Wednesday, September 8, 2010

Colbert, VP Biden fete troops with hot dogs, beer AP

NEW YORK A hot dog vending cart was wheeled back and forth. Cocktail waitresses hurried past with trays full of beer. Vice President Joe Biden led New York Yankees great Yogi Berra by the arm.

Such was the bizarre, red-white-and-blue circus backstage at comedian Stephen Colberts celebration of U.S. troops return from Iraq. The Comedy Central host pulled out all the stops Wednesday night for the first part of his two-episode special, "Been There: Won That: The Returnification of the American-Do Troopscape."

It was a somewhat rare show of exultation to what President Barack Obama has called the end of combat operations in Iraq. Some 50,000 troops remain in the Middle East country, where local forces have a tenuous hold on security. Fighting in Afghanistan also continues.

Those truths were never far from "The Colbert Report" on Wednesday, but Colbert made the evenings tone clear at the start.

"Im not going to debate this war," said Colbert, in mock pundit character. "Its been seven years. Who can remember who invaded who?"

Instead he declared: "Tonight is for the troops."

The shows studio audience was packed with active troops and veterans, whom Colbert lavished with hot dogs, beer and ice cream. Biden played the part of hot dog vendor. Gen. Ray Odierno, the outgoing U.S. military commander in Iraq, donned a toupee of Colberts hair. Odierno famously shaved Colberts head � on Obamas orders � when the comedian broadcast four episodes of "The Report" from Baghdad last year.

Colbert opened the show atop a tank, which rolled down the street outside his shows Manhattan studio. Colbert, looking more at home than Democratic presidential candidate Michael Dukakis did in 1988, pretended to shoot the letter C on a nearby building with the tanks guns.

"Jay Leno doesnt have one of these," said Colbert, patting the tank with pride.

Colbert may parody conservatives, but his support of the men and women in the military is unwavering. He has raised thousands of dollars for the Yellow Ribbon Fund, a charity that assists injured service members and their families, and hes a board member of DonorsChoose.org, which is raising money for the education of children of parents in the military.

"Sometimes," Colbert said earlier to The Associated Press, "my character and I agree."

But for all the over-the-top celebration of Wednesdays show, Colbert continually highlighted the paradox of reveling in a war not fully over.

He asked Odierno whether a noncombat troop was "a mime troop" and had the general acknowledge soldiers still in Iraq are receiving combat pay. He wondered if Iraq was "the war that cried, Over." And he joked that if you could tell the difference between a noncombat troop and a combat troop, "Then youre the president of the United States."

Live satellite feeds to troops in Iraq and Afghanistan were piped in as well.

Colbert even trotted out Berra, the Yankees catcher of the 1950s and a World War II veteran, as the shows "conflict analyst." Berra announced his predictable analysis: "Stephen, it aint over till its over."

Biden didnt try to claim otherwise. He said the war in Iraq wont be over until theres "a political solution."

"This is a significant milestone, but were not there yet," he said.

Colbert coaxed the vice president into looking into the camera to thank former President George W. Bush for honoring the members of the military.

Inside the studio, "The Colbert Report" similarly heaped reverence for the troops and their sacrifice. A stage manager, awed at their immediate response to cues to stand or sit, wished every audience could be so compliant.

On the whole, politics were kept out of it.

Before morphing into character, Colbert took questions from his uniformed audience. Asked to which political party he was registered, he replied, "None of your business," before confessing he wasnt registered to any party. Asked if he voted for Obama in 2008, he replied, "Are there any other questions?"

___

Comedy Central is owned by Viacom Inc.



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AP Exclusive: Colbert, VP Biden fete US troops AP

NEW YORK A hot dog vending cart was wheeled back and forth. Cocktail waitress hurried past with trays full of beer. Vice President Joe Biden led New York Yankees great Yogi Berra by the arm.

Such was the bizarre, red-white-and-blue circus backstage at comedian Stephen Colberts celebration of U.S. troops return from Iraq. The Comedy Central host pulled out all the stops Wednesday night for the first part of his two-episode special, "Been There: Won That: The Returnification of the American-Do Troopscape."

It was a somewhat rare show of exultation to what President Barack Obama has called the end of combat operations in Iraq. Some 50,000 troops remain in the Middle East country, where local forces have a tenuous hold on security. Fighting in Afghanistan also continues.

Those truths were never far from "The Colbert Report" on Wednesday, but Colbert made the evenings tone clear at the start.

"Im not going to debate this war," said Colbert, in mock pundit character. "Its been seven years. Who can remember who invaded who?"

Instead he declared: "Tonight is for the troops."

The shows studio audience was packed with active troops and veterans, whom Colbert lavished with hot dogs, beer and ice cream. Biden played the part of hot dog vendor. Gen. Ray Odierno, the outgoing U.S. military commander in Iraq, donned a toupee of Colberts hair. Odierno famously shaved Colberts head � on Obamas orders � when the comedian broadcast four episodes of "The Report" from Baghdad last year.

Colbert opened the show atop a tank, which rolled down the street outside his shows Manhattan studio. Colbert, looking more at home than Democratic presidential candidate Michael Dukakis did in 1988, pretended to shoot the letter C on a nearby building with the tanks guns.

"Jay Leno doesnt have one of these," said Colbert, patting the tank with pride.

Colbert may parody conservatives, but his support of the men and women in the military is unwavering. He has raised thousands of dollars for the Yellow Ribbon Fund, a charity that assists injured service members and their families, and hes a board member of DonorsChoose.org, which is raising money for the education of children of parents in the military.

"Sometimes," Colbert said earlier to The Associated Press, "my character and I agree."

But for all the over-the-top celebration of Wednesdays show, Colbert continually highlighted the paradox of reveling in a war not fully over.

He asked Odierno whether a noncombat troop was "a mime troop" and had the general acknowledge soldiers still in Iraq are receiving combat pay. He wondered if Iraq was "the war that cried, Over." And he joked that if you could tell the difference between a noncombat troop and a combat troop, "Then youre the president of America."

Live satellite feeds to troops in Iraq and Afghanistan were piped in, as well.

Colbert even trotted out Berra, the Yankees catcher of the 1950s, as the shows "conflict analyst." Berra announced his predictable analysis: "Stephen, it aint over till its over."

Biden didnt try to claim otherwise. He said the war in Iraq wont be over until theres "a political solution."

"This is a milestone, but were not there yet," he said.

Colbert coaxed the vice president into looking into the camera to thank former President George W. Bush for honoring the members of the military.

Inside the studio, "The Colbert Report" similarly heaped reverence for the troops and their sacrifice. A stage manager, awed at their immediate response to cues to stand or sit, wished every audience could be so compliant.

On the whole, politics were kept out of it.

Before morphing into character, Colbert took questions from his uniformed audience. Asked to which political party he was registered, he replied, "None of your business," before confessing he wasnt registered to any party. Asked if he voted for Obama in 2008, he replied, "Are there any other questions?"

___

Comedy Central is owned by Viacom Inc.



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MTVs `Snooki fined $500 for bothering beachgoers AP

SEASIDE HEIGHTS, N.J. Calling her "a Lindsay Lohan wannabe," a judge fined "Jersey Shore" star Nicole "Snooki" Polizzi $500 on Wednesday and ordered her to perform community service after she pleaded guilty to disturbing others on a beach in July.

Her lawyer said Polizzi was under the influence of alcohol when she stumbled around the beach in Seaside Heights, using loud language that disturbed other beachgoers.

Municipal Court Judge Damian G. Murray lectured Polizzi, borrowing from Dean Wormers speech to Flounder in the movie "Animal House" in which the dean admonished the wayward student that "fat, drunk and stupid is no way to go through life."

"Rude, profane, obnoxious and self-indulgent is not the way to live your life," the judge told Polizzi. "If this was your idea of a good time, it appears your recent celebrity has affected your judgment."

The judge also questioned whether Polizzi had staged the event for the show. Cameras were rolling as she stumbled around the beach on July 30.

"It was not scripted, sir," Polizzi replied.

Her lawyer, Raymond Raya, told the judge that Polizzi had had a few drinks "and was under the influence of some alcohol, and stumbled and tripped into people on the beach. She used loud language on the beach and interfered with the publics right to quiet enjoyment of the beach."

As part of a negotiated plea deal, Polizzi pleaded guilty to one count of interfering with the quiet enjoyment of the beach � essentially disturbing the peace. Charges of disorderly conduct and criminal annoyance of others were dropped. Raya and municipal prosecutor Kim Pascarella agreed Polizzis conduct on the beach that day did not rise to the level of a crime.

