a monitor.

"Should I stand at this point?" she asks. "Should I walk around the chair? Is it better if I lean into Matthew?"

To anyone unfamiliar with the rehearsal process, Michele could come across as demanding. But the more time you spend with her, the more you realize its all about perfection. "If I give her direction even about a word, she will take it and change the whole sentence, and make it so much better," Falchuk says.

Later, taking a break from work -- though not from her phone, which she uses to text back and forth endlessly -- Michele seems uncertain.

"Its kind of tough getting back into the groove," she admits.

The groove is so different from anything shes known before. Michele was a Broadway actress whod never had any long-running role on television, and was constantly being rejected either because she wasnt a classic Hollywood beauty or because she was too ethnic -- or for myriad other reasons. Now shes a mega-star.

In real life, she is smaller than one might think -- tiny, in fact. She looks every bit the part of a high school student, dressed in the kind of garb which will surely start a fashion craze for teens: a short skirt and funky yellow-and-blue knee socks, one of her two costumes for the day.

She goes over and over her scene, worrying about whether to play it this way or that. Falchuk says he wants Rachel to seem humbled, but Michele would like to try it a few different ways. She pecks out a few more text messages. Then heads back to shoot.

In the choir room, she faces her accusers. Only, shes not humble, shes defiant. "I was wrong before," she says in the scene. "I didnt want anyone coming in and messing up the dynamic. Mike, Tina, I did it for you."

She lets the words hang for just a moment. Perfect.

It takes the crew an amazingly short time to set up for the next scene, with Colfer at a piano, especially given all the hugs and backslaps as the cast and crew reunite. Colfer, who plays the openly gay Kurt, is among the most popular people here.

We sit down for a few minutes before he begins a scene with Michele. Hes wearing a long white sweater with a big black bow.

"Its very cool, very girly," he says.

Would he ever wear it himself? "Hell no" he laughs. "I only wear point zero, zero of his Kurts clothes. I am a jeans-and-T-shirt boy."

This jeans-and-T-shirt boy, until recently, was living in Clovis, Calif., a world removed from stardom.

"Being gay was the worst thing," he says. "I was teased constantly in school and it was almost like a joke to everyone. So I was terrified when I first got the script and found out they decided to make the character gay."

Colfer hesitated to take the part -- until his practical nature took over. "I figured I would rather be typecast," he says, "as opposed to not being cast at all."

This season, Murphy plans to give Kurt a boyfriend, whos being cast as we speak. "I didnt participate in the casting process," Colfer says. "That would feel like I was on the gay Bachelor."

Murphy envisions them as prom kings, which, Colfer says, would be "groundbreaking."

"I am shocked by the reaction to Kurt," he says. "Youd think the gay kid on the show would have such a narrow demographic, but its everyone -- grandmothers, teenage girls and boys. One of the biggest demographics for him is older dads. This is the only show where being gay has been accepted 100% and people love him for it."

The cast clearly loves Colfer. Until recently, he, Ushkowitz and Amber Riley who plays Mercedes Jones all lived in the same complex.

"It was like a big Glee dorm," he remembers. "I was always at Ambers, watching a movie, and every time she would watch a scary movie I would have to go to her place and sleep on the couch because she was afraid It was fun."

As hes called to sit at the piano and begin his scene, hes happy to be back.

Last night, Colfer says, he couldnt sleep, he was so excited. "This is what I live for."

Its what Morrison lives for, too.

Its afternoon now, and were sitting in Principal Figgins office, whispering because theyre shooting a scene next door.

Hes thrilled to be back, he says, but also upset because one of his pals is no longer on the show: Jones has replaced Patrick Gallagher Coach Ken Tanaka. "Hes a buddy of mine," Morrison says. "I dont know, should I call him? Its not my place."

Morrisons character, Will, is the heart of the show, and casting him was pivotal.

"I saw Matt sing in New York," Murphy recalls. "He had all the right ingredients: a masculine guy who could be vulnerable, a dude who could sing and dance. I always wanted to find my Gene Kelly, and I did."

When he hears this, Morrison laughs.

"Ryan cast me for one reason," he quips. "Hes a fashionista and he liked the boots I was wearing"

Despite the lightheartedness, he takes the first day back very seriously. Like Colfer, he says, "I didnt sleep at all last night. But its a lot better than last year; the nerves went away really fast."

Even more than his own character, he identifies with Monteiths Finn, the jock who can sing and dance.

