Thursday, November 3, 2011

Jury to get Michael Jackson doctor manslaughter case Friday

LOS ANGELES | Thu Nov 3, 2011 8:18pm EDT

LOS ANGELES (Reuters) - A Los Angeles jury will start deliberating the fate of Michael Jackson's doctor on Friday after a six-week manslaughter trial stemming from the 2009 death of the self-styled king of pop.

In closing arguments prosecutors said Jackson "paid with his life" for the criminal negligence of Dr Conrad Murray. Defense lawyers said Murray was being held responsible for Jackson's own actions.

"For a crime to be proved, the prosecution has to show that Dr Murray actually killed Michael Jackson," defense attorney Ed Chernoff told the jury on Thursday.

"They want you to convict Dr Murray for the actions of Michael Jackson," Chernoff said. "If it were anybody else but Michael Jackson, would this doctor be here today?"

Chernoff asked the jury to forget that the victim was a pop star.

"If you are going to hold Dr Murray responsible, don't do it because it's Michael Jackson. This is not a reality show. This is reality."

Murray, who was hired to care for Jackson as he prepared for a series of planned comeback concerts, has pleaded not guilty to involuntary manslaughter. He did not testify at the trial and could face up to four years in prison if convicted.

Jackson was found lifeless at his Los Angeles mansion on June 25, 2009, age 50. He was later ruled to have died from an overdose of propofol, which is normally used in surgery, and sedatives.

The defense argued at trial the singer was dependent on propofol. Desperate to sleep, he likely gave himself a fatal dose of the powerful anesthetic, as well as swallowing a handful of sedatives, without Murray's knowledge, defense lawyers argued.

Prosecutor David Walgren slammed that theory in his closing argument, calling the scenario presented at trial by a key defense expert "junk science" and "garbage science."

MURRAY 'MADE MISTAKES'

Walgren said Murray abandoned Jackson on the morning he died, delayed calling 911 and deceived medical personnel on his use of propofol in a bedroom setting.

Murray violated the trust between doctor and patient "and for that Michael Jackson paid with his life," Walgren said.

"The evidence in this case is abundantly clear -- that Conrad Murray acted with criminal negligence, that Conrad Murray caused the death of Michael Jackson, that Conrad Murray left Prince, Paris and Blanket without a father," the prosecutor said, referring to the singer's three young children.

Chernoff said the defense was not disputing negligence on Murray's part. "We would not dispute Dr Murray never made mistakes," he said on Thursday.

But he maintained that Murray's actions did not amount to criminal negligence and were not the direct cause of Jackson's death.

Trial judge Michael Pastor told jurors on Thursday they could convict Murray even if Jackson may have contributed to his own death, if they believed the physician failed to use reasonable care to prevent that outcome.

Pastor said the jury could find Murray not guilty if it believed his actions on the day of Jackson's death were accidental.

Walgren reminded the jury that phone records showed Murray was busy with personal matters for some 40 minutes after the physician said he gave the singer a small dose of propofol toward the end of a sleepless night.

Chernoff said, however, that Murray could have been by Jackson's bedside while on the phone, or near the singer's side and keeping an eye on him, before he realized he had stopped breathing.

Walgren said Murray had abandoned the singer that morning. "Conrad Murray gave him propofol and abandoned him. Conrad Murray is criminally liable. Justice demands a guilty verdict," he said.

(Editing by Jill Serjeant and Xavier Briand)



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Drew Barrymore tops list of Hollywood's overpaid

NEW YORK | Thu Nov 3, 2011 5:17pm EDT

NEW YORK (Reuters) - Some might argue that all stars are overpaid, but Drew Barrymore and Eddie Murphy are in a league of their own, according to a survey conducted by Forbes.com and published on Thursday.

Top stars can make tens of millions of dollars on a single film, and the payout can be justified when a movie like "Pirates of the Caribbean" brings in several hundred million at box offices. But when their movies bomb, that's another story.

Barrymore saw her 2010 romantic comedy "Going the Distance" earn just $17.8 million in ticket sales. Her 2009 movies "Everybody's Fine" and "Whip It" fared worse.

Forbes.com said the actress returns just 40 cents for every dollar movie studios spend for her participation. By contrast Murphy's films returned $2.70 for each dollar he was paid.

Compared to Barrymore, "Murphy is a financial superstar," wrote Forbes.com's Dorothy Pomerantz who compiled the list.