"I would definitely like to apologize to the Seaside cops," Polizzi said in court. "This is not like me. Ive never been in this situation before. Id definitely like to apologize to anybody I hurt."

The judge fined her $500, plus $33 in court costs, and sentenced her to two days of community service. He gave her credit for one day of community service, which she spent quietly on Sunday at Popcorn Park Zoo in Lacey, a facility for abused or neglected animals run by the Associated Humane Societies. While there, she cleaned out cages, petted and fed animals, Raya said.

The zoos general manager gave Polizzi a graham cracker � the favorite treat of its camel, Princess, who is famous for her ability to pick the winners of National Football League games � and told her to approach the animal with the treat in her mouth. She did so, and Princess took it from her mouth and "gave her a kiss," Raya said.

The remaining day of community service will be served in the next few weeks with the public works department, though the exact assignment has not yet been determined.

Raya said that after downing a few drinks on July 30, Polizzi was stumbling around the beach, and at one point ran toward the ocean, with her friends calling her to come back. She did not want to, and defiantly sat down on the sand, Raya said. A crowd that quickly swelled to 300 surrounded her, yelling things � all while MTV cameras were rolling.

Raya said neither he nor Polizzi knows whether the network plans to show that footage when the third season of "Jersey Shore" begins airing in January. Filming recently wrapped.

But the lawyer said the 22-year-old Poughkeepsie, N.Y., resident was rattled that day by the constant presence of cameras, a crowd trailing after her, and of course, the drinks.

"Judge, this was a bad day," he said. "I think we all have those days."

Outside the courtroom, Raya said the judges comparison of Polizzi to the oft-arrested Lohan was unwarranted and unfair.

"This is what I would say is an anomaly in an otherwise well-lived life," he said.

Polizzi did not speak to reporters as she raced to a white sport utility vehicle outside the court and sped away.

But on her Twitter page, she wrote afterward, "Ah never again So scary ... thank you judge for understanding, Im very thankful for that"

An hour later, she tweeted: "Ugh stuck in newark traffic is no fun," drawing a reprimand from Newark Mayor Cory A. Booker.

"I can give u a ticket 4 texting & driving," Booker tweeted back to Polizzi.

In her haste to flee the court, Polizzi left behind her credit card, which she had used to pay her fine, prompting a court employee to run after her with it.

"Jersey Shore" chronicles the carryings-on of a group of hard-partying 20-somethings � most of whom are from New York � at a beach house on the Seaside Heights boardwalk.

It has offended Italian-American groups but remains one of MTVs highest-rated shows. The cast was taping the third season in Seaside Heights.



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Spears former bodyguard sues for sex harassment AP

LOS ANGELES A former bodyguard for Britney Spears claims in a lawsuit that he was subjected to repeated sexual harassment by the singer.

Fernando Flores sued the pop superstar and Advanced Security Concepts Corp. in a suburban Los Angeles court Wednesday for unspecified damages. He claims the 28-year-old singer repeatedly exposed herself to him.

The lawsuit also claims Spears berated him at a movie theater and that he witnessed her act inappropriately in front of and toward her young children.

An e-mail to Spears publicist Holly Shakoor was not returned. A woman who answered the phone at Advanced Security declined comment.

Flores was hired in February 2010 but does not state how long he worked on Spears detail.



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Ruling doubles Don Johnsons Nash Bridges award AP

LOS ANGELES A judge on Wednesday doubled Don Johnsons jury award for profits from the TV series "Nash Bridges" to more than $51 million.

Los Angeles Superior Court Judge Michael Stern ruled that the actor is due more than $28 million in interest from the show. The order came two months after a jury determined that Johnson, who owned half the copyright to the series, was owed $23.2 million in profits.

"Nash Bridges" aired for six seasons on CBS. Johnson sued three firms, including Rysher Entertainment, in February 2009 to recoup profits he claimed were withheld.

Ryshers attorney, Bart H. Williams, did not immediately return a message seeking comment Wednesday. He has said the initial jury verdict would be appealed.

The company contended at trial that the series was costly to produce and that was why Johnson hadnt been paid more.

"Nash Bridges was my project, and I poured my heart into it," Johnson said in a statement. "I feel a sense of vindication and sincere gratitude that both the jury and Judge Stern continue to agree with me."

Johnson, 60, could be entitled to more money in coming years, his attorney Mark Holscher said.

"Nash Bridges" remains in syndication in dozens of countries, and the actor is entitled to half of future earnings due to the jury verdict, Holscher said.



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Britney Spears accused of sexual harassment

LOS ANGELES | Wed Sep 8, 2010 7:50pm EDT

LOS ANGELES Reuters - A former bodyguard for Britney Spears filed a sexual harassment lawsuit on Wednesday accusing the pop star of repeatedly parading herself around in the nude and having sex in front of him.

Fernando Flores also accused Spears, 28, of causing him emotional distress by having violent quarrels with her boyfriend in front of her two children, and swearing at him to fetch her beverages.

The singers lawyer on Wednesday declined to comment on the lawsuit.

According to the lawsuit filed in Los Angeles Superior Court, Flores began working for Spears in February 2010. He alleges that the "Circus" singer made repeated, unwanted sexual advances, summoned him to her room to expose her naked body, and "engaged in numerous sex acts" in front of him.

Celebrity website TMZ.com reported that in one alleged incident, Spears was wearing a white lace see-through dress when she intentionally dropped an object on the floor close to Flores and bent over to pick it up.

Flores also accuses his security firm employers of ignoring or mocking his complaints over the alleged actions by Spears. He is seeking unspecified damages for sexual harassment and emotional distress.

Spears became a worldwide phenomenon 10 years ago with hits like "Oops...I Did It Again" but has adopted a much lower public profile since undergoing a highly-publicized career and personal meltdown in 2007 and 2008.

After a successful world tour in 2009, she lives near Los Angeles and has filmed a cameo role in an upcoming episode of the popular TV musical comedy "Glee", which will be devoted entirely to her music.

Reporting by Jill Serjeant, editing by Dan Whitcomb



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Pratt to Montag: Sorry for my outrageous behavior AP

NEW YORK Former "The Hills" star Spencer Pratt is apologizing to his estranged wife, Heidi Montag, for acting out in their breakup.

The two starred on the MTV reality soap, which ended in July. They separated last May after one year of marriage.

Montag cited irreconcilable differences when she filed for separation from Pratt in June. Pratt said he would release a sex tape featuring Montag.

The 27-year-old Pratt tells The Associated Press in an e-mail sent Wednesday the demise of their relationship was so painful he wanted to lash out. He admits making "certain private issues public" and "horribly embarrassing the one person who meant the world to me." He says his behavior was "outrageous and infantile."

Pratt now says hes failed at handling his divorce with dignity and maturity and vows to work on himself.



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Americana Awards celebrate legacy of Wanda Jackson AP

NASHVILLE, Tenn. Wanda Jackson had no idea the influence she would have on future rock n roll women when she carved a sharp, distinctive line across the heartwood of the new genre back in the 1950s and 60s.

The rockabilly queen with the knockout voice to go with the same kind of looks was working as hard as she could, and not really thinking beyond the nights setlist or the next gig.

"I was just doing my career � not one day at a time but just plodding along, trying to get hits, working every place that you can," Jackson said. "I carried a band for 12 years and you have to work a lot when you have the band. Maybe it was just kind of me, too. I dont think that far ahead. My husband says Im like a duck. I wake up in a new world every day."

Yet signs of the 72-year-olds influence are everywhere as the Americana Music Association prepares to cite her for lifetime achievement during Thursday nights Americana Awards along with John Mellancamp, Luke Lewis, Brian Ahren and Greg Leisz.

More than 50 years after she became one of the first women to tackle and transform nascent rock n roll � at the suggestion of Elvis � women have pushed it in new and unexpected directions.

Jack White, a longtime fan who produced a new album, "The Party Aint Over," for Jackson thats due in January, summed up her place in history during a recent interview. He compared her to Loretta Lynn, another trailblazing female performer hes worked with.

"I think people like Loretta Lynn and Wanda, the way they broke down doors for other women, it holds so much more weight, its so much more powerful and so much more important when you break a door open for people to go through and build on that and make more interesting records years down the road," White said. "If it wasnt for Wanda in the 50s breaking those walls down for women, the style she was singing and the topics she was singing about, we wouldnt have the girls in the punk rock movement 20 years later to do that."