"I grew up in Orange County and went to the Orange County High School for Performing Arts. I did childrens theater, but I was also a big soccer player. In my junior year, I was torn between going down the soccer route or going into the arts."

A teacher made the choice easy. "He said, I just see something in you and I really think you should follow the musical path. And that was my moment. And thats why I relate to Finn."

When "Glee" first aired, Fox was worried it would appeal only to women. But Morrison says theres feedback from men all the time. "I get a lot of very hetero sports guys who come up to me, look around first, and theyre like, Hey man, your show is great"

He found out just how great the day those 19 nominations were announced.

"I was in New York. Im an insomniac, so I got up and took a seven-mile run around Central Park to clear my head. The sad part is that, when something like that happens, you dont get a moment for yourself because the phones start ringing right away."

He adds, "The next time, I think Im going to turn my phone off so I have a little time to soak it in. Its weird. Im 31 -- and Im a Tony nominee, a Golden Globe nominee and an Emmy nominee. Its been such a great ride."

The ride is just beginning for Jones.

As her work day comes to an end, she plunks herself in a directors chair, wearing her football coach costume, black Lycra shorts, size 13 tennis shoes shes 6-foot-3, a new hairdo and bright red lipstick.

In Murphy and Falchuks last TV venture, "Pretty Handsome," an FX pilot that was not picked up, she played a transgender character. This time, shes breaking ground as TVs first-ever female football coach, who, she says, will go into the locker room.

The very thought of what shes about to accomplish awes her.

This morning, she says, "I wanted to cry. I have been in this town for 18 years and worked my butt off to get something like this. And when it happens, its nothing but amazing."

She tears up. "This is a dream come true."



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Thursday, August 26, 2010

Rodriguezs "Machete" in immigration debate

Fri Aug 27, 2010 2:10am EDT

LOS ANGELES Hollywood Reporter - In Robert Rodriguezs new grindhouse feature "Machete," the vengeful title character uses vicious cutlery to butcher his enemies. Could something similar happen to the movie when its released next week?

"Machetes" convoluted story explicitly takes place amid the current powder keg of an immigration debate and on the heels of Arizonas controversial anti-illegal immigration legislation. Crooked politicians, powerful drug kingpins, malicious border vigilantes, antsy day laborers, conflicted customs agents and angry revolutionaries seethe along the U.S.-Mexico border in Rodriguezs film. In real life, confusion and violence have peppered both sides of the line.

"It feels like this movie couldnt have come at a more perfect time," Rodriguez said, "even though we came up with it a long time ago."

This first stab at Mexploitation, about a former federale who gets mixed up in a messy conspiracy on the U.S. side of the border, could become a political pinata. This could be a good thing or a bad thing for the movie, but the films star, Mexican-American Danny Trejo, thinks people will be surprised.

"I think Arizona is going to like this movie," said the man who is Machete. "It doesnt just deal with the guy who comes over the border to support his family; it deals with the corruption on both sides -- the drug dealers, the guys who are getting paid to bring people here and the politicians who, any time they need a good platform, choose immigration. So the feds may now really do something."

The first thing they might do is complain about the movie, which already has kicked up some dust. After Arizonas SB 1070 was signed into law in April, Rodriguez fired the first salvo when he pushed out a recut trailer on Cinco de Mayo that took aim at the state. A tacked-on introduction showed Trejo in character saying, "This is Machete with a special Cinco de Mayo message ... to Arizona." Mayhem, including shots of angry illegal immigrants rising up in rebellion, followed.

FoxNews.com wasted no time in posting an article, "Violent Movie Declares War on Arizona for Immigration Law," that linked the trailer to an incident the day before in which an unidentified white powder was sent to Arizona Gov. Jan Brewer, who had signed SB 1070 into law. The article, which was quickly removed from the FoxNews website, declared the trailer "just the latest development in a debate that is growing more rancorous by the minute."

"When the first trailer came out, there was a stir," said Shannon McGauley, president of the Texas Minutemen, self-appointed immigration-law enforcers. "People were saying, Theyre making fun of us. It had its desired effect -- it had some shock appeal."

Writers on other sites, some of whom had seen the trailer and read the screenplay, took up criticizing the film as "racially inflammatory" and as "glorifying a race war." The seeds of this interpretation are not hard to see.