But "Beverly Hills Cop" (1984) star Murphy has struggled in recent years, too, with bombs like "Imagine That" and "Meet Dave." He might take solace in his promising new film "Tower Heist" and upcoming gig hosting the Oscars, Forbes said.

The magazine compiled the list from Hollywood's 40 top-earning actors, and based it on each star's compensation on his or her last three films and the operating income on those films. From that, Forbes.com derived a return-on-investment.

Oscar winners were not immune from the dubious distinction of most-overpaid, either.

Nicolas Cage, Nicole Kidman, Denzel Washington and Reese Witherspoon all made the top 10, Witherspoon large owed her spot to her starring role in the James L. Brooks disaster "How Do You Know," which Forbes said cost an estimated $120 million to produce but brought in only $50 million worldwide.

At least Will Ferrell can take consolation in not being first this time around, after owning the top spot for two years running. This year, he placed third.

The full list can be found here

(Reporting by Chris Michaud; editing by Bob Tourtellotte)



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Prosecutor: Jackson "paid with his life" for Dr's actions

LOS ANGELES | Thu Nov 3, 2011 2:12pm EDT

LOS ANGELES (Reuters) - Michael Jackson "paid with his life" for the criminal negligence of his personal doctor that also left the pop singer's three children without a father, prosecutors told a Los Angeles jury on Thursday.

In emotional closing arguments after a six week trial, prosecutor David Walgren said that Dr. Conrad Murray had violated the trust between doctor and patient and that his actions had caused the death in 2009 of the "Thriller" singer.

"The evidence in this case is abundantly clear -- that Conrad Murray acted with criminal negligence, that Conrad Murray caused the death of Michael Jackson, that Conrad Murray left Prince, Paris and Blanket without a father," Walgren told the jury.

Murray, who was hired to care for Jackson as he prepared for a series of planned comeback concerts, denies involuntary manslaughter but did not testify at the trial.

Walgren argued that Murray had breached his ethical and legal duty as a doctor by giving Jackson the powerful anesthetic propofol at his home as a sleep aid.

"Michael Jackson paid with his life" for Murray's negligence, Walgren said as the singer's parents Joe and Katherine, both dressed in black, listened in the courtroom.

Jackson was found lifeless at his Los Angeles mansion on June 25, 2009, age 50. He was later ruled to have died from an overdose of propofol, which is normally used in surgery, and sedatives.

Murray has admitted giving Jackson a small dose of propofol. But his attorneys have argued in the trial that Jackson was addicted to the drug and caused his own death -- probably by swallowing a handful of sedatives and giving himself an extra fatal dose without his doctor's knowledge.

The defense is expected to present its own closing arguments on Thursday before the case is handed to the jury.

Trial judge Michael Pastor told the jury on Thursday they could convict Murray even if Jackson may have contributed to his own death, if they believed the physician failed to use reasonable care to prevent that outcome.

But Pastor said the jury could find Murray not guilty if they believed his actions on the day of Jackson's death were accidental.

Murray could face up to four years in prison if convicted.

(Reporting by Jill Serjeant; Editing by Bob Tourtellotte)



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Westerns saddle up for TV comeback

LOS ANGELES | Thu Nov 3, 2011 8:33am EDT

LOS ANGELES (Reuters) - The TV Western is saddling up for a big comeback, and actor Anson Mount couldn't be happier.

Mount, 38, plays a rugged post-Civil War soldier with revenge on his mind in the new series "Hell on Wheels", making its debut on cable channel AMC on Sunday and heralding a revival of a genre that dominated U.S. television in the 1950s and '60s.

"Hell on Wheels" is set during the building of the Union Pacific railroad in the 19th Century, and comes complete with vast rolling plains, trigger-happy lawmen and scalping Native Americans.

For Mount, it's a role born of childhood dreams in his native Tennessee, when he said he began playing cowboys and Indians at the age of six.

"I would climb this sort of half blown-over tree in my backyard, and I had a cowboy hat and a sheriff's badge and a little plastic six-shooter around my hip," Mount recalled.

Filming "Hell on Wheels", he said, "I spend a day on a horse out in the sun getting to shoot a grizzly. I can't believe I'm not having to pay them to do this. It's amazing."

Hip-hop artist and actor Common, who plays a recently freed mixed-race slave working on the railroad, agreed. "It's fun to be in the mud and running around with guns. Learning to ride a horse. It's a great time," he told reporters.