The Rock n Roll Hall of Famer with the fierce voice and the uncommon versatility cleared the way for key female rock figures like Patti Smith and Kim Gordon. And you can still hear the echoes of her style to this day.

Jackson wasnt always remembered for her pioneering role, though. She landed rock hits like "Lets Have A Party" in the U.S. the 1960s and had hits in Japan and Germany, but she was always filled with musical wanderlust and eventually left rock for gospel, leading a ministry with her husband. She thought shed never return to rock n roll but in the 1980s promoters in Scandinavia and Europe interested in the history of rockabilly contacted her and launched a second phase to her career.

She hasnt slowed down much in the years since, playing as many gigs as she can all over the world. Over the summer she was in Australia and Canada and blazed new ground in Italy. Shes earned many honors, including her Bruce Springsteen-aided induction into the Rock Hall of Fame as an early influence, and gets the rare chance to watch the ripples she caused while just a teenager continue to transform music.

"I get to enjoy it now," she said of her legacy. "I see the young girls get to do their thing out there on stage with freedom. To think that I had a hand making that happen for women really thrills me."

___

Associated Press writer Caitlin R. King in Nashville contributed to this report.

___

Online:

http://www.americanamusic.org

http://www.wandajackson.com



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Don Johnsons "Nash Bridges" judgment doubled

LOS ANGELES | Wed Sep 8, 2010 6:26pm EDT

LOS ANGELES Reuters - Actor Don Johnson more than doubled his legal judgment against producers of the television show "Nash Bridges" as a judge on Wednesday added $28 million in interest to the sum originally awarded him by a jury.

Los Angeles Superior Court Judge Michael Stern said he was giving Johnson 10 percent in annual interest dating back to 1998, when the performer signed his contract with the production company Rysher Entertainment LLC.

Johnson, 60, sued Rysher in February 2009 claiming he had been denied his fair share of profits from "Nash Bridges" as a 50-percent owner of the copyright to the San Francisco-based cop drama, which co-starred Cheech Marin and ran for six seasons on CBS ending in 2001.

Rysher argued that the show, which still airs in syndication in some 43 countries around the world, continued to run a deficit and that Johnson already had earned about $40 million from fees as an actor and producer.

But a jury in July ruled in Johnsons favor, awarding him $23.2 million in profits. The interest granted by the judge amounts to an additional $28 million, according to his lawyer, Mark Holsher.

Stern also denied a separate motion by Ryshers lawyers to reduce the original judgment to $15 million.

"Im delighted. Its appropriate. Ive waited a long time," Johnson said outside the courtroom following Wednesdays ruling.

The actor, whose biggest TV hit was the 1980s-era police show "Miami Vice," had sought as much as $105 million from Rysher, but the jury deducted costs for production, distribution and other expenses.

Editing by Jill Serjeant



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Hong Kong model arrested after Nevada desert event AP

RENO, Nev. Authorities in Nevada say a Hong Kong fashion model is facing a felony drug charge following her arrest at the Burning Man festival, along with misdemeanor vehicle charges after crashing a rented motor home into Renos "Biggest Little City in the World" arch.

Pershing County Sheriff Ron Skinner said Wednesday that Rosemary Vandenbroucke was arrested about 9:30 a.m. Sunday with a small amount of ecstasy at the counterculture festival in the Black Rock desert.

The 28-year-old was charged with possession of a controlled substance and released on $15,000 bail with an Oct. 19 court date.

Reno police Sgt. Jim Stegmaier says Vandenbroucke faces several misdemeanor charges after the motor home crash Monday afternoon in downtown Reno.

The Reno Gazette-Journal first reported the crash and arrest.



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Paley Center says new TV awards show set for 2012 AP

LOS ANGELES The Emmys arent the only big TV-honors game anymore.

The Paley Center for Media announced plans Wednesday for an awards telecast that will debut in spring 2012 in New York. It was developed with the help of TV, advertising and new-media executives.

The center said the new awards will take a "fresh and distinctive approach" that involves the public in the selection process and reaches beyond TV by celebrating video across all platforms � an apparent reference to online and mobile distribution.

Details regarding the awards categories, as well as the nominations and voting process remain under discussion, Paley Center President and CEO Pat Mitchell said in a statement.

The show is planned for May to coincide with the New York "upfronts" during which TV networks present their fall schedules to prospective advertisers.

The new awards come after several years of declining or stagnant ratings for the prime-time Emmy Awards, which aired its 62nd ceremony last month. An attempt to overhaul the show by reducing the more than two-dozen categories presented during the telecast failed after guild and other industry opposition.

Negotiations are in progress between the the Academy of Television Arts and Sciences and the four major broadcast networks that have been airing the Emmys on a rotating basis. The current eight-year contract with ABC, CBS, Fox and NBC expires this year.

Other awards recognize achievements in both TV and movies, including the Screen Actors Guild and Golden Globe awards, but the Emmys were alone among major awards focused solely on television.

In March, the Paley Center announced a committee to explore creation of an awards show. It was headed by Steve Mosko, president of Sony Pictures Television, Tony Vinciquerra, chairman and CEO of the Fox Networks Group, and Dick Lippin, chairman and chief executive of the Lippin Group, a public relations and marketing firm.

"We have already received considerable interest from television networks and advertisers, and now that we have announced the time and location of our first show we will begin right away to translate this interest into substantive discussions," Mosko said in a statement.

The center said it intends to merge its annual New York gala fundraising event with the 2012 awards telecast. One or more of its new awards may be presented at its 2011 gala fundraiser, which has usually been held in winter.

The nonprofit center, located in New York and Los Angeles, said its mission is to foster discussion about the artistic and social significance of TV, radio and new media among industry professionals and the public.

___

Online:

http://www.paleycenter.org

http://emmys.tv



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Judge to "Jersey Shore" star Snooki: drop Lohan act

NEW YORK | Wed Sep 8, 2010 4:44pm EDT

NEW YORK Reuters - A U.S. judge warned "Jersey Shore" reality star Snooki that she was acting like troubled actress Lindsay Lohan, and sentenced her on Wednesday to community service for disorderly conduct.

The 22-year-old reality television show personality, whose real name is Nicole Polizzi, pleaded guilty in August after she was arrested in Seaside Heights, New Jersey while filming for the popular MTV series.

Celebrity website TMZ.com said she had been partying with a beer bong along the towns boardwalk and had fallen off a bicycle.

Police said she was being disorderly on the beach and was bothering patrons. Polizzis lawyer admitted the reality star had been drinking.

"It appears your recent celebrity has affected your judgment," judge Damian Murray told Polizzi in Seaside Heights Municipal Court before comparing her to Lohan, who spent two weeks in jail and three weeks in drug rehab last month.

"You seem to be acting like a Lindsay Lohan wannabe," Murray added. He sentenced her to two days community service and a $500 fine.

The judge called Polizzis behavior "self-indulgent" and asked if her antics were scripted by producers of the "Jersey Shore" show. Polizzi replied they were not -- keeping in line with producers who have previously said the show is not scripted.

During the sentencing hearing, an unusually demure Polizzi fluffed her hair and apologized to police officers who arrested her.

"When I saw what happened and everyone told me what happened, I was very embarrassed," she said.

"Jersey Shore" -- about the lives and leisure of young Italian-Americans in New Jersey -- has become an MTV hit and a U.S. pop culture sensation in the past year.

Its second season premiere in July scored 5.3 million viewers, growing to 6.5 million last week, delivering MTVs highest rated series telecast in more than eight years, MTV said.

Reporting by Christine Kearney, editing by Jill Serjeant



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Review: Im Still Here self-indulgent, pointless AP

Joaquin Phoenix may truly have walked away from a much-heralded acting career two years ago to pursue his artistic expression as a rapper. His look, which went from dark and mysterious to shaggy and doughy, may simply have been part of his transformative process.

Or not.

It becomes increasingly difficult to care about discerning whats real and whats a hoax as the documentary "Im Still Here" drones on. We have to use the word "documentary" loosely, however, because it suggests an attempt at capturing fact on film. What "Im Still Here" captures is questionable.

Casey Affleck, an esteemed actor in his own right who is directing for the first time, gets such intimate access to Phoenix, its often uncomfortable to watch, especially when Phoenix is bent over a toilet yacking or having a particularly vile prank played on him while hes asleep.