Among "Machetes" more provocative elements are border vigilantes led by Don Johnson as a kind of avatar for Maricopa Countys Sheriff Joe Arpaio and fake political ads for an incumbent senator whose platform is built on his "hard line against wetbacks" and a description of them as "parasites." That the two characters murder a pregnant Mexican woman to prevent her baby from being born in America and then shoot her distraught husband while uttering the line, "Welcome to America," underlines the point.

As over-the-top as the movie is, Rodriguez and his co-writer cousin, Alvaro Rodriguez, load the script with such call-to-arms lines as "We didnt cross the border -- the border crossed us" and "The system is broken. So we built our own." The senator played by Robert De Niro barks at a campaign stop, "Make no mistake, we are at war."

At the same time, the movie has fun with cultural cliches attached to Chicano culture. Characters make verbal references to pinatas, cucarachas, papers, deportation and burritos. A fight played for laughs includes Machete wielding a weedwhacker, hedge clippers and other gardening tools. An underground network for illegal immigrants is headquartered in a taco truck.

But it also is suffused with Mexican pride. When Machete is offered a cigar with the simple, "Cuban?" he responds: "No. Mexican." Viewers at L.A.s rowdy Orpheum Theater screening Wednesday night roared with approval. And its no coincidence that all of the villains in the film are white.

As a sign of things to come, that downtown Los Angeles premiere was attended by a large quotient of brown-skinned fans, some of whom showed up in low riders and wearing "Legalize Arizona" T-shirts. In addition to Johnson, Latino cast members Jessica Alba half-Mexican, Michelle Rodriguez Dominican/Puerto Rican, Cheech Marin Mexican and the 66-year-old star, Trejo Mexican -- not to mention a five-piece mariachi band -- greeted the audience from the Orpheum stage.

That this same area has been the site of numerous immigration reform-related rallies and skirmishes the past four years was not lost on the filmmakers.

Fox certainly knew what it was taking on and actually bid for the right to distribute the film. Its difficulty in trying to figure out how to market the pic likely has less to do with its immigration content than with the fact that its a low-budget B-movie without superheroes. It also has enough nudity, profanity and gore per minute of screen time to make a primetime TV commercial impossible.

Although this type of controversy might have hurt a movie like "Avatar" -- a movie made for hundreds of millions of dollars that News Corp. properties pointedly refrained from criticizing -- a dust-up could help bring "Machete" to a much wider audience. Referring to the earlier Fox News-related attack, Rodriguez smiled and half-jokingly said: "I think they do that on purpose. When you see the movie, youll see theres a lot of that sort of double dealing going on throughout."

Rodriguez is referring to the duplicitous subtext that "Machete" highlights, that all of the surface conflict is just a cynical smokescreen for a goal both sides of the border can agree on: higher profits from drug imports. But in the movie business, its not too far-fetched to suggest that a company could generate controversy to make money.

One elegantly simple statistic shows the potential here: Nearly 13 million young Latinos ages 12-34 are considered frequent moviegoers. Awareness remains low on "Machete" a week out from release, but thats an enormous pool to draw from if awareness shoots up in the wake of public outcry -- especially if its to defend a movie where Latinos are the heroes.

Whether Fox would fan the flames, Rodriguez noted that the potential political minefield has been a hallmark of the exploitation genre from its inception.

"Thats what they would exist for," he said. "As soon as there was an event or an issue, theyd run and make a movie about it and then say, Ripped from todays headlines"

"Machete" could soon become part of those headlines as dozens of other states consider hard-line measures similar to Arizonas. So the potential for impact on the national stage is not insignificant, even for a jokey, low-budget flick like "Machete." "Syriana," this is not.

Dozens of movies and TV series have been caught up in the madness of the moment -- from "Cruising" and "The Passion of the Christ" to "Dogma," "The Sopranos" and "Thelma & Louise" -- but the controversy did little if anything to boost revenue. "Machete," which Fox releases nationally September 3 after a special screening Wednesday at the Venice Film Festival, is slicing into theaters amid midterm election campaigns and an ever-radicalized national debate.

Whether it irks good ol Merican patriots, Latino-American groups, the right-wing talking-head brigade or just plain everyone, the upshot could support the movie in theaters.

"I think the movie is someones personal agenda," McGauley said. "But it seems interesting. If you dont have a sense of humor, no matter what side youre on, it probably makes you a boring person. I imagine that a lot of people who complained will be the first ones to buy a ticket."



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