Gunsmoke and wagons aside, "Hell on Wheels" also casts an unsentimental eye on a key turning point in the forging of the United States, the ravaging of Native American land and the price of progress.

"We want to tell a story about civilization vs. untouched nature. The imposing of civilization can be absolutely brutal," said co-executive producer Joe Gayton.

"I'm amazed by the tenacity, the boldness and the sheer courage of what people did in order to complete the task at hand. There was death around every corner but they continued on," Gayton said.

GRAY HATS

Unlike classic Hollywood Westerns where the good guys wore white hats and the bad guys black, the characters in "Hell on Wheels" -- including a bevy of prostitutes -- are more gray.

"Our characters are complex, jumbled. They've all got good in them. They've all got a lot of bad in them. Anson's character, Cullen Bohannon, is driven first by revenge, but he's also an ex-slave owner," said executive producer Tony Gayton.

"Hell on Wheels" leads a stampede of Westerns coming up or in development in the next two years, although the numbers are unlikely to match the more than 25 prime-time TV Westerns when the genre was at its height in 1959.

NBC has ordered up two scripts -- one involving a Western story told from a female point of view -- while A&E has a Western-themed crime thriller in the works that is set in Montana called "Longmire."

ABC has a project called "Gunslinger" in development for 2012, as well as a series titled "Hangtown" that is described as a combination of a crime drama and a traditional Western.

Even Disney Channel is in on the act, starting production on an animated series starring a kitty cat sheriff that is billed as the first Western for pre-schoolers. The Disney Junior series, "Oki's Oasis" is expected to air in 2013.

Irish actor Colm Meaney, who plays a greedy entrepreneur in "Hell on Wheels," said that like sci-fi shows set in the future, returning to the past can cast light on the present.

"There's a huge amount of social issues than can be addressed in this way that are still hugely relevant today. So by going back or forward, you can give yourself a much bigger canvas than just doing a contemporary show," Meaney said.

(Editing by Bob Tourtellotte)



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James Bond aims to bounce back with new film launch

LONDON | Thu Nov 3, 2011 3:21am EDT

LONDON (Reuters) - James Bond returns Thursday with the launch of the 23rd installment in the famous film franchise, and aims to bounce back after a studio bankruptcy put production on hold for months and the last movie earned mixed reviews.

As ever ahead of a major Bond announcement, unconfirmed rumors have been flying across cyberspace.

What can be said with certainty is that Daniel Craig returns for his third outing as the suave secret agent, and Sam Mendes, Oscar winner with "American Beauty" who worked with Craig on "Road to Perdition," will direct.

Spanish actor Javier Bardem and Britain's Ralph Fiennes are expected to join the cast, and Judi Dench is set to return as Bond's stern boss "M."

Other stars reported to be involved include Albert Finney, who would be making his first Bond appearance aged 75, and Naomie Harris as Miss Moneypenny.

Locations and plotline are largely unknown to the outside world, although some media have said scenes shot on a train in India are likely to feature.

A spokeswoman for Sony Pictures declined to give details about Thursday's event beyond what appeared on a press invitation -- that producers Michael Wilson and Barbara Broccoli would present Mendes and "key" cast members.

Sony Pictures, a unit of Sony Corp, will distribute the film, which is set to hit British theatres on October 26, 2012 and U.S. cinemas on November 9.

Next year is the 50th anniversary of the series, which began in 1962 with Sean Connery on Her Majesty's secret service in "Dr. No."

Debt-laden Metro-Goldwyn-Mayer Studios Inc, known for its roaring lion logo and behind some of Hollywood's most fabled films including "The Wizard of Oz," filed for bankruptcy in November last year.

Two months later it confirmed Bond 23 would hit theatres in November, 2012, and in April MGM and Sony announced they would co-finance and distribute the next two Bond movies.

The studios previously partnered on "Quantum of Solace" and Craig's 2006 Bond debut "Casino Royale."

The high-octane, action-heavy films are expensive to make and market, with Quantum of Solace estimated to have cost around $200 million.

But they have a good record commercially, and according to movie tracking website boxofficemojo.com, Casino Royale earned $594 million in global ticket sales and Quantum of Solace $586 million.

Craig's first appearance as Bond was hailed as a refreshing change in direction toward a tougher, more serious 007, and reviews were overwhelmingly positive.

Quantum of Solace fared less well with the critics, although positive reviews still outweighed the negative.

(Reporting by Mike Collett-White, editing by Paul Casciato)



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