Thats unsurprising, given that Affleck is married to Phoenixs sister, Summer, and the two co-starred in Gus Van Sants "To Die For" 15 years ago. And similar to Van Sants recent films, "Im Still Here" often has a natural aesthetic and a languid, meandering vibe that makes you wonder whats going to happen next � that is, if youre still awake.

Afflecks camera stalks Phoenix as he walks and talks and rants and smokes four things he does for the entirety of the film, and tries to explain the conundrum of reconciling art and celebrity. If he watches his own performances, does he become too conscious of them, and does that affect future performances? If he reads articles about himself that describe him as emotional and intense, is he really that way, or does he become that way because its the image thats being projected onto him?

Intriguing existential questions, all. And at times, "Im Still Here" does give the impression that its trying to achieve an understanding of the fragility of fame. Mostly, though, it feels like an elaborate put-on, with celebrities such as Ben Stiller and Sean Combs in on the joke. The fact that Affleck often has multiple cameras going at once is a hint. So are the closing credits, in which Affleck and Phoenix are listed as co-writers.

If there is an actual structure here, though, its often elusive. Phoenix complains a lot about being misunderstood, gives passionate bear hugs to fellow actors Sean Penn, Bruce Willis, Jack Nicholson and Danny Glover at a play rehearsal, and makes a halfhearted attempt at attending President Obamas inauguration. He also snorts what looks like cocaine off the naked breasts of a woman who is supposedly a prostitute, smokes joint after joint and cavorts with the various sycophants who are constantly around and frequently nude.

He also raps � badly. His rhymes are monotone, his beats are tinny and his lyrics are inane. He agonizes in his home studio and performs awkwardly on stage in front packed, bewildered crowds in Las Vegas and Miami. When he finally gets Combs to sit down and listen to his demo, Combs is polite but direct: Phoenix is not good enough to do this. The producers reaction crushes Phoenix.

But is it a genuine reaction? Phoenix does seem crestfallen, and beats himself up as convincingly as he does after his infamously painful Letterman appearance. Affleck includes the whole interview, which is just as much of a scream as it was when it first aired in 2008. Then again, this is a two-time Oscar nominee for "Gladiator" and "Walk the Line." This is a guy who can be frighteningly good at what he does � when it comes to acting, at least.

Ultimately, though, the person depicted in "Im Still Here" becomes more sullen, demanding, abusive and paranoid. If were truly witnessing the unraveling of a talented man in his prime, its just sad. If its all performance art, though, its just pointless.

"Im Still Here," a Magnolia Pictures release, is not rated but contains copious amounts of sex, drugs and rock n roll � some of which may actually have been real � and much profanity and full-frontal nudity. Running time: 106 minutes. Two stars out of four.

___

Motion Picture Association of America rating definitions:

G � General audiences. All ages admitted.

PG � Parental guidance suggested. Some material may not be suitable for children.

PG-13 � Special parental guidance strongly suggested for children under 13. Some material may be inappropriate for young children.

R � Restricted. Under 17 requires accompanying parent or adult guardian.

NC-17 � No one under 17 admitted.



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Amy Winehouse sings again on Quincy Jones album AP

LOS ANGELES Amy Winehouse is making music again.

Quincy Jones says the five-time Grammy winners first new track in years will appear on his forthcoming album, "Q: Soul Bossa Nostra."

Winehouse has been known more for her personal problems than her music in recent years, and hasnt issued any new tunes since her critically acclaimed 2006 breakthrough CD, "Back to Black."

The 26-year-old British songstress reunited with producer Mark Ronson to record the 1963 classic "Its My Party" for the album celebrating Jones past hits. The 77-year-old music mogul produced the original Lesley Gore track.

"Q: Soul Bossa Nostra" also features Usher, Ludacris, Akon, Jamie Foxx, Jennifer Hudson, Mary J. Blige, T-Pain and LL Cool J, among others. The album is set for release in November.



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Dafoe likes pure, personal cinema of A Woman AP

VENICE, Italy Willem Dafoe says "A Woman," one of his latest projects, is the kind of "pure personal cinema" that he wants to keep on doing.

Dafoe plays a novelist devastated by his wifes death yet caught up in a new romance in the film by Italian director Giada Colagrande, his real-life wife.

The film noir starts out in nighttime Manhattan, and only gets dark under the harsh light of Italys southern Puglia region, where both the sun and the sea play menacing roles.

"It is quite pure personal cinema, and it is quite pure cinema, because it is an expression of what Giada wants it to be," Dafoe said in an interview this week at the Venice Film Festival, where the movie premiered in a section of Italian films.

"What it is, is quite unusual, and something I want to keep doing," he added.

"A Woman" was one of two films in which Dafoe appeared in Venice. The 55-year-old actor also had a small part as Eddie, an American who witnesses the evolution of an orphanage for Palestinian children in director Julian Schnabels "Miral."

But the film he is busy promoting at the Lido is his wifes. Its her third film, and their second project together after "Before it Had a Name," which he also co-wrote. All three of Colagrandes movies have premiered at Venice.

There is something menacing in Dafoes Max Oliver, as in many of his better-known roles, from Spidermans nemesis Green Goblin to the rat in Wes Andersons "Fantastic Mr. Fox." But Dafoe says he doesnt think he is always cast as a villain.

"I think that is peoples perception because the more widely seen movies, the more studio movies tend to function more in the dark way, as an antagonist. But if I look at my filmography probably I play more heroes than bad guys," Dafoe said.

In "A Woman," its not always clear whos the good guy and whos the bad guy. Max is in New York City promoting his new book when he falls in love with Julie, played by Jess Weixler, whose acting credits include appearances in the TV series "Medium" and "Law&Order" as well as films including "Teeth."

Its only when Julie accompanies Max to Italy, where he is working on a novel, does the mystery emerge. The Italian sequences are filmed under strong light, reflected in the beach where Julie sunbathes beneath a vertigo-inducing black-and-white swirling hat, and in the sprawling bleached stone villa where Max writes. Julie cant seem to escape the presence of Maxs dead wife Lucia Giordano, a beautiful tango dancer.

"I think all along in the story, lots of little possibilities are dropped. Some are developed, some are not," Dafoe said. "Giada, as she tells the story, makes room for the audience to join Julies paranoia."

Dafoe said his Max "is very guarded ... hes carrying a secret."

Colagrande said she was inspired by American noir films of the 1940s, where the plot functioned on a more subconscious and less overt level. She took inspiration from Hitchcocks "Rebecca" and "Notorious" as well as from the work of David Lynch and video artist Bill Viola.

"Noir is my favorite genre in films ... that is always a source of inspiration and a reference for anything I write or I direct or have made so far," said Colagrande, 35. "In this case, the element I was attracted to from noir as well and other sources was the use of light and of the shade and the composition."

The contrast of dark and light are key elements of the film. New York represents a positive sort of mystery that turns foreboding under Puglias strong light.

"The white part was more the properly scary part, the kind of negative mystery that drives to madness," she said.

In the same way, the sun and sea, usually beckoning fun and relief, play against character.

"The sun and the sea were basically the devils of our tale. It is really about a sense of belonging to those elements in a scary way," Colagrande said.

Dafoe and Colagrande, who married in 2005, said they will continue their professional collaboration but Colagrande didnt want to say what that those plans might be.

"I am superstitious and I cant talk about them," she said.

"A Woman" will screen in the Pusan Film Festival next month in South Korea. For the moment, they are working on finding the right distribution.

Dafoe is also looking forward to the release of another project, "John Carter of Mars," a return to animation with Andrew Stanton of Disneys Pixar Animation Studios. Dafoe previously worked with Stanton on "Finding Nemo," playing Gill, the wizened aquarium fish who helps Nemo to freedom.

In "John Carter of Mars," based on an Edgar Rice Burroughs graphic novel, Dafoe plays a nine-foot-tall 2.5-meter Martian warrior.

"I think it is going to be an important movie. Its very big, it has lots of special effects, live action mixed with special effects," Dafoe said.



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5 most explosive music documentaries AP

LOS ANGELES There are music documentaries that are all about the music � concert films that focus solely on the artistry and thrill of live performance � and then there are juicy ones that are all about backstage ego and volatility.

"Im Still Here," which follows Joaquin Phoenixs tumultuous transformation from Oscar-nominated actor to shaggy, doughy rapper, would seem to fall into the latter category � if it truly is a documentary, that is, and not an elaborate put-on. Here are some other examples of serious rock-star behavior:

� "Bob Dylan: Dont Look Back" 1967: A classic from legendary documentarian D.A. Pennebaker, this behind-the-scenes look at the 23-year-old Dylan set the standard for this kind of film. Its got all that famous imagery: the black-and-white verite photography, Dylan standing there tossing away cue cards with the lyrics to "Subterranean Homesick Blues." All impish charisma and childish impulse, Dylan tours England in 1965 with Joan Baez and Donovan, tussles with reporters and forges one of the many facets of his persona wed come to know, or at least think we know. "Walk Hard: The Dewey Cox Story" parodies this time in Dylans life with dead-on hilarity.

� "I Am Trying to Break Your Heart" 2002: Visually similar to "Dont Look Back" with its grainy, black-and-white cinematography, this documentary began life as an up-close depiction of the Chicago band Wilco as it stood on the brink of stardom. It ended up being an indictment of the corporations that run the recording industry. Led by singer-songwriter Jeff Tweedy, the band records its fourth album, "Yankee Hotel Foxtrot," only to reach an impasse with the label over its content. Frustrations lead to infighting. But director Sam Jones film also functions beautifully in its performance scenes, whether in the intimacy of rehearsal or on stage, where Wilco enjoys a cult-like fan following.

� "Metallica: Some Kind of Monster" 2004: A riveting look at a turbulent time in the monstrously popular metal bands history. You dont have to be a Metallica fan to enjoy this movie though there are plenty of recording sessions to watch if you are. Through the groups brutally honest therapy sessions, filmmakers Joe Berlinger and Bruce Sinofsky tell a story of loyalty, communication, redemption and the challenges that come with continuing a career in your 40s. The members of Metallica fight, record their album "St. Anger," fight some more, and eventually find some kind of peace. The film is so nonjudgmental � and often so insightful � it never falls into "Spinal Tap"-style parody.

� "Gimme Shelter" 1970: Another classic from another legendary documentarian, Albert Maysles. Here, the volatility doesnt just exist backstage, it permeates every scene, swelling as the film leads up to its explosive climax: the Rolling Stones concert at Altamont, where a clash between Hells Angels and fans results in death. Maysles follows the bands 1969 tour, and the feeling of dread is inescapable; the fact that we know whats coming at the end in no way depletes it of its suspense. Mick Jagger tries to quell tensions from the stage, but even being a sexy and charming rock star does no good in a violent crowd of hundreds of thousands. The bands reaction to the footage afterward is chilling.

� "Madonna: Truth or Dare" 1991: A striking mix of black and white with bursts of color during the concert scenes, which seems fitting for Madonna, given the dramatically fluctuating images of herself she presents to the world. Director Alek Keshishian follows Madonna on her grueling 1990 Blond Ambition tour and provides many of the moments weve come to associate with the pop star: the pre-show prayer circles, the sex games with her dancers, the backstage dissing of Kevin Costner. Shes always fully aware shes being filmed, of course � dont kid yourself that youre seeing the "real" Madonna. As "herself," though, she certainly gives a better performance than she did in "Swept Away." And if it doesnt happen on camera for Madonna, as Warren Beatty astutely observes, it may as well not happen at all.

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Think of any other examples? Share them with AP Movie Critic through Twitter: http://twitter.com/christylemire.



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British TV host Piers Morgan replaces Larry King

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Carrie Underwood gives herself good marks for film AP

NEW YORK Carrie Underwood thought shed walk away from her first movie experience vowing to stick to her day job.

But after a recent screening of "Soul Surfer," the Grammy-winning country superstar found she wasnt as bad as she thought shed be.

Underwood plays a youth counselor in the film, based on the true story of Bethany Hamilton, who lost her arm in a shark attack.

But while Underwood gives herself good marks for her work on "Soul Surfer," the 27-year-old singer says shes not ready to carry a film just yet.



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Affleck directs, stars in Boston thriller "The Town"

VENICE | Wed Sep 8, 2010 11:42am EDT

VENICE Reuters - Ben Affleck directs and stars in "The Town," a tense cops-and-robbers thriller set in Boston which is premiering out of competition at the Venice film festival.

Affleck, who made his directorial debut in 2007 with "Gone Baby Gone," also a Boston crime drama, plays the leader of a crew of ruthless bank robbers who dangerously falls for a woman the gang briefly takes hostage.

Overall his character, Doug, is painted in a sympathetic light as the FBI is closing in on him and he is torn between a desire to change life and the loyalty to his partners in crime who want to go for one last heist.

"The idea of whether or not I was glorifying a criminal character or minimizing the impact of violence was on my mind throughout and was really important," Affleck told reporters after a press screening.

"The need to reconcile those moral considerations with the demands of truthful storytelling was the central issue for me. I tried to be both as accurate and as complicated as I could because while I didnt want to glorify anything, I didnt want to oversimplify anything."

The film is based on Chuck Hogans novel "Prince of Thieves" and set in Bostons Charlestown neighborhood, which has had more bank and armored car robberies than anywhere in the United States.

Raised near Boston, Affleck said he felt comfortable he had tried to make the film as realistic as possible, visiting prisons and talking to former bank robbers and FBI agents.

"I was a little bit hesitant actually to do this because I did not want to be pigeonholed as the Boston director guy but I liked the part, I wanted to play the part, I believed the story was good," he told reporters after a press screening.

"I dont think you can like a movie like this or believe in a movie like this if you dont have a really strong sense of place, if you dont really believe that the characters are from there and that what you are seeing is really happening."

WANTS TO KEEP DIRECTING

He said both his two films as a director and "Good Will Hunting," for which he won an Oscar for best original screenplay with Matt Damon, focused on similar themes -- the influence growing up in a certain place has on people, and the fact that children often pay the price for their parents sins.

"I guess maybe its time that I try something new," he said, adding that he hoped to carry on as a director.

"I was a little bit nervous the first time out, I wasnt even sure Id be able to finish the movie having never been through the process. The second time I knew it was possible to kind of get to the finish line at the very least, so that gave me more confidence."

The films cast includes Jeremy Renner, who also starred in this years Oscar-winner "The Hurt Locker," Jon Hamm, a Golden Globe winner for his performance in the "Mad Men" TV series, and Rebecca Hall.

Affleck came to the Venice festival just days after his younger brother Casey took the Lido by storm with "Im Still Here," his documentary -- some say hoax -- on Joaquin Phoenix and his transition from acclaimed actor to shambolic hip-hop singer wannabe.



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CNN names Piers Morgan as Larry Kings replacement AP

NEW YORK CNN says Piers Morgan of "Americas Got Talent" will replace Larry King on the networks prime-time lineup in January.

Morgan, a veteran journalist who hosts a popular interview program in Britain, will do a similar show for CNN. His selection as Kings replacement had been widely expected for the past few months.

CNN President Jon Klein says Morgan is "able to look at all aspects of the news with style and humor with an occasional good laugh in the process."

The struggling news network will debut another prime-time show with former New York Gov. Eliot Spitzer and columnist Kathleen Parker in October.



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Guerra, Sanz lead Latin Grammy nominations AP

LOS ANGELES The Latin Grammy nominations spread the love between established artists and newcomers, nominating songwriters Juan Luis Guerra and Alejandro Sanz in four categories each.

The nominations announced Wednesday at Hollywoods Avalon nightclub also recognized new talents Jorge Drexler, an Uruguayan songwriter, and Mario Domm, the lead singer of the Mexican band Camila.

The rest of the nominations spanned the Latin Recording Academys multitude of genres from across Spain and the Americas, with three nods each to Camila, reggaeton star Daddy Yankee and Uruguays alt-rockers El Cuarteto de Nos.



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Rockers Disturbed dethrone Katy Perry on album chart

Wed Sep 8, 2010 11:57am EDT

LOS ANGELES Billboard - Alt-metal rock band Disturbed claimed its fourth No. 1 album on the U.S. pop chart Wednesday despite a hefty drop in first-week sales.

"Asylum," the bands fifth studio release, sold 179,000 copies during the week ended September 5, according to tracking firm Nielsen SoundScan. Only two other rock bands have topped the Billboard 200 chart with four consecutive studio sets: Metallica and Dave Matthews Band.

Disturbeds previous album, "Indestructible," started off with 253,000 copies in 2008. The Chicago group also debuted at No. 1 with 2005s "Ten Thousand Fists" 239,000 and 2002s "Believe" 284,000. Its 2000 debut, "The Sickness," peaked at No. 29.

Last weeks No. 1, Katy Perrys "Teenage Dream," slid to No. 4 with 88,000 in its second round.

But another female singer/songwriter could claim the crown next week: Sara Bareilles second album, "Kaleidoscope Heart," is expected to sell 90,000 to 100,000 copies by weeks end on September 12, enough to replace Disturbed if its album suffers a similar 60 percent second-week drop as its previous one. Bareilles first set, "Little Voice," peaked at No. 7 in 2008.

Four other albums debuted in the top 10, with the "Now 35" hits compilation coming in at No. 2 with 105,000 copies.

R&B singer Lyfe Jennings "I Still Believe" entered at No. 6 with 36,000 copies; his last effort, 2008s "Lyfe Change," debuted and peaked at No. 4 with 80,000.

The Goo Goo Dolls first studio album in four years, "Something For the Rest Of Us," launched at No. 7 with 34,000. The rock trios 2006 set "Let Love In" opened and peaked at No. 9 with 83,000.

Veteran rock band Heart snagged its first top-10 set in 20 years as "Red Velvet Car" drove in at No. 10 with 27,000. Its the first studio effort for sisters Ann and Nancy Wilson since 2004s "Jupiters Darling" reached No. 94. In 1990, the bands "Brigade" peaked at No. 3.

Elsewhere, Eminems "Recovery" held at No. 3 with 93,000, and Fantasias "Back To Me" dropped three slots to No. 5 in its second week with 40,000.

Justin Biebers "My World 2.0" slipped one to No. 8 with 31,000, while the "Camp Rock 2: the Final Jam" soundtrack soared 13 places to No. 9 with 28,000 in the wake of the movies premiere on Disney Channel last week.

Overall album sales totaled 5.22 million units, up 2% compared to the previous week, but down 17% compared to the comparable sales week of 2009. Year to date sales stand at 200.6 million, down 12% compared to the same total at this point last year.



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Clooney and Knightley in London Film Fest entries AP

LONDON In an age of austerity, the London Film Festival is hoping that uncertainty will be good for creativity, and that Hollywood glamour and plucky British filmmaking can be a balm for economic woes.

The lineup for the 54th annual festival, announced Wednesday, features fewer world premieres, and perhaps fewer A-list stars, than last year, but has a slate of British and international movies that organizers say is one of the strongest in years.

The lineup of more than 300 features and shorts includes films starring George Clooney, Keira Knightley, Colin Firth and Natalie Portman, while Naomie Harris, Helena Bonham Carter and Julianne Moore are also expected to grace the red carpet.

"Its hard to recollect a year when the program has been so varied," artistic director Sandra Hebron said. "And theres the strongest British selection weve had for a long time."

The Oct. 13 opener is Mark Romaneks "Never Let Me Go," an adaptation of Kazuo Ishiguros haunting novel starring Knightley, Carey Mulligan and Andrew Garfield as friends at an unusual boarding school negotiating a rocky path to adulthood.

Clooney plays a world-weary assassin in "The American," from Dutch director Anton Corbijn "Control", while Portman is a dancer in Darren Aronofskys ballet thriller "Black Swan," which generated a buzz at this months Venice Film Festival.

Other galas include "Conviction," starring Hilary Swank as a woman on a quest to clear her brother of murder; Julian Schnabels Palestinian drama "Miral"; and inspiring African tales "The First Grader" � about an 84-year-old Kenyan starting primary school � and "Africa United," the story of a group of youngsters determined to reach the World Cup in South Africa.

British films carrying big expectations include "The Kings Speech," starring Firth as King George VI, the British monarch during World War II who struggled to overcome a severe stutter.

There are films from British veterans Mike Leigh "Another Year" and Peter Mullan "Neds", and newcomers including artist Gillian Wearing "Self Made and actor Richard Ayoade "Submarine".

The slate of films from 67 countries should include something for everyone, from fans of French New Wave iconoclast Jean-Luc Godard "Film Socialisme" to lovers of Motorhead singer Lemmy, star of an eponymous documentary.

Several films look at the difficult legacies of the wars in Iraq and Afghanistan. Ken Loachs "Route Irish" follows a pair of military contractors, while Brian Welshs "In Our Name" depicts an Iraq veteran struggling to come to terms with her experiences. Documentary "The Tillman Story" looks at the controversial death of Pat Tillman, the NFL player turned U.S. soldier killed in Afghanistan.

The festival closes Oct. 28 with Danny Boyles "127 Hours," based on the true story of climber Aron Ralston, who amputated his own arm after it was trapped by a boulder in a Utah canyon.

London is one of the worlds oldest film festivals. This years austerity-tinged edition features 11 world premieres, down from 15 in 2009, alongside the pick of British and world cinema from the past year.

Amanda Nevill, director of festival organizer the British Film Institute, acknowledged that "the entire film firmament is being changed as we speak" amid British government spending cuts and the abolition of a major funding body, the U.K. Film Council.

"There isnt time to mourn the old order," she said. "We have to get on and shape our destiny and look to the future."

Hebron said the turbulence could have a positive side.

"It does seem that times of change produce interesting culture," she said.

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Online: http://www.bfi.org.uk/lff/



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Stars on ice: Hockey musical opens Toronto fest AP

TORONTO The Toronto International Film Festival may be a prime launching place for big Hollywood movies and Academy Awards contenders, but it gets under way Thursday with something purely Canadian: hockey.

Director Michael McGowans "Score: A Hockey Musical" opens the 11-day festival, the film featuring Olivia Newton-John as the mother of a teenage hockey sensation whose adventures play out amid bursts of song from the cast.

"It seems like its in the zeitgeist. Everything from `Glee to `Once, theres an appetite for musicals," McGowan said. "We do hockey and we do music really well in Canada, and the fact that they havent been combined before seems really amazing."

With 258 feature films and 81 short films, the Toronto lineup includes entries from such filmmakers as Clint Eastwood, Robert Redford and Ben Affleck, and features such talent as Bruce Springsteen, Matt Damon, Helen Mirren, Hilary Swank, Keira Knightley and Robert De Niro.

"Its actually a really killer year, a great lineup," said Cameron Bailey, the festivals co-director. "The advantage we have in terms of being a fall festival is that fall is really when the film world gets serious. A lot of big films choose to premiere here because theyre heading to a theatrical premiere and hopefully an awards run."

The timing is right for a banner year. The festival is marking its 35th year, having grown from a local showcase for Canadian films to an international stage to premiere many of the biggest releases in cinema.

The festival also is opening its new permanent home, the Bell Lightbox, a $181 million facility with theaters, restaurants, art galleries and other facilities.

With films ranging from stark drama and sober documentaries to wild comedy and bloody midnight horror flicks, Toronto is known as a place for movie fans of every sort, rather than the industry types who are the prime audience at many festivals.

Unlike such festivals as Cannes, Venice, Sundance and Berlin, Toronto is a noncompetitive event where filmmakers are not up against one another for prizes.

"Its way more laid back," said Damon, who stars in Eastwoods "Hereafter," a drama centered on three characters with unusual connections to the afterlife, and also narrates "Inside Job," director Charles Fergusons documentary about the 2008 economic crisis. Both films play Toronto ahead of their theatrical release in October.

"I like festivals in general as an alternative to the premieres, because you end up getting a bunch of filmmakers in the same place, and you can run around, catch other peoples movies. Youre always bumping into friends," Damon said.

Among Damons friends at Toronto is Affleck, who directs and stars in the bank robbery thriller "The Town," which screens at the festival ahead of its theatrical debut next week.

His brother, Casey Affleck, is in town with "Im Still Here," his documentary about brother-in-law Joaquin Phoenixs shift from acting to hip-hop music.

The film plays Toronto just as it arrives in theaters Friday, one of several movies using the festival for a last-minute publicity boost before going in front of general audiences.

"Its a testament to the prominence of this festival and its growing influence that people are more commonly using it as a launching point for their movies," Ben Affleck said. "Everyone whos releasing a movie wants to get exposure, but they also want to do it in the right way, and Toronto works really well, because the audiences really like and appreciate movies. They think and talk about them in a way that you really want."

Sundance Film Festival overseer Redford directs a hotly anticipated premiere at Toronto with "The Conspirator," a Lincoln assassination drama starring James McAvoy, Robin Wright, Evan Rachel Wood and Kevin Kline.

Also playing Toronto: "The Debt," with Mirren and "Avatar" star Sam Worthington in a thriller about Israeli agents hunting a Nazi butcher; "Conviction," starring Swank as a woman who puts herself through law school on an 18-year quest to free her brother on a murder rap; "Never Let Me Go," featuring Knightley, Carey Mulligan and new "Spider-Man" star Andrew Garfield as British boarding school friends with a stark destiny; and "Stone," with De Niro, Edward Norton and Milla Jovovich in a drama about a prison inmate manipulating a parole officer to secure his freedom.

Norton also is host for a chat with Springsteen, who comes to Toronto for the premiere of "The Promise: The Making of `Darkness on the Edge of Town," a documentary about his 1978 album.

Many films come to the festival with a distributor already in place. Many more arrive with hopes of catching the eye of buyers willing to put the films in theaters.

"A perfect world for me is getting the right distributor, because Ive seen what happens with some films when they dont," said Dustin Lance Black, Oscar-winning screenwriter of "Milk," who makes his writing-directing debut with the Toronto premiere "Whats Wrong With Virginia," starring Jennifer Connelly as a mentally ill woman whose affair with a Mormon sheriff Ed Harris endangers his political future.

"A perfect world is leaving Toronto with interest from at least one if not more than one company that I really feel confident could do a great job getting the movie out there," Black said. "Thats what these movies need. They need a shepherd, somebody taking care of them and falling in love with them the way you did when you first started working on it."

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Online:

Toronto International Film Festival: http://tiff.net



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Bonanza producer David Dortort dies at 93 AP

LOS ANGELES David Dortort, who produced "Bonanza," "The High Chaparral" and other TV Westerns, has died. He was 93.

His business manager, Mads Bjerre, tells the Los Angeles Times that Dortort died in his sleep Sunday at his West Los Angeles home.

"Bonanza" starred Lorne Green as the patriarch of a family that lived on the Ponderosa Ranch in Nevada. The show was the first prime-time Western to be broadcast in color when it debuted in 1959 and ran 14 seasons. It became one of the highest-rated and best-loved shows on television.

Dortort also was executive producer of "The High Chaparral," which ran from 1967 to 1971, and the 1979 miniseries "The Chisolms," along with several later "Bonanza" TV movies.

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Information from: Los Angeles Times, http://www.latimes.com



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Shaken not stirred: 007s Aston Martin goes up for auction

PARIS | Wed Sep 8, 2010 10:17am EDT

PARIS Reuters - James Bond fans with deep pockets will soon have the chance to get their hands on the ultimate piece of 007 memorabilia, as the martini-sipping, daredevil spys Aston Martin DB5 goes up for auction next month.

The sleek silver sports car, driven by the British secret agent played by Sean Connery in "Goldfinger," kicked off the gadgetmania for which the Bond films, based on Ian Flemings novels, later became known.

The DB5 being sold is factory-fitted with gadgets including the machine guns, revolving number plates, oil slick sprayer and smoke screen that helped 007, aided by Bond Girl Pussy Galore, outwit gold smuggler Auric Goldfinger in the 1964 blockbuster.

The gadgets are all controlled by toggles and switches hidden in the center arm-rest, said collector car auction house RM Auctions, which is presenting the car with Sothebys.

The DB5 also featured in the 1965 Bond film "Thunderball," as Bond battled to track down two stolen atomic bombs and foil a plan to blow up Miami as the world was held to ransom.

RM expects the car to raise over $5 million at the Automobiles of London event in Battersea, south London, on October 27. That would be the most ever paid for a vehicle from a film, it said.

The DB5 is one of two originals featured on screen in the two Bond films, RM said. The other, sold twice at auction, was stolen in 1997 from an airport in Florida, and never recovered.

The remaining DB5 is being sold by Philadelphia-based radio broadcaster Jerry Lee, who bought it for $12,000 in 1969. Proceeds will go toward The Jerry Lee Foundation, an organization dedicated to solving social problems.

Reporting by Helen Massy-Beresford; Additional Reporting by Gilles Guillaume, editing by Paul Casciato



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SNL alum Amy Poehler to guest host season opener AP

NEW YORK NBC says "Saturday Night Live" will launch its 36th season on Sept. 25 with host Amy Poehler and musical guest Katy Perry.

Poehler is a former "SNL" cast member and will return to make her hosting debut. Perrys No. 1 smash "California Gurls" has become the song of the summer.

NBC says "SNL" will welcome four new cast members this season. They include Vanessa Bayer, Paul Brittain, Taran Killam TEH-ruhn KIHL-uhm and Jay Pharoah.

Cast member Will Forte recently left the show after eight seasons and Jenny Slate left after one season.

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NBC is owned by General Electric.

___

Online:

http://www.nbc.com



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Blairs book party postponed after protest threat AP

LONDON A book-launch party for former British Prime Minister Tony Blair at Londons top modern art venue has been postponed following a threat by protesters to picket the event.

Blair spokesman Matthew Doyle said the Wednesday party at the Tate Modern had been pushed back, but would not say until when. He also refused to comment about why the party had been put off.

Blairs book, "A Journey," has reawakened the controversy over his decade at the top of British politics, particularly his decision to take the country to war in Iraq.

Blairs appearance at a book signing in Irelands capital last week was greeted with a group of rowdy projectile-throwing protesters, while a book-signing event at Waterstones bookstore in central London was canceled due to security concerns.

Anti-war activists claimed the bookstore cancellation as a victory, then expressed anger when word got out that Blair was still planning to attend a party at the Tate Modern, a power plant-turned-art gallery on the south bank of the River Thames. Blairs critics in the art world also expressed annoyance at the choice of venue, with Vivienne Westwood, Tacey Emin, and Brian Eno writing to The Guardian to say that holding the party at the Tate was a disgrace.

The Tate said in a statement that it did not comment on the private events it hosted.

Lindsey German of the Stop The War Coalition said she was pleased that Wednesdays event had been canceled.

"It shows he is running scared," she said of Blair, batting away criticism that his group was unfairly hounding the former British leader. "The people who say we should not protest are denying us the right to persist in asking questions about the war and denying the rights of Iraqis who are still suffering because of Blairs policies."

Blair was paid a 4 million pound $7 million advance for "A Journey," in which he defends his 1997-2007 tenure in office and his role in precipitating the war in Iraq. The book is a best-seller � currently No. 1 in Amazons British rankings and in the top 20 in its U.S. ones.

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Online:

A Journey: http://www.tonyblairjourney.co.uk/

Stop the War Coalition: http://stopwar.org.uk/



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Snooki due in NJ court on charge of being annoying AP

SEASIDE HEIGHTS, N.J. Heres the situation: Nicole Polizzi, better known to the world as Snooki from the MTV show "Jersey Shore," faces charges of being criminally annoying.

But unlike the popular reality show, her scheduled court appearance Wednesday will be 100 percent real. She faces disorderly conduct charges of being a public nuisance and annoying others on the Seaside Heights beach in late July.

Polizzis attorney has entered not guilty pleas on her behalf.

"Jersey Shore" chronicles the carryings-on of a group of hard-partying, 20-something Italian-Americans at a beach house on the Seaside Heights boardwalk.

It has offended Italian-American groups but remains one of MTVs highest-rated shows. The reality show is on its third season.



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Angelina Jolie condemns planned Quran burning AP

ISLAMABAD Angelina Jolie on Wednesday condemned a Florida churchs threat to burn copies of the Muslim holy book to mark the ninth anniversary of the Sept. 11 attacks.

The 35-year-old actress spoke out against the proposed burning during a trip to Pakistan to raise awareness about the floods that have devastated the largely Muslim country over the last six weeks. She visited in her capacity as a goodwill ambassador for the U.N.s refugee agency.

Jolies criticism echoed that of top U.S. officials, who have described the churchs plan as a disgraceful act and have even warned that it could endanger U.S. troops in Afghanistan and Americans worldwide.

"I have hardly the words that somebody would do that to somebodys religious book," Jolie told reporters in Islamabad after visiting refugees camps in northwestern Pakistan � one of the areas of the country hit hardest by the floods.

The Christian minister organizing the Quran burning, Pastor Terry Jones, has said he plans to go ahead in spite of concerns. He is part of the Dove World Outreach Center, a tiny, evangelical Christian church in Gainesville, Florida, with an anti-Islam philosophy.

The issue has not gotten much attention in Pakistan, where officials and residents have been trying to cope with the devastation caused by floods that first hit the country at the end of July following extremely heavy monsoon rains. The floodwaters have killed more than 1,700 people and have affected over 18 million others.

"I was shocked especially by how high the floodwaters went," said Jolie, who wore a long dress and covered her hair with a black scarf in keeping with local Muslim custom. "In some of the peoples houses, it was nine feet three meters high."

U.N. officials have expressed hope that Jolies visit would help spark the fundraising campaign to help Pakistan, which has stalled in recent days. The U.N. issued an appeal for $460 million in emergency funds on Aug. 11, but only $294 million, or 64 percent, has been received so far even though it is one of the worst natural disasters in recent years.

"Theres lots of speculation about why this one has not gotten the attention it deserves," Jolie said. "Even all of the wonderful coverage ... is not getting the response that usually its able to get."



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Angelina Jolie upset over Koran-burning plan

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Bob Marleys daughter pleads guilty to drug charge AP

WEST CHESTER, Pa. The youngest child of reggae legend Bob Marley has admitted growing marijuana in her Philadelphia-area home.

The Daily Local News of West Chester reports 29-year-old Makeda Jahnesta Marley pleaded guilty Tuesday to having nearly a dozen large marijuana plants inside her home in Caln, about 30 miles west of Philadelphia.

Marley was arrested in 2008 after police say they found her removing plants from the basement when officers arrived on a domestic dispute call.

At a February hearing, Marley told the court she had exhausted a trust fund she received from her fathers estate when she turned 18.

Sentencing is scheduled for October. Prosecutors withdrew a mandatory one-year prison sentence as part of a plea agreement.

A message left early Wednesday for Marleys attorney was not immediately returned.

___

Information from: Daily Local News, http://www.dailylocal.com



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Austrian kidnap victim details ordeal in new book AP

VIENNA An Austrian woman kidnapped at age 10 says she was repeatedly beaten, starved and forced to do housework half-naked during her 8 1/2 years at the mercy of a man who admired Hitler and considered himself an Egyptian god.

In a new book about her ordeal, Natascha Kampusch also describes how her abductor, Wolfgang Priklopil, shaved off all her hair and shackled her to him on his bed once she turned 14.

Priklopil snatched Kampusch off a Vienna street on her way to school in 1998 and held her prisoner in a dungeon under his suburban home until she fled in August 2006. He committed suicide within hours of her escape. The case horrified Austrians and made headlines around the world.

In "3,096 Days," penned with the help of two authors, Kampusch describes Priklopil as a paranoid, unpredictable and cleanliness-obsessed man who systematically tormented her physically and verbally.

"In many respects, the kidnapper was a beast and more cruel than can possibly be depicted," Kampusch wrote, according to an English edition to be released Sept. 16 in Britain.

Over the years, he attacked her using not only his hands and feet but also a sack of cement, pruning shears and even a crowbar.

"Sometimes he beat me so long it felt like hours," Kampusch wrote.

Priklopil found other ways to humiliate her.

"In the house I always had to work half-naked, and in the garden I was principally not allowed to wear any knickers," Kampusch wrote. "It was one of the ways to keep me down."

He also deprived her of food, telling her she was fat and ugly.

"The kidnapper knew precisely which buttons he had to push to land blows to my self esteem, and he pressed them mercilessly," wrote Kampusch, who weighed a mere 38 kilograms 84 pounds at age 16.

Kampusch describes how, as a teenager, she spent nights in Priklopils bed with her wrists tied to his.

"The man who beat me, locked me in the cellar and starved me, wanted to cuddle," she wrote.

She also recalled the horror of having her hair shaved off because Priklopil considered every single strand a danger, to be potentially used by police to trace her.

"Not even the minutest hair was allowed to remain. Anywhere."

The now 22-year-old was later allowed to grow out her hair but had to die it "peroxide blond" to conform to her captors image of the ideal woman: "obedient, hardworking, blond."

Kampusch describes how, in desperation, she tried to strangle herself several times using pieces of clothing and attempted to commit suicide by setting fire to paper and toilet rolls on a hotplate in her underground cell. At the last minute, her "will to survive" resurfaced.

But there were moments when Kampusch stood up to the man who once told her he was an Egyptian god from the science fiction series "Stargate." Not only did she refuse to call Priklopil "maestro" or "my lord," she also resisted kneeling in front of him. At 15, she said she even "punched" him in the stomach.

Although Kampusch wrote that she couldnt stand a chance against him, "fighting back became vital to my survival."

Kampusch attempts to explain why Priklopil kidnapped her, saying he wanted someone for whom he was "the most important person in the world."

"Today I believe that Wolfgang Priklopil, in committing a terrible crime, wanted to create nothing more than his own little perfect world with a person that could be there just for him," she wrote.

Kampusch will officially present "3,096 Days" in the Austrian capital Thursday. English editions will also be available in some countries, including Australia, South Africa, New Zealand, Canada and India.



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Sara Bareilles and Pharrell? Awkward as it sounds AP

NEW YORK The idea of Sara Bareilles and Pharrell working on music sounds odd enough � but its not nearly as awkward as the actual event.

The piano-playing songstress was exploring a new sound for her sophomore CD when she decided to try and work with the hitmaker for Jay-Z, Justin Timberlake, Gwen Stefani and more. When she walked in for her recording session, Pharrell was getting a haircut.

It went downhill from there.

"Im not a very good collaborator and I didnt really know how to do it. ... I felt really uncomfortable with just the process and so I think thats why we didnt really get anything out of it," Bareilles said.

Though the 30-year-old earned Grammy nods for her breakthrough hit, "Love Song," Bareilles said she struggled to come up with new material for the follow-up to her platinum-selling 2007 debut, "Little Voice."

"I hadnt really prepared for what would come after that," she said.

Then she recorded "Uncharted," a pop tune about messing up � and moving along. Things got easier after that.

Bareilles talked recently about the steps that led to "Kaleidoscope Heart," out this week.

____

The Associated Press: Why is songwriting with others tough for you?

Bareilles: Im not a great co-writer. I have a lot of respect for people that can do it well, Im just terrible at it. ... I dont know. I feel like what comes out of it is always something I feel a sense of detachment to and it sort of makes me feel like, I dont know, unable or unwilling to want to sing it as a part of my normal repertoire.

AP: Those songs you recorded with Pharrell � where will they end up?

Bareilles: I would love to probably re-approach it instead of using what we ended up with. Id love to do it again now that its not such a new experience. I think I have that tendency where my knee-jerk reaction is to sort of clam up and close myself off from doing something Ive never done before. And its totally something Im trying to let go of. I dont know why I get so, I dont know, nervous? I think I was star-struck, honestly.

AP: How did you come up with the first single?

Bareilles: "King of Anything" was sort of a pep talk, its actually very similar to the way "Love Song" came about. ... It was written at the point where I was just starting to share the music and then people start to give you their feedback on it and youre like, "Oh, you dont like that part and you think I should change those words." Laughs. ... Theres lots of people that arent going to like this record, you know, that dont like my music anyway and people feel very vocal. Like, people are really brave in what they say to you these days.

AP: Did you always want to be a singer?

Bareilles: I dont know if I articulated that in my brain as a child, but I think I always felt like that was where I was the most confident and at peace and felt like it was my calling. I think I always thought I would do theater though because I grew up doing musical theater. So I think I always sort of anticipated, like, being on Broadway or something.

AP: Heading to Broadway soon?

Bareilles: Oh god I would love it. ... I have mad respect for the performers on Broadway and I would only want to do it if I could do an incredible job. ... So I think I would have some homework to do before I could step up on stage.

AP: A lot of contemporary singers have delved into a more electro-pop, dance sound. Are you next?

Bareilles: I feel like it would feel like wearing somebody elses underwear because its really not laughs ... it doesnt feel kind of congruent with who I really think I am musically. But you never know. Theres great collaborations out there and I think there would be a way to do it musically where it felt good to me, but its not immediately a genre Ive always loved or wanted to do.

AP: You should do a song with Carlos Santana.

Bareilles: Me and Santana? OK. Can you make that happen? Give him a call.

___

Online:

http://www.sarabmusic.com



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Judge calls Nicollette Sheridan lawsuit "annoying"

Thomson Reuters is the worlds largest international multimedia news agency, providing investing news, world news, business news, technology news, headline news, small business news, news alerts, personal finance, stock market, and mutual funds information available on Reuters.com, video, mobile, and interactive television platforms. Thomson Reuters journalists are subject to an Editorial Handbook which requires fair presentation and disclosure of relevant interests.

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